Seen Unseen

A riveting exploration of how visual media has shifted the narrative on race and reignited the push towards justice by the author of the “worthy and necessary” (The New York Times) Nobody Marc Lamont Hill and the bestselling author and acclaimed journalist Todd Brewster. With his signature “clear and courageous” (Cornel West) voice Marc Lamont Hill and New York Times bestselling author Todd Brewster weave four recent pivotal moments in America’s racial divide into their disturbing historical context—starting with the killing of George Floyd. Seen and Unseen reveals the connections between our current news headlines and social media feeds and the country’s long struggle against racism. Drawing on the powerful role of technology as a driver of history, identity, and racial consciousness, Seen and Unseen asks why, after so much video confirmation of police violence on people of color, it took the footage of George Floyd to trigger an overwhelming response of sympathy and outrage. In the vein of The New Jim Crow and Caste, Seen and Unseen incisively explores what connects our moment to the history of race in America but also what makes today different from the civil rights movements of the past and what it will ultimately take to push social justice forward.

Although he is most famous for his classic novel of supernatural horror, "The Beetle" (1897), Richard Marsh's best work is often to be found in his short stories. And in "The Seen and the Unseen," he is at his best. In "A Psychological Experiment," a man returns from the dead to exact a horrible vengeance on his killer. In "The Photographs," the officials at a jail discover ghostly images of a mysterious woman every time they attempt to photograph a certain prisoner. And in "The Houseboat," a married couple hires a houseboat for a romantic holiday cruise, but they get more than they bargained for when they learn a brutal murder was committed on the boat, a murder they see re-enacted before their very eyes. Nine other tales of mystery, murder, the supernatural, and the occult round out this thrilling volume. "The Seen and the Unseen" was one of Marsh's greatest successes, going through several editions, all virtually unobtainable today. This new edition, the first in more than a century, reprints the extremely rare first edition, published by Methuen in 1900, complete with a reproduction of its cover.

"This book is not a history of art, or a history of science, or even a history of their interaction. Rather, Martin Kemp, the distinguished art historian, traces certain recurring themes in the imagery of art and science that reflect shared 'structural intuitions' about the seen and unseen worlds of nature."--BOOK JACKET.

This book illuminates the real effects of regulations on people’s everyday lives. It traces the effects of regulations on an economy by working through the ripple effects of changes. In so doing, the book provides a fundamental understanding for the economy as an organism rather than a machine, and enlightens the reader by offering a model for understanding the economy and market. Regulations, which are restrictions placed on the working of the economy, have consequences, both intended and unintended, direct and indirect. While the direct effects are well understood, the indirect effects are often overlooked because they don’t fit with the machine understanding of an economy. More to the point, this book emphasizes the real effects of regulation and market change on individual actors, thereby stressing how the economy works to provide an individual with the options that exist in choice situations. We draft a new definition of prosperity and well-being which focuses on the individual’s access to valuable alternatives. From this point of view, the real implications of regulation are traced step by step, following the logic of exchange and the effects on individual actors rather than the economy as a whole.

Spiritual warfare is real, and your faith is at stake. Based on Biblical principles, Seeing the Unseen helps you fight back against the enemy. In today’s world, Satan seems to be everywhere, and he seems to have the advantage. But the enemy is not of this world, and the war is in the spiritual world. Satan is trying to attack you and destroy your faith, and the only way to defeat him is to fight back. In this newly revised and updated bestseller, Joe Beam reveal Satan's powerful weaponry—his lies, deceptions, and manipulations—and unmasks his strategy to destroy your life and those you care for. This book will show you his plans and tactics, and teach you where he is likely to strike next and how to fight him. Based on a dedicated study of God’s word, this book is filled with stories of tragedy and triumph and will give you the tools you need to defeat the enemy.

How does secret knowledge shape how West African arts are created by different makers for disparate audiences? Recognizing that there is a tension between what is seen on the outside and what cannot be seen on the inside, Seeing the Unseen delves into the meaning of objects, assemblages, and performances among the Senufo-Mande people. The awareness of exceptional power and the profound knowledge of the artistic creators is constantly oscillating between what can be seen and what is known by their audiences. This constant negotiation of the mutual recognition of the others' potential agency provides a foundation for a new, compelling model for thinking about how the seen and unseen must operate in arts. The result is an engaging exploration of power associations and the social and political tensions they create through objects and performances.

This long-awaited work explores the place of kokugaku (rendered here as "nativism") during Japan's Tokugawa period. Kokugaku, the sense of a distinct and sacred Japanese identity, appeared in the eighteenth century in reaction to the pervasive influence of Chinese culture on Japan. Against this influence, nativists sought a Japanese sense of difference grounded in folk tradition, agricultural values, and ancient Japanese religion. H. D. Harootunian treats nativism as a discourse and shows how it functioned ideologically in Tokugawa Japan.