Once Upon A Red Eye

Once Upon a Red Eye is a compelling memoir that offers rare insight into the behind-the-scenes life of a Canadian musical icon. Here are the colourful recountings of Richard Harison, who spent a dozen years serving as Gordon Lightfoot’s road/stage manager, concert sound engineer, and lighting designer/director. In the time of his employ with Lightfoot, Harison enjoyed all manner of adventure. He accompanied the famed singer/songwriter and his band on concert tours of the world, celebrity meetings, thrilling performances in halls grand and small, and travel mishaps, including three bomb scares and two consecutive aircraft engine failures.Woven expertly into the background of Harison’s stories of music, tours and elaborate pranks, history plays out in iconic bursts. The Vietnam War, an encounter with the Black Panthers, and a UK tour during the serious political/religious upheaval in Ireland all provide context to Lightfoot’s international presence in this epic stretch of time. Between 1970 and 1981, Richard Harison was part of Lightfoot’s remarkable story, serving as a source of friendship, personal, and practical support for Lightfoot and basking in his special glow.

Denny's Call Sheets: Seabiscuit. The Grifters. Entourage. Indiana Jones: Crystal Skull. Hail Caesar. Atlas Shrugged. Simone. War of the Worlds. Bosch. Mad Men. Grey's Anatomy. 24. Vice. A Bride's Revenge. Aftermath. Gaslit and many more. Actors, Writers. Directors. As Mank might write and as Bette might say: "Fasten your seat belts, it's going to be a bumopy, fun read." You coudln't buy this education. Until now. . .

"Once upon a time" is a magical phrase; an incantation that conjures stories into being and gives them life. What we now call "fairy tales" outlived their original creators, outlasted their descendants, and one day might very well survive the death of our species. When, and if, humanity leaves this planet, fairy tales will make the journey too -- into the far-flung reaches of the galaxy and into the distant dimension of the future. How different will the fairy tales of the future be from the stories told around hearth fires a thousand years ago? I suspect they will be utterly different and yet completely familiar. -- from Katherine Tomlinson's introduction The Seed Stitch Solution, by Ginn Hale How to Marry Off Your Human, by Shauna Roberts Whitey and Red: The Hunt for Ursa, by Bonnie Hearn Hill The Plague of Hamelin, by Clare Toohey The Bear, the Hare, and the Spider, by R.C. Barnes The Pretty Duckling, by Unni Turrettini The Artifact on Svijet Five, by Kat Parrish Ella and the Ball, by Kaye George The Gift of the Crystals, by Cate Parker The Girl with the Cybernetic Hands, by John Donald Carlucci Chosen One, by Maki Morris Mermaid in Manhattan, by Melanie Kinder The Empress’s New App, by Stacy Renee Lucas Alice Through the SnapFace Filter, by Megan McCord Los ahogados (The Drowned), by Kathleen Alcalá Bluebeard, by Kitamu Latham-Sampier The Frog Prince, by Stephanie Vega-Gonzalez Beast, by Christine Pope

Trevor: A construction worker with dreams of music. Dana: A girl who could love him. "Wouldn't mind hearing you sometime " Dana said. Trev laughed, "Yeah, like that's really going to happen!" BUT IT DID. Come ride the rollercoaster as Trevor Riggs goes from a virtual unknown to a full-fledged rock and roll singer of a platinum-selling band. Remember those bands of the 70's and 80's that were very much loved and fantasized about? Wouldn't you just love to go back? Take the chance to go back and see what it could be like as the singer on that stage. Or the one in the audience who falls in love, as he gazes into your eyes, singing his sweet serenade, just to you.

Contemporary American horror literature for children and young adults has two bold messages for readers: adults are untrustworthy, unreliable and often dangerous; and the monster always wins (as it must if there is to be a sequel). Examining the young adult horror series and the religious horror series for children (Left Behind: The Kids) for the first time, and tracing the unstoppable monster to Seuss's Cat in the Hat, this book sheds new light on the problematic message produced by the combination of marketing and books for contemporary American young readers.

When the words great homily come to mind, the name Bill Bausch inevitably pops up. Here he offers 100 new homilies, reflecting the liturgical year, holy days and holidays, and saying farewell to loved ones. All are shaped and finessed with stories. As Bausch himself says, We never exhaust the meaning of a good story. Truth wrapped in story is irresistibleand thats why I use stories. These homilies are irresistible as well!

The memoirs and musings of Constantine Michael Xeros, a native of Dallas, Texas, from a family of immigrant Greeks from the Peloponnesus, educated in the public schools and the Holy Trinity Parish, WWII veteran, graduate of Texas A&M University.