Scandinavian Folk Fairy Tales

A collection of folk literature from five countries, with illustrations by native artists.

Tales of knights in search of princesses, forest creatures frequenting caverns, and wish-granting fairies are told in the spirit of tradition and imagination in this anthology. With spellbinding art by Sweden's greatest fairytale illustrator, John Bauer. Age 6+.

Trolls haunt the snowy forests, and terrifying monsters roam the open sea. A young woman journeys to the end of the world, and a boy proves he knows no fear. This collection of 16 traditional tales transports readers to the enchanting world of Nordic folklore. Translated and transcribed by folklorists in the 19th century, and presented here unabridged, the stories are by turns magical, hilarious, cozy, and chilling. They offer a fascinating view into Nordic culture and a comforting wintertime read. Ulla Thynell's glowing contemporary illustrations accompany each tale, conjuring dragons, princesses, and the northern lights. This special gift edition features an embossed, textured case and a ribbon marker.

The following volume of Swedish folk-tales represents a careful choice, after the best original sources, of those examples of their kind which not only appeared most colorful and entertaining, but also most racially Swedish in their flavor. For the fairy-tales of each of the three Scandinavian countries, Sweden, Denmark and Norway, have a distinct local color of their own. The wealth of material available has made it possible to give due representation to most types of fairy-tales, from the stories of older origin, the tales of giant, troll, and werewolf, to such delightful tales as "Lasse, My Thrall", "The Princess and the Glass Mountain" and "Prince Hat under the Ground" colored with the rich and ornate stylistic garb of medieval chivalric poesy. There has been no attempt to "rewrite" these charming folk-and fairy-tales in the translation.

Meet gullible trolls, enterprising princesses and nefarious wizards in this treasury of 25 Norse fairy tales. Collected by Peter Christen Asbjørnsen and Jørgen Moe in the 19th century, these Norwegian stories are described by Jacob Grimm as "surpassing nearly all others." They include such well-loved tales as 'The Three Billy Goat's Gruff' and 'Taming the Shrew' and open a window into the beautiful landscapes of Norway. These funny and fantastical stories will delight the young and old.

Twenty-one Swedish fairy tales accompanied by John Bauer's paintings and drawings that originally illustrated them.

A new, definitive English translation of the celebrated story collection regarded as a landmark of Norwegian literature and culture The extraordinary folktales collected by Peter Christen Asbjørnsen and Jørgen Moe began appearing in Norway in 1841. Over the next two decades the publication of subsequent editions under the title Norske folkeeventyr made the names Asbjørnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally’s vivid translation of their monumental collection is the first new English translation in more than 150 years—and the first ever to include all sixty original tales. Magic and myth inhabit these pages in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. The clever and fearless boy Ash Lad often takes center stage as he ingeniously breaks spells and defeats enemies to win half the kingdom. These stories, set in Norway’s majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe—now translated into an English that is as finely tuned to the modern ear as it is true to the original Norwegian. Included here—for the very first time in English—are Asbjørnsen and Moe’s Forewords and Introductions to the early Norwegian editions of the tales. Asbjørnsen gives us an intriguing glimpse into the actual collection process and describes how the stories were initially received, both in Norway and abroad. Equally fascinating are Moe’s views on how central characters might be interpreted and his notes on the regions where each story was originally collected. Nunnally’s informative Translator’s Note places the tales in a biographical, historical, and literary context for the twenty-first century. The Norwegian folktales of Asbjørnsen and Moe are timeless stories that will entertain, startle, and enthrall readers of all ages.