Roman Poetry

"This is no small achievement. For the language-lover the translation provides elegant, flowing English verse, for the classicist it conveys close approximation to the Latin meaning coupled with a sense of the movement and rhythmic variety of Ovid's language"—Geraldine Herbert-Brown, editor of Ovid's Fasti: Historical Readings at its Bimillennium "This book fills a gap. There is no similar annotated English translation of Ovid's exile poetry. Thoroughly grounded in Ovidian scholarship, Green's introduction and notes are helpful and informative. The translation is accurate, idiomatic, and lively, closely imitating the Latin elegiac couplet and capturing Ovid's changing moods."—Karl Galinsky, author of Ovid's Metamorphoses: An Introduction to the Basic Aspects

Exemplary Traits examines how Roman poets used models dynamically to create character, and how their referential approach to character reveals them mobilizing the literary tradition.

An edition and translation of a collection of fragments of Roman poetry composed between 60 BC and AD 20, when Latin literature was at its height. Study of these fragmentary texts enables us better to appreciate surviving great poets such as Catullus and Virgil.

Voices speak to us out of poetry books. When we as moderns read ancient poetry, we attempt to make those voices hearable again, to reconstitute them in a form of presence in which we can experience them for ourselves; to put it another way, we commu

Originally published in 1923, this study outlines the aims and methods of roman poets as well as focussing on technique and subject. Sikes’ critique of the subject delves into the general character of roman poetry with the belief that it provides an insight into roman life and ideals by commenting on various theories, criticisms and themes found in Roman poetry. This title will be of interest to students of classics.

How can we explain the process by which a literary text refers to another text? For the past decade and a half, intertextuality has been a central concern of scholars and readers of Roman poetry. In Intertextuality and the Reading of Roman Poetry, Lowell Edmunds proceeds from such fundamental concepts as "author," "text," and "reader," which he then applies to passages from Vergil, Horace, Ovid, and Catullus. Edmunds combines close readings of poems with analysis of recent theoretical models to argue that allusion has no linguistic or semiotic basis: there is nothing in addition to the alluding words that causes the allusion or the reference to be made. Intertextuality is a matter of reading.

A collection of urban and pastoral poetry of the Roman republic, and of the empire that succeeded it.