My Reminiscences The Original Classic Edition

Rabindranath Tagore, sometimes referred to as the Bard of Bengal, was a poet, composer, and artist active in the latter half of the 19th century and the first half of the 20th century. His poetry had a profound impact on Bengali literature—so much so that in 1913 he became the first non-European to win the Nobel Prize in Literature. Today Tagore is recognized for transforming Bengali art, moving it away from its classical forms by embracing the Bengal Renaissance. Though his artistic output spanned many disciplines, his most famous is perhaps Gitanjali, his collection of poems that he himself later translated to English. His impact on Indian and Bengali letters can be exemplified by the fact that two of his compositions were chosen as national anthems—“Jana Gana Mana” for India, and “Amar Shonar Bangla” for Bangladesh—and that the Sri Lankan national anthem was inspired by his work. In these autobiographical sketches Tagore gives us windows into his childhood, his youth, and his blossoming as a writer and as a lyricist. He stresses that this is not an autobiography, but more like a palimpsest of memories: glimmers and shadows that illustrate his artistic development, not a strict record of his life.

Rabindranath Tagore was a regular contributor to Sabuj Patra. Many of his early 20th century works including the Balaka poems, two of his novels, Ghare Baire and Chaturanga, a play titled Phalguni and a considerable lot of short stories and essays were published in this journal. In Sabuj Patra, Tagore expressed his revolutionary view on society and political situations of contemporary times through his fiction and prose. Haimanti and Streer Patra caused a frown of contemporary Bengali society as well as his essays Bastab and Lokohito were severely attacked in conservative journals like Sahitya and Narayan. These Reminiscences were written and published by the Author in his fiftieth year, shortly before he started on a trip to Europe and America for his failing health in 1912. It was in the course of this trip that he wrote for the first time in the English language for publication. In these memory pictures, so lightly, even casually presented by the author there is, nevertheless, revealed a connected history of his inner life together with that of the varying literary forms in which his growing self found successive expression, up to the point at which both his soul and poetry attained maturity. This lightness of manner and importance of matter form a combination the translation of which into a different language is naturally a matter of considerable difficulty. It was, in any case, a task which the present Translator, not being an original writer in the English language, would hardly have ventured to undertake, had there not been other considerations. The translators familiarity, however, with the persons, vi scenes, and events herein depicted made it a temptation difficult for him to resist, as well as a responsibility which he did not care to leave to others not possessing these advantages, and therefore more liable to miss a point, or give a wrong impression. The Translator, moreover, had the authors permission and advice to make a free translation, a portion of which was completed and approved by the latter before he left India on his recent tour to Japan and America. In regard to the nature of the freedom taken for the purposes of the translation, it may be mentioned that those suggestions which might not have been as clear to the foreign as to the Bengali reader have been brought out in a slightly more elaborate manner than in the original text; while again, in rare cases, others which depend on allusions entirely unfamiliar to the non-Indian reader, have been omitted rather than spoil by an over-elaboration the simplicity and naturalness which is the great feature of the original. There are no footnotes in the original. All the footnotes here given have been added by the Translator in the hope that they may be of further assistance to the foreign reader

“My Reminiscences” is Rabindranath Tagore's 1917 memoir written just before he embarked on a trip to Europe and America in 1912 due to his bad health. Rabindranath Tagore FRAS (1861–1941) was a Bengali writer, poet, painter, and composer who is credited with reshaping Bengali and Indian art through Contextual Modernism in the late nineteenth and early twentieth centuries. In 1913 he became the first non-European winner of the Nobel Prize in Literature. “My Reminiscences” offers a unique insight into the life and mind of this amazing polyglot who single-handedly changed the face of literature, art and music on the Indian subcontinent. Contents include: “Teaching Begins”, “Within and Without”, “Servocracy”, “The Normal School”, “Versification”, “Various Learning”, “My First Outing”, “Practising Poetry”, “Srikantha Babu”, “Our Bengali Course Ends”, etc. Other notable works by this author include “The Fatal Hunt” (1882) and “The Play of Illusions” (1888). Read & Co. Books proudly republishing this classic autobiography now in a new edition complete with a specially-commissioned new biography of the author.

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Excerpt from My Reminiscences To me this is the most memorable period of my poetic career. As poems my Evening Songs may not have been worth much, in fact as such they are crude enough. Neither their metre, nor language, 'nor thought has taken definite shape. Their only merit is that for the first time I had come to write what I really meant, just according to my pleasure. What if those compositions have no value, that pleasure certainly had. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Excerpt from My Reminiscences, Vol. 1 of 2 Once upon a time an Italian nobleman built himself a funereal monument. On being asked why he did not leave the care of this work to his relatives after his death, he replied that he had little confidence in their taking the trouble or going to the expense of doing so. Agreeing with this Italian, I have compiled these recollections from my old journals - diaries which will probably serve to light the kitchen fire when their author has departed. At any rate, I save others the trouble of looking through a large amount of ill-written MSS.; and I hope that these Reminiscences will not prove entirely without interest to the general reader, on whose indulgence I throw myself. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.