Pandora S Space Tales

Pandora's Space Tales is a space opera seen through the eyes of a cat. After she is adopted, Pandora becomes part of a crew that ships cargo all over the galaxy along with meeting extraterrestrials, other earth animals, and learning the different cultures of other species. With each adventure, she realizes that she is more than just a ship's mascot, but an actual member of the crew. As Pandora unfolds the ball of yarn that is her tale, what would you do if a creature questioned its existence to you?

NEW YORK TIMES BESTSELLER “Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!”—Margaret Atwood, author of The Handmaid's Tale The national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea. The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over. In Pandora’s Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a woman’s perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus’ mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris “caused” the Trojan war—a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce—getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn’t always a monster, and had her hair turned to snakes as punishment for being raped. Pandora’s Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women in the first place—and so eager to accept the stories we’ve been told?

A little girl penguin is different than her brothers. When she falls through the ice, she finds a golden box. She gets it to the surface and tries to open it amidst all the other animals warnings. The other animals finally decide to help her and a wonderful surprise is found inside the box.

Muslim women have been stereotyped by Western academia as oppressed and voiceless. This volume problematizes this Western academic representation. Muslim Women Writers from the Middle East from Out al-Kouloub al-Dimerdashiyyah (1899–1968) and Latifa al-Zayat (1923–1996) from Egypt, to current diasporic writers such as Tamara Chalabi from Iraq, Mohja Kahf from Syria, and even trendy writers such as Alexandra Chreiteh, challenge the received notion of Middle Eastern women as subjugated and secluded. The younger largely Muslim women scholars collected in this book present cutting edge theoretical perspectives on these Muslim women writers. This book includes essays from the conflict-ridden countries such as Iran, Iraq, Palestine, Syria, and the resultant diaspora. The strengths of Muslim women writers are captured by the scholars included herein. The approach is feminist, post-colonial, and disruptive of Western stereotypical academic tropes.

Anne Rice, creator of the Vampire Lestat, the Mayfair witches and the amazing worlds they inhabit, now gives us the first in a new series of novels linked together by the fledgling vampire David Talbot, who has set out to become a chronicler of his fellow Undead. The novel opens in present-day Paris in a crowded café, where David meets Pandora. She is two thousand years old, a Child of the Millennia, the first vampire ever made by the great Marius. David persuades her to tell the story of her life. Pandora begins, reluctantly at first and then with increasing passion, to recount her mesmerizing tale, which takes us through the ages, from Imperial Rome to eighteenth-century France to twentieth-century Paris and New Orleans. She carries us back to her mortal girlhood in the world of Caesar Augustus, a world chronicled by Ovid and Petronius. This is where Pandora meets and falls in love with the handsome, charismatic, lighthearted, still-mortal Marius. This is the Rome she is forced to flee in fear of assassination by conspirators plotting to take over the city. And we follow her to the exotic port of Antioch, where she is destined to be reunited with Marius, now immortal and haunted by his vampire nature, who will bestow on her the Dark Gift as they set out on the fraught and fantastic adventure of their two turbulent centuries together. Look for Anne Rice’s new book, Prince Lestat and the Realms of Atlantis, coming November 29, 2016.

A major collection of short fiction from Peter F. Hamilton, New York Times bestselling author of Pandora’s Star, The Dreaming Void, and many other epic science fiction novels—including a brand-new novella starring detective Paula Myo Fans of the Commonwealth Saga will enjoy the return of Paula Myo, the genetically engineered police investigator whose single-minded pursuit of justice runs up against a postwar citizenry eager to forget old crimes. In the all-new novella “Manhattan in Reverse,” Paula is dispatched to the backwoods planet of Menard after a docile, supposedly nonintelligent alien species attacks peaceful human settlers. Menard may have to be evacuated—something the planet’s corporate owners and human populace are prepared to resist . . . perhaps with targeted aggression. Violence hits closer to home in “The Demon Trap” in which Paula’s investigation of a gruesome act of terrorism leads into unexpected political, technological, and philosophical waters, threatening the course of human evolution. Time travel has never been so tricky—or so deadly—as it is in “If at First . . .,” in which Metropolitan Police detective David Lanson finds himself matching wits with a sociopath who might very well be from the future . . . or, at least, a future. “Blessed by an Angel” is set in the Commonwealth Universe of the Void trilogy and features an alien visitor who offers the local human population a chance at paradise. But one species’ paradise may be another’s hell. Three other thrilling pieces round out the collection—and showcase Peter F. Hamilton’s ability to weave scientific speculation into very human storytelling.

This is the first edited collection of essays on the nineteenth-century diarist Anne Lister. Now recognized as a UNESCO world heritage document, Lister's five-million-word diaries are paradigm-shifting in terms of their range of material, from social commentary and politics to breath-taking travel accounts. However, they have become most well-known for their explicit descriptions of same-sex practices, written in code and constituting a significant portion of their content. The essays here address the variety and interdisciplinarity of the diaries: Lister's negotiations with her own 'odd' identity, her multiple same-sex relationships, her involvement in politics and her lifelong thirst for knowledge. It also addresses Lister studies in popular culture through the successful Gentleman Jack BBC-HBO series, including an interview with Sally Wainwright and foreword by author Emma Donoghue. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

The twelve stories in this collection are queer twists on familiar fairy tales and folklore. From Snow White to Baba Yaga, a whole new world -- where stepmothers aren’t always evil and beasts aren't necessarily fearsome -- is waiting to be explored. Will Sleeping Beauty wake up to who she really is and wants to be with? How will Wendy escape from the clutches of Hook and find Everland? What will the Huntsman do with Snow White, and how will kissing a frog change a princess’ life?