Pandora

Trees occupy a place of enormous significance, not only in our planet’s web of life but also in our psyche. A Spell in the Forest - Tongues in Trees is part love-song, part poetic guidebook, and part exploration of thirteen native sacred British tree species. Tongues in Trees is a multi-layered contribution to the current awareness of the importance and significance of trees and the resurgence of interest in their place on our planet and in our hearts.

Anne Rice, creator of the Vampire Lestat, the Mayfair witches and the amazing worlds they inhabit, now gives us the first in a new series of novels linked together by the fledgling vampire David Talbot, who has set out to become a chronicler of his fellow Undead. The novel opens in present-day Paris in a crowded café, where David meets Pandora. She is two thousand years old, a Child of the Millennia, the first vampire ever made by the great Marius. David persuades her to tell the story of her life. Pandora begins, reluctantly at first and then with increasing passion, to recount her mesmerizing tale, which takes us through the ages, from Imperial Rome to eighteenth-century France to twentieth-century Paris and New Orleans. She carries us back to her mortal girlhood in the world of Caesar Augustus, a world chronicled by Ovid and Petronius. This is where Pandora meets and falls in love with the handsome, charismatic, lighthearted, still-mortal Marius. This is the Rome she is forced to flee in fear of assassination by conspirators plotting to take over the city. And we follow her to the exotic port of Antioch, where she is destined to be reunited with Marius, now immortal and haunted by his vampire nature, who will bestow on her the Dark Gift as they set out on the fraught and fantastic adventure of their two turbulent centuries together. Look for Anne Rice’s new book, Prince Lestat and the Realms of Atlantis, coming November 29, 2016.

The story about Pandora opening a box and releasing terrible evils into the world? Totally made up! Pandora couldn't have cared less about what was in that box. The one who was really dying to know was Zeus. Zeus gave Pandora a box alright. A box full of really nasty items. But disease? Pain? Greed? No way. Hades, King of the Underworld, reveals the true story behind the Pandora myth.

NEW YORK TIMES BESTSELLER “Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!”—Margaret Atwood, author of The Handmaid's Tale The national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea. The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over. In Pandora’s Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a woman’s perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus’ mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris “caused” the Trojan war—a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce—getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn’t always a monster, and had her hair turned to snakes as punishment for being raped. Pandora’s Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women in the first place—and so eager to accept the stories we’ve been told?

The heavens grieve as Mother Earth frantically fights for her life. The explosions rippled in the heavens allowing destruction to ensue. The undulant impact caused pulsars, quasars, red and blue giant stars to detonate far too soon. The discharge sent repercussions the neighboring nebulas. This place where birth is given becomes a cradle of death. With the last star winking out all of the heavens go dark. Death’s insatiable appetite is heading for Earth. Reaching out its hand and overcome with the desire for human obliteration. One child will stand-alone possessing the power of all universes bringing time and space to a standstill. Born with two souls, blessed with three graces, and having a predator’s heart the heavenly stars will cry out this child’s name. Life ever present and death waning. Lifeblood springs from royalty and the seer of dreams. Where there is despair, hope will shine through. This child is a castle that stands tall in the middle of a storm sheltering all in need. It’s a slayer of monsters, and a warrior for the common man. Spiritual assassins sent to devour this child, breaking its mind is a must do. So begins the battle of wills.

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Pandora’s life changes when an inheritance forces her to confront her past. She is shocked to discover a daughter born in her teens and believed dead, is very much alive. Aided by her new love, the confronting Welsh psychiatrist Bryn Llewellyn, Pandora is consumed by her need to find the girl—only to be rejected. Tragedy reunites the pair in a painful and uneasy relationship… Contemporary Relationships Novel/Women’s Fiction by Janet Woods; originally published by Robert Hale [UK]

In the concluding volume of The Pandoras Box Trilogy, Lucy struggles with the choice to leave her own happy afterlife in order to save those shes left behind. Upon seeing apparitions bearing a striking resemblance to her friend Billy, Lucy wonders if he has truly gone. Lucys mother also lies in agony, terrified and alone. To save her, Lucys heart must break one last time as she prepares to let go of what she loves the most Waiting for Lucy at the end of every road is Pandora, now relentless in her thirst for dominance over the Void, but also fighting to understand the hazy memories that plague her mind. And the mysterious Sphinx plays her final card by showing Lucy Pandoras horrific past. Now tormented with the truth, Lucy devises a plannot to defeat Pandora, but to save her. Even with the help of Fishface, Little Psycho, and Icky, the nightmare of Lucys future is laid out before her, and she is sure of only one thingher story will not have a happy ending.