Peter Pan In Scarlet

The first-ever authorized sequel to J. M. Barrie's Peter Pan! In August 2004 the Special Trustees of Great Ormond Street Children's Hospital, who hold the copyright in Peter Pan, launched a worldwide search for a writer to create a sequel to J. M. Barrie's timeless masterpiece. Renowned and multi award-winning English author Geraldine McCaughrean won the honor to write this official sequel, Peter Pan in Scarlet. Illustrated by Scott M. Fischer and set in the 1930s, Peter Pan in Scarlet takes readers flying back to Neverland in an adventure filled with tension, danger, and swashbuckling derring-do!

All hell breaks loose in Meljean Brook's erotic, supernatural debut novel. Lilith, a demon, has spent 2,000 years tempting men and guaranteeing their eventual damnation. That is, until she meets her greatest temptation: the man whose life mission has been to kill her.

This book is a literary analysis of J.M. Barrie’s Peter Pan in all its different versions -- key rewritings, dramatisations, prequels, and sequels -- and includes a synthesis of the main critical interpretations of the text over its history. A comprehensive and intelligent study of the Peter Pan phenomenon, this study discusses the book’s complicated textual history, exploring its origins in the Harlequinade theatrical tradition and British pantomime in the nineteenth century. Stirling investigates potential textual and extra-textual sources for Peter Pan, the critical tendency to seek sources in Barrie’s own biography, and the proliferation of prequels and sequels aiming to explain, contextualize, or close off, Barrie’s exploration of the imagination. The sources considered include Dave Barry and Ridley Pearson’s Starcatchers trilogy, Régis Loisel’s six-part Peter Pan graphic novel in French (1990-2004), Andrew Birkin’s The Lost Boys series, the films Hook (1991), Peter Pan (2003) and Finding Neverland (2004), and Geraldine McCaughrean’s "official sequel" Peter Pan in Scarlet (2006), among others.

In the forbidden woods of Neverland, Tiger Lily falls under the alluring Peter Pan's spell. She will risk everything - her family, her future - to be with him. But Tiger Lily soon discovers that the most dangerous enemy can live inside even the most loyal and loving heart. From the New York Times bestselling author comes a magical and bewitching story of the romance between a fearless heroine and the boy who wouldn't grow up.

A thriller set in ancient Egypt between 1351-1354 BC. Tutmose and Ibrim's father, the animal dealer, is commanded by the new pharaoh Akhenaten, to bring him animals - lots of animals - for his new capital city. The boys' father is delighted. But he has no idea what the pharaoh's strange new religion will mean for all of them...

J. M. Barrie's enduringly popular characters, Peter and Wendy, are immortalised by the delightful colour plates and black and white line drawings of Attwell's characteristically angelic children. Many of the earliest children's books, particularly those dating back to the 1850s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality, colour editions, using the original text and artwork so these works can delight another generation of children. About the Author: James M. Barrie (1860-1937) was a Scottish playwright and author who is best known for his character Peter Pan. Peter Pan or, The Boy Who Would Not Grow Up was first performed in 1904 and published 24 years later; his only play intended explicitly for a young audience. Barrie's success as a playwright allowed him to indulge in a level of philanthropy and the royalties earned from the much adored Peter Pan have helped fund the Great Ormond Street Hospital since his death. About the Illustrator: Mabel Lucie Attwell (1879-1964) was a household name during the 1930s and 40s working mostly in watercolour and pen-and-ink. The public was enthusiastic about her delicate early work and her illustrations of chubby, endearing toddlers were enormously popular, lending her much commercial success.

In this riveting and adventure-packed follow-up to Peter and the Starcatchers, we discover Peter leaving the relative safety of Mollusk Island—along with his trusted companion Tinker Bell—for the cold, damp streets of London. On a difficult journey across the sea, he and Tink discover the dark and deadly, slithering part-man/part-creature Lord Ombra. It seems that the dreaded Ombra has a variety of mysterious powers including the ability to make shadows disappear.

Chapter I About the middle of the seventeenth century, in the outskirts of the small but fortified town of Terneuse, situated on the right bank of the Scheldt, and nearly opposite to the island of Walcheren, there was to be seen, in advance of a few other even more humble tenements, a small but neat cottage, built according to the prevailing taste of the time. The outside front had, some years back, been painted of a deep orange, the windows and shutters of a vivid green. To about three feet above the surface of the earth, it was faced alternately with blue and white tiles. A small garden, of about two rods of our measure of land, surrounded the edifice; and this little plot was flanked by a low hedge of privet, and encircled by a moat full of water, too wide to be leaped with ease. Over that part of the moat which was in front of the cottage door, was a small and narrow bridge, with ornamented iron hand-rails, for the security of the passenger. But the colours, originally so bright, with which the cottage had been decorated, had now faded; symptoms of rapid decay were evident in the window-sills, the door-jambs, and other wooden parts of the tenement, and many of the white and blue tiles had fallen down, and had not been replaced. That much care had once been bestowed upon this little tenement, was as evident as that latterly it had been equally neglected.