Rich Georgian Strangely Shot

In March 1912, Gene Grace, a young Atlanta businessman, was found shot in the locked bedroom of his fashionable home "between the Peachtrees." Daisy Grace, his flashily dressed Yankee wife from Philadelphia, was soon arrested on a charge of assault with intent to murder. Gene Grace was left paralyzed but, more importantly, he was powerless legally. Under Georgia law, he could not testify against his wife. Prosecutors were forced to rely instead upon the circumstantial evidence of an alleged "diabolical plot." The Atlanta newspapers--led by the Georgian, under the very new control of Mr. Hearst, that giant of "yellow journalism"--covered the case relentlessly. Papers across the country followed the drama for months, which concluded with a five-day trial held in the searing heat of a Georgia summer. This is the never-before-told story of the tragic romance between "the Adonis of a country town" and the woman known to all as "Daisy of the Leopard Spots."

Hospitality as a cultural trait has been associated with the South for well over two centuries, but the origins of this association and the reasons for its perseverance of­ten seem unclear. Anthony Szczesiul looks at how and why we have taken something so particular as the social habit of hospitality—which is exercised among diverse individuals and is widely varied in its particular practices—and so generalized it as to make it a cultural trait of an entire region of the country. Historians have offered a variety of explanations of the origins and cultural practices of hospitality in the antebellum South. Economic historians have at times portrayed southern hospitality as evidence of conspicuous consumption and competition among wealthy planters, while cultural historians have treated it peripherally as a symptomatic expression of the southern code of honor. Although historians have offered different theories, they generally agree that the mythic dimensions of southern hospitality eventually outstripped its actual practices. Szczesiul examines why we have chosen to remember and valorize this particular aspect of the South, and he raises fundamental ethical questions that underlie both the concept of hospitality and the cultural work of American memory, particularly in light of the region’s historical legacy of slavery and segregation.

The crime that led to “the first significant challenge to capital punishment in Georgia” and inspired the Grateful Dead song “Dupree’s Diamond Blues” (Atlanta INtown). On December 15, 1921, gunshots echoed across Atlanta’s famous Peachtree Street moments before a handsome young man darted away from Kaiser’s Jewelers. Frank DuPre left in his wake a dead Pinkerton guard and a missing ring. As Christmas shoppers looked on in panic, he raced through the Kimball House Hotel and shot another victim. The brazen events terrified a crime-filled city already on edge. A manhunt captured the nineteen-year-old, unemployed DuPre, who faced a quick conviction and a hanging sentence. Months of appeals pitted a prosecutor demanding some “good old-fashioned rope” against “maudlin sentimentalists” and “sob sisters.” Author Tom Hughes recounts the true harrowing story behind the legend of one of the last men hanged in Atlanta. “Revisits the crime, the trial, and the execution that captured newspaper headlines for months.”—WABE.org

"Explore the true crime story of Frank DuPre, the last man hanged in the city of Atlanta, Georgia"--

INDIGO'S #1 BEST BOOK OF 2019 NATIONAL BESTSELLER FROM THE AUTHOR OF THE MARROW THIEVES, THE #1 NATIONAL BESTSELLER, MULTI-AWARD WINNER AND CANADA READS FINALIST "Wildly entertaining and profound and essential." --Tommy Orange, The New York Times Broken-hearted Joan has been searching for her husband, Victor, for almost a year--ever since he went missing on the night they had their first serious argument. One hung-over morning in a Walmart parking lot in a little town near Georgian Bay, she is drawn to a revival tent where the local Métis have been flocking to hear a charismatic preacher. By the time she staggers into the tent the service is over, but as she is about to leave, she hears an unmistakable voice. She turns, and there is Victor. Only he insists he is not Victor, but the Reverend Eugene Wolff, on a mission to bring his people to Jesus. And he doesn't seem to be faking: there isn't even a flicker of recognition in his eyes. With only two allies--her odd, Johnny-Cash-loving, 12-year-old nephew Zeus, and Ajean, a foul-mouthed euchre shark with deep knowledge of the old ways--Joan sets out to remind the Reverend Wolff of who he really is. If he really is Victor, his life, and the life of everyone she loves, depends upon her success. Inspired by the traditional Métis story of the Rogarou--a werewolf-like creature that haunts the roads and woods of Métis communities--Cherie Dimaline has created a propulsive, stunning and sensuous novel.

In the Hugo-award winning, epic New York Times Bestseller and basis for the BBC miniseries, two men change England's history when they bring magic back into the world. In the midst of the Napoleonic Wars in 1806, most people believe magic to have long since disappeared from England - until the reclusive Mr. Norrell reveals his powers and becomes an overnight celebrity. Another practicing magician then emerges: the young and daring Jonathan Strange. He becomes Norrell's pupil, and the two join forces in the war against France. But Strange is increasingly drawn to the wild, most perilous forms of magic, and he soon risks sacrificing his partnership with Norrell and everything else he holds dear. Susanna Clarke's brilliant first novel is an utterly compelling epic tale of nineteenth-century England and the two magicians who, first as teacher and pupil and then as rivals, emerge to change its history.

Allegory about a sea gull who seeks to attain perfect flight. Copyright © Libri GmbH. All rights reserved.