No Fixed Abode A Jewish Odyssey To Africa

In this memoir, Fraenkel writes as a member of an enclosed minority: German Jew within a predominantly Lithuanian Jewish community which was part of a white settler community, itself a minority in a predominantly black African territory. A young settler reprimanded him for stepping out of the way of an African family on a narrow bush path: “Walk straight on. They must know who is the master in the land.” Fraenkel found himself whistling the Nazis’ anthem “Clear the streets for the brown battalions. The storm troopers are marching.” He was coming to learn the importance of not conforming. “A vivid account of a childhood in a middleclass, non-observant Jewish family in Nazi Germany, forced to emigrate to Zambia (then Northern Rhodesia) in 1939.” — Trevor Gundry, Jewish Chronicle “Peter Fraenkel... and his family emigrated in 1939 from Breslau to Northern Rhodesia, where he forged a successful career... in the Central African Broadcasting Service. Fraenkel was thus given the opportunity of using his undoubted skills as a broadcaster to help in the education of black people, using new methods of mass education... his sojourn in Northern Rhodesia came to an end in 1957, a few years after the country was refashioned by the British government as the Federation of Rhodesia and Nyasaland — a big mistake, Fraenkel thinks, and one that wasn’t undone until much later when the independent state of Zambia was created. His love affair with Africa came to an end, and he felt impelled to leave, because of his ‘dislike of racist politics in this bastion of white privilege’... Peter Fraenkel’s account of the 20 years in Northern Rhodesia is absorbing... there are riveting chapters on his activities as a somewhat subversive broadcaster, working together with like-minded whites and Blacks... The book is written in a very lively manner and there are countless anecdotes, many of them in direct speech... I recommend it strongly.” — Leslie Baruch Brent, Association of Jewish Refugees “The book bursts with life. Countries like these Central African territories are... far more exciting than countries with a settled structure. Here a new society is emerging. This excitement is lost in official reports and academic studies and one of Fraenkel’s achievements is that he conveys it in full measure. I know of no book which more vividly describes the variety and throb of a modern African township.” — Max Gluckman, The Observer “He brings out the formation of the new African metropolitan and rural societies... I know of no book which describes this surging varied vitality so well.” — Africa

This work represents the definitive account of the Jewish community in central Africa. It tells the story of the coming of the first Jews to the area in the late 19th century, the heyday of the Jewish community in the mid-20th century, and its decline since Zambian independence. Dealing primarily with the Jewish traders in Zambia who flourished in the face of both anti-semitism and their own acute social dislocation, Macmillan explores a number of interrelated topics: the colonial office discussions about Jewish immigration in the 1930s, the attempts to settle refugees in Africa by both pro-and anti-semites, Jewish religious life in the region, and the remarkable cultural and professional role played by the Jewish settlers. Setting these issues in the context of a general history of southern and central Africa, this book constitutes a major contribution to our understanding of the economic history of the entire region. It will be of interest to both historians of Africa and anyone concerned with economic development, identity and immigrant communities.

In May 1933, a young man named Rudolf Schwab fled Nazi-occupied Germany. His departure allegedly came at the insistence of a close friend who later joined the Party. Schwab eventually arrived in South Africa, one of the few countries left where Jews could seek refuge, and years later, resumed a relationship in letters with the Nazi who in many ways saved his life. From Things Lost: Forgotten Letters and the Legacy of the Holocaust is a story of displacement, survival, and an unlikely friendship in the wake of the Holocaust via an extraordinary collection of letters discovered in a forgotten trunk. Only a handful of extended Schwab family members were alive in the war’s aftermath. Dispersed across five continents, their lives mirrored those of countless refugees who landed in the most unlikely places. Over years in exile, a web of communication became an alternative world for these refugees, a place where they could remember what they had lost and rebuild their identities anew. Among the cast of characters that historian Shirli Gilbert came to know through the letters, one name that appeared again and again was Karl Kipfer. He was someone with whom Rudolf clearly got on exceedingly well—there was lots of joking, familiarity, and sentimental reminiscing. “That was Grandpa’s best friend growing up,” Rudolf’s grandson explained to Gilbert; “He was a Nazi and was the one who encouraged Rudolf to leave Germany. . . . He also later helped him to recover the family’s property.” Gilbert takes readers on a journey through a family’s personal history wherein we learn about a cynical Karl who attempts to make amends for his “undemocratic past,” and a version of Rudolf who spends hours aloof at his Johannesburg writing desk, dressed in his Sunday finest, holding together the fragile threads of his existence. The Schwab family’s story brings us closer to grasping the complex choices and motivations that—even in extreme situations, or perhaps because of them—make us human. In a world of devastation, the letters in From Things Lost act as a surrogate for the gravestones that did not exist and funerals that were never held. Readers of personal accounts of the Holocaust will be swept away by this intimate story.

