Old New York Four Book Collection

Old New York (1924) is a collection of four novellas by Edith Wharton, revolving around upper-class New York City society in the 1840s, 1850s, 1860s, and 1870s. The novellas reveal the tribal codes and customs that ruled society, portrayed with the keen style that is uniquely Edith Wharton's. Originally published in 1924 and long out of print, these tales are vintage Wharton, dealing boldly with such themes as infidelity, illegitimacy, jealousy, the class system, and the condition of women in society Included in this remarkable quartet are False Dawn, The Old Maid, The Spark, and New Year's Day. The decades indicated in the subtitles to the stories make them prequels, after a fashion, to The Age of Innocence. All five might as well be cut from the same bolt of cloth, sharing settings, characters, social insight, a similar knowing eye for a telling detail. Edith Wharton (1862-1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. She became known for her psychological examination of characters faced with changes in the moral and social values of middle-class and upper-class society. Her novels and short stories provide numerous expert characterizations of complex men and women.

Worlds collide when four young women begin college at the prestigious New York University. Shy, literate Riley, overachieving but naive Lona, laid-back West Coaster Ren, and working-class girl Merissa claim newfound freedom living in the big city. But that freedom comes at a price: roommate drama, mysterious love interests, school troubles, and family conflicts. Welcome to adulthood! New York Four is a smart, charming, and stunningly rendered page-turner from the New York Times best-selling duo Brian Wood and Ryan Kelly. This edition collects the entire series under one cover for the first time.

NEW YORK TIMES BESTSELLER “This is the most important book ever written about time management.” —Adam Grant, #1 New York Times bestselling author of Think Again and host of WorkLife What if you stopped trying to do everything, so that you could finally get around to what counts? Nobody needs to be told there isn’t enough time. Whether we’re starting our own business, or trying to write a novel during our lunch break, or staring down a pile of deadlines as we’re planning a vacation, we’re obsessed with our lengthening to-do lists, overfilled inboxes, work-life balance, and ceaseless struggle against distraction. We’re deluged with advice on becoming more productive and efficient and life hacks to optimize our days. Still, we rarely make the connection between our daily struggles with time and the ultimate time management problem: the question of how best to use our ridiculously brief time on the planet, which amounts on average to about four thousand weeks. Drawing on the insights of both ancient and contemporary philosophers, psychologists, and spiritual teachers, Oliver Burkeman delivers an entertaining, humorous, practical, and ultimately profound guide to time and time management. Rejecting the futile modern obsession with “getting everything done,” Four Thousand Weeks introduces readers to tools for constructing a meaningful life by embracing finitude, showing that many of the unhelpful ways we’ve come to think about time aren’t inescapable, unchanging truths, but choices we’ve made as individuals and as a society—and that we can do things differently. Embrace your limits. Change your life. Make your four thousand weeks count.

The conventional lineage of World Literature starts with Goethe and moves through Marx, Said, Moretti, and Damrosch, among others. What if there is another way to trace the lineage, starting with Simone de Beauvoir and moving through Hannah Arendt, Assia Djebar, Octavia Butler, Donna Haraway, Karen Barad, and Gayatri Spivak? What ideas and issues get left out of the current foundations that have institutionalized World Literature, and what can be added, challenged, or changed with this tweaking of the referential terminology? Feminism as World Literature redefines the thematic and theoretical contents of World Literature in feminist terms as well as rethinking feminist terms, analyses, frameworks, and concepts in a World Literature context. Other ideas built into World Literature and its criticism are viewed here by feminist framings, including the environment, technology, immigration, translation, work, race, governance, image, sound, religion, affect, violence, media, future, and history. The authors recognize genres, strategies, and themes of World Literature that demonstrate feminism as integral to the world-making gestures of literary form and production. In other words, this volume looks to readings and modes of reading that expose how the historical worldliness of texts allows for feminist interventions that might not sit clearly or comfortably on the surfaces.

When sun flares hit the Earth, intense heat, toxic radiation and flooding followed, wiping out much of the human race. Those who survived live in basic communities in the mountains, hunting for food. For Mark and his friends, surviving is difficult, and then an enemy arrives, infecting people with a highly contagious virus. Thousands die, and the virus is spreading. Worse, it's mutating, and people are going crazy. It's up to Mark and his friends to find the enemy - and a cure - before the Flare infects them all ...

Edith Wharton's four novellas.

This carefully crafted ebook: "Old New York: 4 novellas about historical NYC by Edith Wharton (False Dawn + The Old Maid + The Spark + New Year's Day)" is formatted for your eReader with a functional and detailed table of contents. Old New York (1924) is a collection of four novellas by Edith Wharton, revolving around upper-class New York City society in the 1840s, 1850s, 1860s, and 1870s. The novellas reveal the tribal codes and customs that ruled society, portrayed with the keen style that is uniquely Edith Wharton's. Originally published in 1924 and long out of print, these tales are vintage Wharton, dealing boldly with such themes as infidelity, illegitimacy, jealousy, the class system, and the condition of women in society Included in this remarkable quartet are False Dawn, The Old Maid, The Spark, and New Year's Day. The decades indicated in the subtitles to the stories make them prequels, after a fashion, to The Age of Innocence. All five might as well be cut from the same bolt of cloth, sharing settings, characters, social insight, a similar knowing eye for a telling detail. Edith Wharton (1862-1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. She became known for her psychological examination of characters faced with changes in the moral and social values of middle-class and upper-class society. Her novels and short stories provide numerous expert characterizations of complex men and women.

Classic Edith Wharton, ‘The Old Maid’ was first published as a serial in ‘The Red Book Magazine.’ Through this heart-rending and haunting tale, Wharton takes aim at the notions of conformity and delivers a scathing judgement on the conventions of life in the early 20th Century. In the story, the unmarried and prudish Charlotte Lovell gives up her baby daughter, Tina, to her married cousin, Delia. As time goes by and Tina grows, the two women must decide which of them is the ‘real’ mother and whether Tina should ever know the truth of her past. A searing and melancholic story from the pen of one of America’s greatest novelists. Edith Wharton (1862 – 1937) was an American designer and novelist. Born in an era when the highest ambition a woman could aspire to was a good marriage, Wharton went on to become one of America’s most celebrated authors. During her career, she wrote over 40 books, using her wealthy upbringing to bring authenticity and detail to stories about the upper classes. She moved to France in 1923, where she continued to write until her death.