Sacred Steel

"A Pioneering work on the emergence, development, and current status of a vital but long overlooked tradtition. Enlightening and engaging." --Scott Barretta, musci historian and former editor of Living Blues magazine.

In this book, Robert L. Stone follows the sound of steel guitar into the music-driven Pentecostal worship of two related churches: the House of God and the Church of the Living God. A rare outsider who has gained the trust of members and musicians inside the church, Stone uses nearly two decades of research, interviews, and fieldwork to tell the story of a vibrant musical tradition that straddles sacred and secular contexts. Most often identified with country and western bands, steel guitar is almost unheard of in African American churches--except for the House of God and the Church of the Living God, where it has been part of worship since the 1930s. Sacred Steel traces the tradition through four generations of musicians and in some two hundred churches extending across the country from Florida to California, Michigan to Alabama. Presenting detailed portraits of musical pioneers such as brothers Troman and Willie Eason and contemporary masters such as Chuck Campbell, Glenn Lee, and Robert Randolph, Stone expertly outlines the fundamental tensions between sacred steel musicians and church hierarchy. In this thorough analysis of the tradition, Stone explores the function of the music in church meetings and its effect on the congregations. He also examines recent developments such as the growing number of female performers, the commercial appeal of the music, and younger musicians' controversial move of the music from the church to secular contexts.

This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. Where other studies of the Sacred Harp have focused on the sociology of present-day singers and their activities, David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. The Makers of the Sacred Harp also includes analyses of the textual influences on the music--including metrical psalmody, English evangelical poets, American frontier preachers, camp meeting hymnody, and revival choruses--and essays placing the Sacred Harp as a product of the antebellum period with roots in religious revivalism. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition.

Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars. In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation. In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship.

The African American experience includes urbanization, industrialization, and more. This book organizes and contextualizes more than 100 source documents to tell the story of more than 200 years of economic development, cultural creativity, and political struggle in Toledo, Ohio.

The Encyclopedia of American Gospel Music is the first comprehensive reference to cover this important American musical form. Coverage includes all aspects of both African-American and white gospel from history and performers to recording techniques and styles as well as the influence of gospel on different musical genres and cultural trends.

An overview of the traditional, changing folklife from a vibrant southern state

In her 55th bestselling novel, Danielle Steel explores the seasons of an extraordinary friendship, weaving the story of three couples, lifelong friends, for whom a month’s holiday in St. Tropez becomes a summer of change, revelation, secrets, surprises, and new beginnings . . . As Diana Morrison laid the table for six at her elegant Central Park apartment, there was no warning of what was to come. Spending New Year’s Eve together was a sacred tradition for Diana, her husband of thirty-two years, Eric, and their best friends, Pascale and John Donnally and Anne and Robert Smith. The future looked rosy as the long-time friends sipped champagne and talked of renting a villa together in the South of France the following summer. But life had other plans . . . Just two weeks after New Year’s, tragedy strikes the heart of their close circle, as Robert Smith suffers a sudden, unexpected loss. Without hesitation, Diana and Eric, Pascale and John rally to his side, united in their support, love, and shared grief. Convinced that a change of scenery is just what Robert needs, they urge him to join them on the Riviera in August. But as they soon discover, the ramshackle old mansion they rented in St. Tropez--sight unseen--is far different from the exquisite villa and sun-drenched gardens touted in the brochure. Cobwebs hang from the ceiling. Beds collapse beneath them. All while a would-be housekeeper in a leopard-skin bikini and six-inch heels sashays through the house with a trio of yapping poodles at her heels. But the biggest surprise of all is the woman Robert invites to the villa as his guest--a lovely, much-younger film actress with mile-long legs and a million-dollar smile. Diana and Pascale hate her on sight. But the men are dazzled. And amid the crumbling furniture and the glorious sunsets, the strained relationships and the acts of forgiveness, more surprises are in store for the villa’s occupants. With the last days of summer fast approaching, each couple finds themselves changing in unexpected ways, as old wounds are healed, new love discovered, and miracles unfold...all beneath the dazzling sun of St. Tropez. By turns wise and moving, heartbreaking and wickedly funny, Danielle Steel’s new novel is about forgiving without forgetting, about the sorrow that shadows our lives and the hope that saves us. And it is about once-in-a-lifetime friendships . . .the kind that heal, sustain, and change us forever.