Narrating The Thirties

In a series of case-studies, ranging widely from documentary film and the writings of J.B. Priestley to postwar historiography and Remains of the Day, this book explores the ever-changing and hotly contested narratives of Britain in the 1930s. The authors argue that images of 'the Thirties' have been a continual presence in the construction of the wartime and postwar world, and in particular in the emergent discourse of social democracy and its subsequent decline.

Ever since the 1930s, stories about 'Britain in the thirties' have been numerous, contradictory and hotly contested. It is the 'red decade' of Spain and the Communist poets. It is the 'devil's decade' of mass unemployment and hunger marches, of Blackshirts, appeasement, and the drift towards war. It is the first age of high mass consumption, of suburbia, the Daily Express and dance-bands on the radio. It is the last age of high-spending luxury, of Brideshead, art-deco nightclubs and transatlantic liners. It is the moment of capitalism's crisis, and/or of its renewal. John Baxendale and Chris Pawling argue that none of these narratives represents the 'real' thirties. Rather, the ever-changing constructions of the decade have reflected the conflicts and concerns of the world that came afterwards - which, moreover, they have played a crucial part in shaping. In a series of case-studies ranging widely from the documentary film movement, C. L. R. James and J. B. Priestley, to postwar historiography, Dennis Potter and Remains of the Day, Narrating the Thirties traces the changing story of the thirties, and in particular its influence on the emergent discourse of social democracy, so central to the making of postwar Britain.

Winner of the ALA Stonewall Book Award—Barbara Gittings Literature Award Named Best Book of the Year by Bustle Named Most Anticipated Book of the Year by The Millions, Electric Literature, and HuffPost ​The author of the “vivid and urgent…important and timely” (The New York Times Book Review) debut The Map of Salt and Stars returns with this remarkably moving and lyrical novel following three generations of Syrian Americans who are linked by a mysterious species of bird and the truths they carry close to their hearts. Five years after a suspicious fire killed his ornithologist mother, a closeted Syrian American trans boy sheds his birth name and searches for a new one. He has been unable to paint since his mother’s ghost has begun to visit him each evening. As his grandmother’s sole caretaker, he spends his days cooped up in their apartment, avoiding his neighborhood masjid, his estranged sister, and even his best friend (who also happens to be his longtime crush). The only time he feels truly free is when he slips out at night to paint murals on buildings in the once-thriving Manhattan neighborhood known as Little Syria. One night, he enters the abandoned community house and finds the tattered journal of a Syrian American artist named Laila Z, who dedicated her career to painting the birds of North America. She famously and mysteriously disappeared more than sixty years before, but her journal contains proof that both his mother and Laila Z encountered the same rare bird before their deaths. In fact, Laila Z’s past is intimately tied to his mother’s—and his grandmother’s—in ways he never could have expected. Even more surprising, Laila Z’s story reveals the histories of queer and transgender people within his own community that he never knew. Realizing that he isn’t and has never been alone, he has the courage to officially claim a new name: Nadir, an Arabic name meaning rare. As unprecedented numbers of birds are mysteriously drawn to the New York City skies, Nadir enlists the help of his family and friends to unravel what happened to Laila Z and the rare bird his mother died trying to save. Following his mother’s ghost, he uncovers the silences kept in the name of survival by his own community, his own family, and within himself, and discovers the family that was there all along. Featuring Zeyn Joukhadar’s signature “magical and heart-wrenching” (The Christian Science Monitor) storytelling, The Thirty Names of Night is a timely exploration of how we all search for and ultimately embrace who we are.

"Priestley's England is the first full-length academic study of J.B Priestley - novelist, playwright, screen-writer, journalist and broadcaster, political activist, public intellectual and popular entertainer, one of the makers of twentieth-century Britain, and one of its sharpest critics." "This book will appeal to all those interested in the culture and politics of twentieth-century Britain, in the continuing debates over 'Englishness' to which Priestley made such a key contribution, and in the life and work of one of the most remarkable and popular writers of the past century."--Jacket.

The Routledge Companion to British Media History provides a comprehensive exploration of how different media have evolved within social, regional and national contexts. The 50 chapters in this volume, written by an outstanding team of internationally respected scholars, bring together current debates and issues within media history in this era of rapid change, and also provide students and researchers with an essential collection of comparable media histories. The Routledge Companion to British Media History provides an essential guide to key ideas, issues, concepts and debates in the field. Chapter 40 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. https://www.routledgehandbooks.com/doi/10.4324/9781315756202.ch40

Imagine a workplace where workers enjoyed a well-paid job for life, one where they could start their day with a pint of stout and a smoke, and enjoy free meals in silver service canteens and restaurants. During their breaks they could explore acres of parkland planted with hundreds of trees and thousands of shrubs. Imagine after work a place where employees could play more than thirty sports, or join one of the theater groups or dozens of other clubs. Imagine a place where at the end of a working life you could enjoy a company pension from a scheme to which you had never contributed a penny. Imagine working in buildings designed by an internationally renowned architect whose brief was to create a building that "would last a century or two." This is no fantasy or utopian vision of work but a description of the working conditions enjoyed by employees at the Guinness brewery established at Park Royal in West London in the mid-1930s. In this book, Tim Strangleman tells the story of the Guinness brewery at Park Royal, showing how the history of one plant tells us a much wider story about changing attitudes and understandings about work and the organization in the twentieth and early twenty-first centuries. Drawing on extensive oral history interviews with staff and management as well as a wealth of archival and photographic sources, the book shows how progressive ideas of workplace citizenship came into conflict with the pressure to adapt to new expectations about work and its organization. Strangleman illustrates how these changes were experienced by those on the shop floor from the 1960s through to the final closure of the plant in 2005. This book asks striking and important questions about employment and the attachment workers have to their jobs, using the story of one of the UK and Ireland's most beloved brands, Guinness.

This book draws together social, cultural, and political history to show us how we came to have a moral, political, and social responsibility toward the hungry. Vernon forcefully reminds us how many perished from hunger in the empire and reveals how their history was intricately connected with the precarious achievements of Britain’s welfare state.

These 10 original critical essays examine the fascinating writing of the Depression and World War II. Divided into four sections--Work, Community,War, and Documents--the volume focuses on texts that are typically ignored in accounts of modernism or The Auden Generation.Chapters examine writing by Elizabeth Bowen, Storm Jameson, William Empson, George Orwell, J. B. Priestley, Harold Heslop, T. H. White, Sylvia Townsend Warner, Rebecca West, John Grierson, Margery Allingham and Stella Gibbons. These authors were politically radical, or radically 'eccentric', and tended to be committed to working- and middle-class cultures, non-canonical genres, such as crime and fantasy, and minority forms of narrative, such as journalism, manifestos, film, and travel narratives, as well as novels. The volume supports further research with an appendix, 'Who Were the Intermodernists?', a listing of archival sources and an extensive bibliography.