Once Born Twice Born Zen

'Once-Born, Twice-Born Zen' is a fresh treatment of the two major Zen schools of Japan. Its biographical and comparative approach is both original and very readable. The use of William James' typology, along with other phenomenological categories, provides the reader with helpful handles for distinguishing the schools, as well as similar tendencies in other religious traditions. The book should make an excellent text for introductory and middle-level courses in which one is trying to get students to develop categories for understanding religious experience and behavior. Readers will see something of themselves in the range of biographical examples given, and will detect their own tendencies through the use of this method. -- Bardwell Smith

"Traditions in Contact and Change" was the theme of the fourteenth quinquennial congress of the International Association for the History of Religions. This selection from 450 papers by scholars form all over the world address the theme. Section One, "Indian Traditions and Western Interactions," treats subjects ranging from the flood story in Vedic ritual to a s study of the women of the Nehru family. Section Two, "Buddhist, Chinese, and Japanese Studies," includes discussions of the origin of the Mahayana, William James and Japanese Buddhism, and lyrical imagery and religious content in Japanese art. Section Three, "Mediterranean Cultures," covers a broad range of topics, from foster children in early Christianity to "the transformation of Christianity into Roman religion" to the change in the status of women in Iceland from pagan to Christian times. Section Four, "Islamic, African, and Amerindian Developments," examines such subjects as religions in conflict and change in the works of African novelists, tradition and change in Indian Islam, and religious acculturation among Oglala Lakota. Section Five offers "Methodological and Theoretical Discussions" of women's studies, Western perceptions of Asia, structure in Jung and Lévi-Strauss, among others. The essays provide ready access to the leading edge of scholarship across a wide range of religions and cultures and should be of interest to students of religion, anthropology, sociology, psychology, and philosophy.

This is an excellent practical guide to learn the wide-ranging forms of meditation techniques practised in the ancient times as well as the present.

This collection of essays is an exercise in comparative philosophy of religion that explores the different ways in which humans express the inexpressible. It brings together scholars of over a dozen religious, literary, and artistic traditions, as part of The Comparison Project's 2013-15 lecture and dialogue series on "religion beyond words." Specialist scholars first detailed the grammars of ineffability in nine different religious traditions as well as the adjacent fields of literature, poetry, music, and art. The Comparison Project's directors then compared this diverse set of phenomena, offering explanations for their patterning, and raising philosophical questions of truth and value about religious ineffability in comparative perspective. This book is the inaugural publication of The Comparison Project, an innovative new approach to the philosophy of religion housed at Drake University (Des Moines, Iowa, USA). The Comparison Project organizes a biennial series of scholar lectures, practitioner dialogues, and comparative panels about core, cross-cultural topics in the philosophy of religion. Specialist scholars of religion first explore this topic in their religions of expertise; comparativist philosophers of religion then raise questions of meaning, truth, and value about this topic in comparative perspective. The Comparison Project stands apart from traditional approaches to the philosophy of religion in its commitment to religious inclusivity. It is the future of the philosophy of religion in a diverse, global world.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

“Agony and hilarity,” said Norman MacLean, “are both necessary for salvation.” We Christians seem to know a lot about the agony part, but what about hilarity? Why do we have to remind ourselves so often that the Bible is full of funny and ridiculous stories and situations? Why do so few of the pictures we’ve drawn of Jesus show him laughing? Because we’ve forgotten the redemptive power of humor, that’s why. In Jesus Laughed, Robert Darden–senior editor of The Wittenburg Door, the world’s oldest, largest, and pretty much only religious satire magazine–draws on his years of experience deflating religious pomposity and making the faithful laugh to show why humor is so central to the faith, and how to make it a big part of your daily walk with God. Click here to listen to Terri Gross's interview with Robert Darden on NPR's Fresh Air about the Black Gospel Music Restoration Project. Darden runs the project at Baylor University where he is a journalism professor. The purpose of the project is to identify, acquire, preserve, record, and catalogue the most at-risk music from the black gospel music tradition, primarily between 1945 and 1970. Robert Darden is Associate Professor of Journalism at Baylor University in Waco, Texas. He served for 12 years as Gospel Music Editor for Billboard magazine, and since 1988 has been Senior Editor of The Wittenburg Door, the world’s oldest, largest, and “pretty much only” religious satire magazine. He is the author of more than 25 books, including the definitive People Get Ready! A New History of Black Gospel Music, which has been featured on National Public Radio, and Reluctant Prophets and Clueless Disciples, also published by Abingdon Press.