New Readings New Renderings Of Shakespeare S Tragedies

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from New Readings New Renderings of Shakespeare's Tragedies, Vol. 1 In the final form which the following notes assume, their gradual method of growth, and my constant residence in the country out of the reach of libraries, have left some traces which may seem to need explanation. I have for many years been accustomed to read Shakespeare's Plays in Reed's edition of twenty-one volumes, and for my own behoof to inscribe with a pencil on its margin such interpretations and amendments as suggested themselves, where I could not fully approve any of the classical comments collected in that publication. All my sources of information were accordingly for a long time limited to the notes printed in those volumes. After some years however I added Dyce's second edition to my stock as a book of reference. The reprint by Steevens of twenty quarto copies; the photographic reprint of the first folio by Staunton; Halliwell's photographic impression of all quarto editions issued during Shakespeare's life; and the fourth folio itself, followed one the other into my possession at distant intervals, and were more or less often consulted after I had obtained them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.