Rainbows Of Malay Literature And Beyond Festshrift In Honour Of Professor Md Salleh Yaapar Penerbit Usm

This Festschrift engages in the richness and variety of literatures and cultures of the Malay world, and goes beyond its shores to encounters between different cultures and traditions, and to the relationship between literary and other disciplines. Rainbows of Malay Literature and Beyond communicates the absorbing richness of inter-disciplinary study and knowledge.

This highly original and – indeed bound to become seminal – study by Dr Mohammad RashidiPakri takes the student and scholar of Malaysian and world literature on a highly stimulating literary adventure as daring as those undertaken by the four authors he examines, Frank Swettenham, Hugh Clifford, George Maxwell and Anthony Burgess. For so long the unique case of colonial Malaya’s literary output, by these representatives of empire, have been harshly and simplistically judged merely because their works were penned at the height of Britain’s imperial project. Dr Pakri has now elevated the discourse and convincingly illustrated how these texts now become welcome additions to the postcolonial canon, once we begin to view the works on their own terms with the tools we have out our disposal today. The Fiction of Colonial Malaya makes an invaluable contribution to a more fulsome appreciation of the intricacies of colonial Malaya’s literary responses to its place in history and indeed to Malaysia’s place in world literature. Dr Wilhelm Snyman, Senior Lecturer in the School of Literatures and Languages, University of Cape Town, South Africa This is an important survey of a neglected chapter in literary history. The critical focus of postcolonialism has hitherto largely avoided a consideration of the considerable body of Anglophone fiction that emerged from pre-independence Malaya. This study rectifies that omission, offering an illuminating assessment of the work of four major writers, and arguing persuasively for the re-evaluation of their writing as part of a more general account of the development of Malaysian culture. This book makes a vital contribution to its field, and will be a valuable resource for scholars in search of an authoritative guide to the way the country was represented in the writings of its colonial masters. Dr Rob Spence, Associate Head of Department, English and History Edge Hill University, UK

The relationship between Islam and the West has frequently been subject to misunderstanding and mistrust and recent events in the international arena have only deepened this perceived divide, culturally and politically. The West often views the Islamic world - and the Islamic world the West - through a prism of mutual suspicion. In such conditions conspiracy, theories can flourish on both sides of the cultural fence, but these highly complex and important global phenomena have been the subject of surprisingly little investigation. "Orientalism and Conspiracy" explores fully for the first time the relationship between the sometimes controversial concept of Orientalism, as developed by Edward Said, and contemporary conspiracy theories, and includes Robert Irwin's fascinating survey of the role of secret societies in orientalist mythology. The authors offer a comprehensive and ground-breaking study of the conspiracy theory and Islam. It is essential reading for those seeking to understand historical and contemporary relationships between the East and West as well as the enduring and controversial legacy of the concept of Orientalism.

. . . the book is in a comprehensive, readable format. . . the book is logically organised, rich in data and statistics regarding the issues that it covers, as well as accessibly written such that its points would not be lost on the average upper-level undergraduate student with some preparation in Asian studies and the social sciences. Jane M. Ferguson, South East Asia Research . . . a serious academic work that should be on the official reading list of every media studies course. Chris Roberts, Presenter, Sky News Jonathan Woodier has written an excellent book on the politics of media control in Southeast Asia. He shows how political elites in the region are using major events such as the 1997 Asian Financial Crisis and the 2001 September 11 terror attacks as well as innovations in media tools such as public relations and the internet to control information flow to their citizens. This book is a must read for anyone interested in an explanation why Southeast Asian models of authoritarian models are surviving. A brilliant analysis, it combines media theory with a critical discussion of contemporary developments in Asia. James Gomez, Keio University, Japan True to the old Chinese adage kill a chicken scare a monkey , the few who once challenged Southeast Asia s ruling elites disappeared and the majority were silent. Crude, but effective. Modern times, however, demand a more sophisticated approach. Ruling elites now strip cultures naked and micro manage people s minds. Their preferred tools of penetration and manipulation are a compliant media and a money hungry PR industry. Jonathan Woodier s insights will ensure that you will never read a newspaper or watch TV news in quite the same way again. Trevor Watson, Professional Public Relations Pty Ltd, Australia This is an engaging and informative analysis of the media landscape in South East Asia. It uncovers the pervasive impact of the global media on the political process, and raises important academic and policy issues in the process. This book is timely, and will be a must read for policymakers, academics and students across communications, media studies, politics and democratization, as well as for everyone with an interest in current day developments in South East Asia. Joep Cornelissen, Leeds University Business School, UK Jonathan Woodier s latest work considers what impact the media has upon the democratization process in Southeast Asia. Has the media had a liberalizing effect or become subject to elite control in Southeast Asia and, if so, why? What role does the global media play in this process, particularly given its conglomerization and commoditization? By examining the communications media and its relationship to political change in Southeast Asia, this fascinating study will endeavour to provide both a regional comparative analysis and a more balanced interpretation of the mass communication media in the wake of September 11, 2001. The book also investigates the durability of authoritarian regimes and the enduring capacity of the media-controlled state alongside the growing sophistication of political communications particularly the use of PR consultants. The author provides an insider s view with unique insights into the practice of political communication and its development throughout the strategically important region of Southeast Asia with its large Moslem states as well as much further afield to countries such as China and post-industrial Europe. As such the book will be warmly welcomed by academics of politics, international relations, media, communications and PR. It will also appeal to researchers interested in political change, the rise of the global media giants and the influence of authoritarian states such as China.

The “biennale culture” now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolonial theory, political economy, sociology, and anthropology. Art and Globalization brings political and cultural theorists together with writers and historians concerned specifically with the visual arts in order to test the limits of the conceptualization of the global in art. Among the major writers on contemporary international art represented in this book are Rasheed Araeen, Joaquín Barriendos, Susan Buck-Morss, John Clark, Iftikhar Dadi, T. J. Demos, Néstor García Canclini, Charles Green, Suman Gupta, Harry Harootunian, Michael Ann Holly, Shigemi Inaga, Fredric Jameson, Caroline Jones, Thomas DaCosta Kaufmann, Anthony D. King, Partha Mitter, Keith Moxey, Saskia Sassen, Ming Tiampo, and C. J. W.-L. Wee. Art and Globalization is the first book in the Stone Art Theory Institutes Series. The five volumes, each on a different theoretical issue in contemporary art, build on conversations held in intensive, weeklong closed meetings. Each volume begins with edited and annotated transcripts of those meetings, followed by assessments written by a wide community of artists, scholars, historians, theorists, and critics. The result is a series of well-informed, contentious, open-ended dialogues about the most difficult theoretical and philosophical problems we face in rethinking the arts today.

This book explores the new interactions between Asia and Africa beyond the frequent narrow focus on China-Africa.

A complete survey of Indonesian contemporary art. Indonesian Eye presents the most exciting works by emerging Indonesian artists in the most exhaustive way and comprehensively discusses their distinguishing characteristics differentiated from other contemporary art in Asia and the Western world. As an illustrated study, the book features seventy five up and coming artists and five essays to explain vibrant and dynamic art scene in Indonesia as an undiscovered jewel of Asian contemporary arts. Four pages will be given to each artist to allow the audience to experience more diverse spectrum of young artists' works never introduced before outside Indonesia. Each artist's section will have a brief descriptive text on the artist and his/her work and detailed captions.