Reading And Mapping Hardy S Roads

This book examines Thomas Hardy's representations of the road and the ways the archaeological and historical record of roads inform his work. Through an analysis of the uneven and often competing road signs found within three of his major novels - The Return of the Native, Tess of the D'Urbervilles, and Jude the Obscure - and by mapping the road travels of his protagonists, this book argues that the road as represented by Hardy provides a palimpsest that critiques the Victorian construction of social and sexual identities. Balancing modern exigencies with mythic possibilities, Hardy's fictive roads exist as contested spaces that channel desire for middle-class assimilation even as they provide the means both to reinforce and to resist conformity to hegemonic authority.

The Return of the Native was a radical departure for Thomas Hardy, ushering in his tragic literary vision of the world. Though set in a small space (Egdon Heath in the fictional county of Wessex) and short time (the main action spans a year and a day), the novel addresses the broad social and intellectual upheavals of the Victorian age. Much of this turmoil is embodied in the character of Eustacia Vye, the novel’s wilful female protagonist. A complex, independent young woman, Eustacia is a sympathetic but ultimately tragic figure, the epitome of what the narrator calls the “irrepressible New.” The appendices to this Broadview edition place the novel in the context of Hardy’s career and the scientific and social ideas of the time. Documents include contemporary reviews, related writings by Hardy, and materials on biology, geology, and the “Woman Question.” Illustrations from the original serialization in Belgravia magazine and Hardy’s performance text of the mummers’ play are also included.

Thomas Pynchon's writing has been widely regarded as an exemplary form of postmodern fiction. It is characterized as genre-defying and enigmatic, as a series of complex and esoteric language games. This study attempts to demonstrate, however, that an oblique yet compelling sense of the "political" Pynchon disappers all too easily under the mantle of postmodernity. Innovative and unsettling discussions of freedom, war, labor, poverty, community, democracy, and totalitarianism are passed over in favor of constrictive scientific metaphors and theoretical play. Against this current, this study analyzes Pynchon's fiction in terms of its radical dimension, showing how it points to new directions in the relationship between the political and the aesthetic.

Known for its beautiful scenery and abundant forests, beaches, and wildlife, Vancouver Island is just a short ferry ride away from the bustling Lower Mainland. Get away from it all on a multi-day hike along the West Coast Trail, view some of the world’s largest trees in Strathcona Provincial Park, reel in the catch of a lifetime in Campbell River (the “Salmon Capital of the World”), or explore the charming Gulf Islands by kayak – there are endless outdoor adventure opportunities! The Vancouver Island Backroad Mapbooks 9th edition includes many map updates and cartographic style changes including enhanced private land, expanded fish species and countless multi-use trail and ATV trail additions. The Adventure listings have also been expanded and updated to ensure you get the most up-to-date and accurate information possible for your adventure of choice. Features - Map Key & Legend - Topographic Maps - Detailed Adventure Section >> Backroad Attractions, Fishing Locations, Hunting Areas, Paddling Routes, Parks & Campsites, Trail Systems, ATV Routes,Snowmobile Areas, Wildlife Viewing, Winter Recreation, Service Directory, Accommodations, Sales & Services, Tours & Guides, Index, Adventure Index, Map Index, Trip Planning Tools,

The first full-length study on the subject of Dickens and work, this book reshapes our understanding of Dickens by challenging a critical oversimplification: that Dickens's attitude towards work reflects conventional expressions of Victorian earnestness of the sort attributed also to Thomas Carlyle, John Ruskin, and even more simplistically, Samuel Smiles. Instead, by analyzing a wide range of Dickens’s fiction and journalism in the light of new biographical and historical research, Louttit shows that Dickens is not interested in work as an abstract, positive value, or even in cataloguing it in concrete detail. What he explores instead is the human dimension of work: how, in other words, work affects the lives of those engaged in it. His writing about work is, as a result, best viewed not merely as a quasi-religious Gospel of Work, nor as an objective sociological report, but rather as what Louttit terms a "secular gospel."

Dickens, Journalism, and Nationhood examines Charles Dickens’ weekly family magazine Household Words in order to develop a detailed picture of how the journal negotiated, asserted and simultaneously deconstructed Englishness as a unified (and sometimes unifying) mode of expression. It offers close readings of a wide range of materials that self-consciously focus on the nature of England as well as the relationship between Britain and the European continent, Ireland, and the British colonies. Starting with the representation and classification of identities that took place within the framework of the Great Exhibition of 1851, it suggests that the journal strives for a model of the world in concentric circles, spiraling outward from the metropolitan center of London. Despite this apparent orderliness, however, each of the national or regional categories constructed by the journal also resists and undermines such a clear-cut representation.

Leading experts on modern poetry and on literature and science explore how poets have used scientific language in their poems, how poetry can offer new perspectives on science, and how the 'Two Cultures' can and have come together in the work of poets from Britain and Ireland, America and Australia.