This tribute collection reflects the wide range and diversity of James Gibbs’s academic interests. The focus is on Africa, but comparative studies of other literatures also receive attention. Fiction, drama, and poetry by writers from Nigeria, Ghana, Sierra Leone, Eritrea, Malawi, Zimbabwe, South Africa, Ireland, England, Germany, India, and the Caribbean are surveyed alongside significant missionaries, scientists, performers, and scholars. The writers discussed include Wole Soyinka, Chinua Achebe, Kobina Sekyi, Raphael Armattoe, J.E. Casely Hayford, Michael Dei-Anang, Kofi Awoonor, Ayi Kwei Armah, John Kolosa Kargbo, Dele Charley, Ngugi wa Thiong’o, Okot p’Bitek, Jonathan Sajiwandani, Samuel E. Krune Mqhayi, A.S. Mopeli–Paulus, Kelwyn Sole, Anna Seghers, Raja Rao, and Arundhati Roy. Other essays treat the black presence in Ireland, anonymous rap artists in Chicago, the Jamaican missionary Joseph Jackson Fuller in the Cameroons, the African-American actor Ira Aldridge in Sweden, the Swedish naturalist Anders Sparrman in South Africa, and the literary scholar and editor Eldred Durosimi Jones in Sierra Leone. Interviews with the Afro-German Africanist Theodor Wonja Michael and the Irish-Nigerian dramatist Gabriel Gbadamosi are also included. Also offered are poems by Jack Mapanje and Kofi Anyidoho, short stories by Charles R. Larson and Robert Fraser, plays by Femi Osofisan and Martin Banham, and an account of a dramatic reading of a script written and co-performed by James Gibbs. Contributors: Anne Adams, Sola Adeyemi, Kofi Anyidoho, Awo Mana Asiedu, Martin Banham, Eckhard Breitinger, Gordon Collier, James Currey, Geoffrey V. Davis, Chris Dunton, Robert Fraser, Raoul J. Granqvist, Gareth Griffiths, C.L. Innes, Charles R. Larson, Bernth Lindfors, Leif Lorentzon, Jack Mapanje, Christine Matzke, Mpalive–Hangson Msiska, Femi Osofisan, Eustace Palmer, Jane Plastow, Lynn Taylor, and Pia Thielmann. Geoffrey V. Davis co-edits the series Cross/Cultures and the African studies journal Matatu. Recent publications include Narrating Nomadism and African Literatures: Post¬colonial Literatures in English: Sources and Resources (both co-ed. 2013). Bernth Lindfors, founding editor of the journal Research in African Literatures, is writing a bio¬graphy of Ira Aldridge (two volumes have so far appeared: The Early Years, 1807–1833 and The Vagabond Years, 1833–1852, both 2011).

This work of environmental history examines the political, economic, and ecological consequences of the spread of the water hyacinth in Africa. It also analyzes how the plant migrated to the continent through human agency and investigates the various ways in which Africans have responded to the resulting challenges and opportunities.

This volume marks the 25th anniversary of Karin Barber’s ground-breaking article, "Popular Arts in Africa", which stimulated new debates about African popular culture and its defining categories. Focusing on performances, audiences, social contexts and texts, contributors ask how African popular cultures contribute to the formation of an episteme. With chapters on theater, Nollywood films, blogging, and music and sports discourses, as well as on popular art forms, urban and youth cultures, and gender and sexuality, the book highlights the dynamism and complexity of contemporary popular cultures in sub-Saharan Africa. Focusing on the streets of Africa, especially city streets where different cultures and cultural personalities meet, the book asks how the category of "the people" is identified and interpreted by African culture-producers, politicians, religious leaders, and by "the people" themselves. The book offers a nuanced, strongly historicized perspective in which African popular cultures are regarded as vehicles through which we can document ordinary people’s vitality and responsiveness to political and social transformations.

African audiences and users are rapidly gaining in importance and increasingly targeted by global media companies, social media platforms and mobile phone operators. This is the first edited volume that addresses the everyday lived experiences of Africans in their interaction with different kinds of media: old and new, state and private, elite and popular, global and national, material and virtual. So far, the bulk of academic research on media and communication in Africa has studied media through the lens of media-state relations, thereby adopting liberal democracy as the normative ideal and examining the potential contribution of African media to development and democratization. Focusing instead on everyday media culture in a range of African countries, this volume contributes to the broader project of provincializing and decolonizing audience and internet studies.