Museum Of Lost Wonder

Presents an interactive history of the human imagination, separated by the seven stages of alchemical process, encouraging readers to question their understanding of life and the way in which imagination is quantified.

Open this book & step into an alternative world full of compelling images, historical tidbits, & challenges to common myths. Peruse these seven halls: Calcinatio, The Hall of Technology; Solutio, the Hall of Aquaria; Coagulatio, the Zoological Garden; Sublimatio, The Observatory; Mortificatio, The Mausoleum of History; Separatio, The Laboratory of Science & Faith; & Conjunctio, The Gallery to the Arts. Hoke blends his knowledge of science & art with his studies of 14th-cent. alchemy & the origins of philosophy & scientific theory, creating exhibits in his ¿museum: that dazzle the imagination. These magnificent illustrations return us to an era where the physician was also the magician, & the astronomer the astrologer. Includes seven paper do-it-yourself models.

The first people in the New World were few, their encampments fleeting. On a side of the planet no human had ever seen, different groups arrived from different directions, and not all at the same time. The land they reached was fully inhabited by megafauna—mastodons, giant bears, mammoths, saber-toothed cats, enormous bison, and sloths that stood one story tall. These Ice Age explorers, hunters, and families were wildly outnumbered and many would themselves have been prey to the much larger animals. In Atlas of a Lost World, Craig Childs blends science and personal narrative to upend our notions of where these people came from and who they were. How they got here, persevered, and ultimately thrived is a story that resonates from the Pleistocene to our modern era, and reveals how much has changed since the time of mammoth hunters, and how little. Through it, readers will see the Ice Age, and their own age, in a whole new light.

More than a hundred years ago, Sir Arthur Conan Doyle wrote a novel called The Lost World with the exciting premise that dinosaurs and other prehistoric beasts still ruled in South America. Little did Conan Doyle know, there were terrifying monsters in South America--they just happened to be extinct. In fact, South America has an incredible history as a land where many strange creatures evolved and died out. In his book Giants of the Lost World: Dinosaurs and Other Extinct Monsters of South America, Donald R. Prothero uncovers the real science and history behind this fascinating story. The largest animal ever discovered was the huge sauropod dinosaur Argentinosaurus, which was about 130 feet long and weighed up to 100 tons. The carnivorous predator Giganotosaurus weighed in at more than 8 tons and measured more than 47 feet long, dwarfing the T. rex in comparison. Gigantic anacondas broke reptile records; possums evolved into huge saber-toothed predators; and ground sloths grew larger than elephants in this strange, unknown land. Prothero presents the scientific details about each of these prehistoric beasts, provides a picture of the ancient landscapes they once roamed, and includes the stories of the individuals who first discovered their fossils for a captivating account of a lost world that is stranger than fiction.

In the prehistoric Copper Age, long before cities, writing, or the invention of the wheel, Old Europe was among the most culturally rich regions in the world. Its inhabitants lived in prosperous agricultural towns. The ubiquitous goddess figurines found in their houses and shrines have triggered intense debates about women's roles. The Lost World of Old Europe is the accompanying catalog for an exhibition at New York University's Institute for the Study of the Ancient World. This superb volume features essays by leading archaeologists as well as breathtaking color photographs cataloguing the objects, some illustrated here for the first time. The heart of Old Europe was in the lower Danube valley, in contemporary Bulgaria and Romania. Old European coppersmiths were the most advanced metal artisans in the world. Their intense interest in acquiring copper, Aegean shells, and other rare valuables gave rise to far-reaching trading networks. In their graves, the bodies of Old European chieftains were adorned with pounds of gold and copper ornaments. Their funerals were without parallel in the Near East or Egypt. The exhibition represents the first time these rare objects have appeared in the United States. An unparalleled introduction to Old Europe's cultural, technological, and artistic legacy, The Lost World of Old Europe includes essays by Douglass Bailey, John Chapman, Cornelia-Magda Lazarovici, Ioan Opris and Catalin Bem, Ernst Pernicka, Dragomir Nicolae Popovici, Michel Séfériadès, and Vladimir Slavchev.

This book addresses questions about theories of heritage, its methodologies of research, and where its boundaries lie with tourism, urban development, post-disaster recovery, collective identities, memory, or conflict. This book is a collection of heritage studies from a critical perspective as a product of the 2018 ACHS (Association of Critical Heritage Studies) Conference in Hangzhou, the largest conference of its kind in Asia. The contributors cover a wide spectrum of issues in heritage studies, such as heritage management, accessibility to heritage, heritage conservation and heritage policy, and heritage representation. It also examines the various contexts within which heritage emerges and how heritage is constructed within that context. Analyses are based on not only representations of heritage but also on the performativity. Explorations touch upon community involvement, landscape history, children’s literature, endangered food, architecture, advertisement, allotment garden, and gender and visual art. As heritage has always been a locus of contested verities, the book offers a variegated approach to heritage studies. It provides students and scholars new perspectives on heritage study.

Metaphor, which allows us to talk about things by comparing them to other things, is one of the most ubiquitous and adaptable features of language and thought. It allows us to clarify meaning, yet also evaluate and transform the ways we think, create and act. While we are alert to metaphor in spoken or written texts, it has, within the visual arts, been critically overlooked. Taking into consideration how metaphors are inventively embodied in the formal, technical, and stylistic aspects of visual artworks, Mark Staff Brandl shows how extensively artists rely on creative metaphor within their work. Exploring the work of a broad variety of artists – including Dawoud Bey, Dan Ramirez, Gaëlle Villedary, Raoul Deal, Sonya Clark, Titus Kaphar, Charles Boetschi, and more– he argues that metaphors are the foundation of visual thought, are chiefly determined by bodily and environmental experiences, and are embodied in artistic form. Visual artistic creation is philosophical thought. By grounding these arguments in the work of philosophers and cultural theorists, including Noël Carroll, Hans Georg Gadamer, and George Lakoff, Brandl shows how important metaphor is to understanding contemporary art. A Philosophy of Visual Metaphor in Contemporary Art takes a neglected feature of the visual arts and shows us what a vital role it plays within them. Bridging theory and practice, and drawing upon a capacious array of examples, this book is essential reading for art historians and practitioners, as well as analytic philosophers working in aesthetics and meaning.

When imagination becomes habit, it can transform your work and your life The best corporations know that innovative thinking is the only competitive advantage that cannot be outsourced. The best schools are those that create cultures of imagination. Now in paperback, Imagination First introduces a wide-variety of individuals who make a habit of imaginative thinking and creative action, offering a set of universal practices that anyone can use to transform their life at work, home, and play. These 28.5 practices will enable anyone to become more imaginative and to teach others to do so as well?from corporate executive to educator to platoon sergeant. Bonus content includes Winning "practices" submitted by the public Guidelines for educators who want to cultivate creativity in their classrooms Expanded resource section The book is filled with illustrative stories of creative leaders, teachers, artists, and scientists that clearly illustrate the original practices and new material that shows how to bring imagination to life.