Phonology In Perception

Review text: "This volume contains exciting and potentially valuable new contributions that attempts to expand our understanding of the role of phonology and phonetics in speech perception. This volume has much to contribute for not just linguistics, but psycholinguistics more generally, and so concepts contained in this volume should form the basis of many discussions in future speech perception studies."Andrew Blyth in: Linguist List 21.3465.

This book takes contrast, an issue that has been central to phonological theory since Saussure, as its central theme, making explicit its importance to phonological theory, perception, and acquisition. The volume brings together a number of different contemporary approaches to the theory of contrast, including chapters set within more abstract representation-based theories, as well as chapters that focus on functional phonetic theories and perceptual constraints. This book will be of interest to phonologists, phoneticians, psycholinguists, researchers in first and second language acquisition, and cognitive scientists interested in current thinking on this exciting topic.

The origins of sound change is one of the oldest and most challenging questions in the study of language. The goal of this volume is to examine current approaches to sound change from a variety of theoretical and methodological perspectives, including articulatory variation and modeling, speech perception mechanisms and neurobiological processes, geographical and social variation, and diachronic phonology. This diversity of perspectives contributes to a fruitful cross-fertilization across disciplines and represents an attempt to formulate converging ideas on the factors that lead to sound change. This book is addressed to scholars in historical linguistics, linguistic typology, and phonology as well as to researchers in speech production and perception, cognition and modeling. Given the theoretical and methodological interest of the contributions as well as the novel instrumental techniques applied to the study of sound change, this volume will interest professionals teaching language typology, laboratory phonology, sound change, phonetics and phonological theory at the graduate level.

Do human auditory perceptual abilities shape language sound structures? If so, what aspects of phonology may be driven by perception, and how should perceptually driven processes be captured in linguistic theory? These and similar questions have come to the forefront of linguistic research in the past decade because the technology used in speech perception research has become much more widely available and portable and because developments in constraint-based theories of phonology have made it possible to incorporate "perceptual constraints" into linguistic grammars. The "Role of Speech Perception in Phonology" is a collection of authoritative articles on the role of speech perception in phonology by leading phonologists, phoneticians, and cognitive psychologists. It presents a diverse range of views on the linguistic implications of speech perception research. It reports a number of new empirical research findings on speech perception. It provides definitive theoretical positions and contrasting viewpoints. It offers clearly defined implementation options.

Recent Research in Second Language Phonetics/Phonology: Perception and Production reports the findings of seventeen interphonology studies on perception/production of sounds by different first language speakers. All the papers describe careful empirical research, and as such will be of great interest to anyone working, or intending to work, in the specific field of second language phonological acquisition. However, given that speech production and perception are highly complex skills, the research findings in this volume will also be relevant to those with a broader interest in language learning or cognition in general.

This book is concerned with studying speech perception and production in an L2. It deals with segments, syllables, and features above syllable level (the suprasegmental level). The volume brings together careful theoretical and empirical research conducted in different countries, including the United States of America, Greece, Northern Cyprus, Canada, the Republic of Cyprus, Israel, and Spain.

Companion website, featuring additional resources such as sound files, can be found here: http://www.blackwellpublishing.com/phonetics/ Providing a comprehensive overview of the four primary areas of phonetics, Phonetics: Transcription, Production, Acoustics, and Perception is an ideal guide to the complete study of speech and sound. An accessible but in-depth introductory textbook on the basic concepts of phonetics Covers all four areas of phonetics: transcription, production, acoustics, and perception Offers uniquely thorough coverage of related relevant areas, including vocal fold vibration and the working of the ear, creating an engagingly flexible work for instructors Includes chapter-by-chapter exercises, enabling students to put their knowledge into practice Written in a clear and concise style by two of the field’s leading scholars