Routledge Library Editions James Joyce

This set reissues 8 books on James Joyce originally published between 1966 and 1991. The volumes examine many of Joyce’s most respected works, including Finnegans Wake, Dubliners and Ulysses. As well as providing an in-depth analyses of Joyce’s work, this collection also looks at James Joyce in the context of the Modernist movement as a whole. This set will be of particular interest to students of literature.

This volume, first published in 1968, draws attention to the special relationship between Joyce’s life and his writing. The passages are presented in chronological order, with a commentary that pays particular attention to the bibliographical aspects of Joyce’s art. Goldman focuses on three texts; A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake. James Joyce will be of interest to students of literature.

James Joyce: A Guide to Research, first published in 1982, is a selective annotated bibliography of works by and about James Joyce. It consists of three parts: the primary bibliography – which includes separate bibliographies of Joyce’s major works, of scholarly editions or collections of his works of his letters, and of concordances to his works; the secondary bibliography – which includes bibliographies of bibliographical, biographical, and critical works concerning Joyce generally or his individual works; and major foreign-language studies. This title will be of interest to students of literature.

This collection, first published in 1982, brings together thirteen writers from a wide variety of critical traditions to take a fresh look at Joyce and his crucial position not only in English literature but in modern literature as a whole. Comparative views of his work include reflections on his relations to Shakespeare, Blake, MacDiarmid, and the Anglo-Irish revival. Essays, story and poems all combine to celebrate the major constituents of Joyce’s work – his imagination and comedy, his exuberant use of language, his relation to the history of his country and his age, and his passionate commitment to ‘a more veritably human tradition’. This title will be of interest to students of literature.

First published in 1986. Dubliners was James Joyce’s first major publication. Setting it at the turn of the century, Joyce claims to hold up a ‘nicely polished looking-glass’ to the native Irishman. In Backgrounds for Joyce’s Dubliners, the author examines the national, mythic, religious and legendary details, which Joyce builds up to capture a many-sided performance and timelessness in Irish life. Acknowledging the serious work done on Dubliners as a whole, in this study Professor Torchiana draws upon a wide range of published and unpublished sources to provide a scholarly and satisfying framework for Joyce’s world of the ‘inept and the lower middle class’. He combines an understanding of Joyce’s subtleties with a long-standing personal knowledge of Dublin. This title will make fascinating reading for scholars and students of Joyce’s writing as well as for those interested in early twentieth century Irish social history.

First published in 1991. James Joyce's Finnegans Wake: A Case Book was published in order to celebrate the 50th anniversary of Joyce's final work with 14 critical essays and a page-by-page outline of the novel. The book includes critical approaches and interpretations in film, drama, and music. This title will be of interest to students of literature.

The object of this study, first published in 1980, is to dispel the view that James Joyce had no political views. Although not a political novelist like D. H. Lawrence or Joseph Conrad, political issues and discussions are central to Joyce’s major novels. This title links that political content with Joyce’s own views, and examines the evolution of those views and attitudes. A number of unusual and fascinating sources for Joyce’s thought are uncovered. Joyce’s Politics is thus a thorough review of a neglected aspect of Joyce and his writings, and will be of interest to students of literature.

First published in 1966. By pursuing a group of cognate themes, the author relates major critical approaches to the fiction of James Joyce. One of the major issues explored is that of the existence of ‘symbols’ in his fiction, and of the quality of Joyce’s feelings shown through an examination of the extent of his human sympathies. This title will be of interest to students of literature.