Rainy Day Ramen And The Cosmic Pachinko

After three years in Japan, Fred Buchanan is broke, unemployed and engaged in a telepathic turf war with a feral cat behind an Okinawa convenience store. Thus begins his metaphysical odyssey back to Tokyo. Along the way, symbols and sages materialize in the form of a two-fingered jazz musician, the faded tattoo on an ex-yakuza lover, an odd brood of internet cafe refugees, the kite flyer of Kabukicho and Yukie, an alluring hostess with strips of delicious thigh and strange power imbued in the etched eye on her fingernail. Charging through Shinjuku’s neon jungle, enveloped in a boozy, nicotine-stained haze, past and present collide as an empty orchestra croons a slow dance of people and place, memory and madness, loss and love. All the while, Fred struggles to be an agent of his destiny and not another ball bearing bouncing through the cosmic pachinko. Rainy Day Ramen and the Cosmic Pachinko is told as a uniquely clever mix of Murakami-esque magical realism and gonzo Japan travelogue.

A girl struggling to fit in. A homeless kitten. An unexpected job offer in an unfamiliar country that changes everything. CJ had a long history of escaping places and people she wasn't fond of. But for the sake of a silver tabby, she decided to stay in Japan for a while. This decision helped her open up her heart and mind, revisit her way of thinking, and reconnect with her estranged family. Let this heartwarming memoir take you to the land of cats and cherry trees as you read about CJ's adventures - from the craziness of the naked men festival, the experience of forest bathing and the significance of finding a life purpose or ikigai, to the temples of Takayama, and wonders of Cat Island - you'll see what a homeless kitten found outside a temple in Japan taught her about an old culture and new beginnings

In Search of Japan's Hidden Christians is a remarkable story of suppression, secrecy and survival in the face of human cruelty and God’s apparent silence. Part history, part travelogue, it explores and seeks to explain a clash of civilizations—of East and West—that resonates to this day. For seven generations, Japan’s ‘Hidden Christians’ preserved a faith that was forbidden on pain of death. Just as remarkably, descendants of the Hidden Christians continue to practise their beliefs today, refusing to rejoin the Catholic Church. Why? And what is it about Japanese culture that makes it so resistant to Western Christianity?

'If we want to understand what has been lost to time, there is no way other than through the exercise of imagination ... imagination applied with delicate rather than broad strokes'. So wrote the award winning Japanese author Kyoko Nakajima of her story, Things Remembered and Things Forgotten, a piece that illuminates, as if by throwing a switch, the layers of wartime devastation that lie just below the surface of Tokyo's insistently modern culture. The ten acclaimed stories in this collection are pervaded by an air of Japanese ghostliness. In beautifully crafted and deceptively light prose, Nakajima portrays men and women beset by cultural amnesia and unaware of how haunted they are - by fragmented memories of war and occupation, by fading traditions, by buildings lost to firestorms and bulldozers, by the spirits of their recent past.

Oceans and decades apart, two women are inextricably bound by the secrets between them. Japan, 1957. Seventeen-year-old Naoko Nakamura’s prearranged marriage to the son of her father’s business associate would secure her family’s status in their traditional Japanese community, but Naoko has fallen for another man—an American sailor, a gaijin—and to marry him would bring great shame upon her entire family. When it’s learned Naoko carries the sailor’s child, she’s cast out in disgrace and forced to make unimaginable choices with consequences that will ripple across generations. America, present day. Tori Kovac, caring for her dying father, finds a letter containing a shocking revelation—one that calls into question everything she understood about him, her family and herself. Setting out to learn the truth behind the letter, Tori’s journey leads her halfway around the world to a remote seaside village in Japan, where she must confront the demons of the past to pave a way for redemption. In breathtaking prose and inspired by true stories from a devastating and little-known era in Japanese and American history, The Woman in the White Kimono illuminates a searing portrait of one woman torn between her culture and her heart, and another woman on a journey to discover the true meaning of home.

Japan was the first Asian nation to face the full impact of modernity. Like the rest of Japanese society, Buddhist institutions, individuals, and thought were drawn into the dynamics of confronting the modern age. Japanese Buddhism had to face multiple challenges, but it also contributed to modern Japanese society in numerous ways. Buddhism and Modernity: Sources from Nineteenth-Century Japan makes accessible the voices of Japanese Buddhists during the early phase of high modernity. The volume offers original translations of key texts—many available for the first time in English—by central actors in Japan’s transition to the modern era, including the works of Inoue Enryō, Gesshō, Hara Tanzan, Shimaji Mokurai, Kiyozawa Manshi, Murakami Senshō, Tanaka Chigaku, and Shaku Sōen. All of these writers are well recognized by Buddhist studies scholars and Japanese historians but have drawn little attention elsewhere; this stands in marked contrast to the reception of Japanese Buddhism since D. T. Suzuki, the towering figure of Japanese Zen in the first half of the twentieth century. The present book fills the chronological gap between the premodern era and the twentieth century by focusing on the crucial transition period of the nineteenth century. Issues central to the interaction of Japanese Buddhism with modernity inform the five major parts of the work: sectarian reform, the nation, science and philosophy, social reform, and Japan and Asia. Throughout the chapters, the globally entangled dimension—both in relation to the West, especially the direct and indirect impact of Christianity, and to Buddhist Asia—is of great importance. The Introduction emphasizes not only how Japanese Buddhism was part of a broader, globally shared reaction of religions to the specific challenges of modernity, but also goes into great detail in laying out the specifics of the Japanese case.

In Kanazawa, Japan, Emmitt's future plans collapse when his wife, Mirai, backs out of negotiations for a house in which they can live independently from her parents and start a family. After quitting an unsatisfying job at a local university, Emmitt's search for a more meaningful existence steers him to help his mother-in-law translate Kanazawa's most famous author, Izumi Kyoka, into English. While resisting Mirai's efforts to move to Tokyo, he becomes drawn into the mysterious death thirty years ago of a mutual friend of his parents-in-law. It is only when he and his father-in-law climb the mountain where the man died that he learns the truth about the relationship the three of them had as sculptor, model, and painter, and finds a way to bring Mirai back into the fold of their dreamed-of life. Kanazawa, the first literary novel in English to be set in Kanazawa, is told in the tradition of both the best expatriate fiction and Japanese fiction in translation.

Another Kyoto is an insider's meditation on the hidden wonders of Japan's most enigmatic city. Drawing on decades living in Kyoto, and on lore gleaned from artists, Zen monks and Shinto priests, Alex Kerr illuminates the simplest things - a temple gate, a wall, a sliding door - in a new way. 'A rich book of intimate proportions ... In Kyoto, facts and meaning are often hidden in plain sight. Kerr's gift is to make us stop and cast our eyes upward to a temple plaque, or to squint into the gloom of an abbot's chamber' Japan Times 'Kerr and Sokol have performed a minor miracle by presenting that which is present in Kyoto as that which we have yet to see. I know that I will never pass a wall, or tread a floor, or sit on tatami the same way again' Kyoto Journal