Settlers War And Empire In The Press

This book explores how public commentary framed Australian involvement in the Waikato War (1863-64), the Sudan crisis (1885), and the South African War (1899-1902), a succession of conflicts that reverberated around the British Empire and which the newspaper press reported at length. It reconstructs the ways these conflicts were understood and reflected in the colonial and British press, and how commentators responded to the shifting circumstances that shaped the mood of their coverage. Studying each conflict in turn, the book explores the expressions of feeling that arose within and between the Australian colonies and Britain. It argues that settler and imperial narratives required constant defending and maintaining. This process led to tensions between Britain and the colonies, and also to vivid displays of mutual affection. The book examines how war narratives merged with ideas of territorial ownership and productivity, racial anxieties, self-governance, and foundational violence. In doing so it draws out the rationales and emotions that both fortified and unsettled settler societies.

During the 1850s and 1860s, there was considerable anxiety among British settlers over the potential for Indigenous rebellion and violence. Yet, publicly admitting to this fear would have gone counter to Victorian notions of racial superiority. In this fascinating book, Kenton Storey challenges the idea that a series of colonial crises in the mid-nineteenth century led to a decline in the popularity of humanitarianism across the British Empire. Instead, he demonstrates how colonial newspapers in New Zealand and on Vancouver Island appropriated humanitarian language as a means of justifying the expansion of settlers’ access to land, promoting racial segregation and allaying fears of potential Indigenous resistance.

The first thorough analysis of Scandinavian Americans, examining citizenship, settler colonialism and whiteness in the Civil War era.

Traces the emergence of a revolutionary conception of political authority on the far shores of the eighteenth-century Atlantic world. Based on the equal natural right of English subjects to leave the realm, claim indigenous territory and establish new governments by consent, this radical set of ideas culminated in revolution and republicanism. But unlike most scholarship on early American political theory, Craig Yirush does not focus solely on the revolutionary era of the late eighteenth century. Instead, he examines how the political ideas of settler elites in British North America emerged in the often-forgotten years between the Glorious Revolution in America and the American Revolution against Britain. By taking seriously an imperial world characterized by constitutional uncertainty, geo-political rivalry and the ongoing presence of powerful Native American peoples, Yirush provides a long-term explanation for the distinctive ideas of the American Revolution.

The first exploration of how Mussolini employed population settlement inside the nation and across the empire to strengthen Italian sovereignty.

Nathan K. Hensley shows how the modern state's anguished relationship to violence pushed literary writers of the Victorian era to expand the capacities of literary form. He explores the works of some of the era's most astute thinkers, including George Eliot, Charles Dickens, and Robert Louis Stevenson.

Nostalgia today is seen as essentially benign, a wistful longing for the past. This wasn't always the case, however: from the late seventeenth century through the end of the nineteenth, nostalgia denoted a form of homesickness so extreme that it could sometimes be deadly. What Nostalgia Was unearths that history. Thomas Dodman begins his story in Basel, where a nineteen-year-old medical student invented the new diagnosis, modeled on prevailing notions of melancholy. From there, Dodman traces its spread through the European republic of letters and into Napoleon's armies, as French soldiers far from home were diagnosed and treated for the disease. Nostalgia then gradually transformed from a medical term to a more expansive cultural concept, one that encompassed Romantic notions of the aesthetic pleasure of suffering. But the decisive shift toward its contemporary meaning occurred in the colonies, where Frenchmen worried about racial and cultural mixing came to view moderate homesickness as salutary. An afterword reflects on how the history of nostalgia can help us understand the transformations of the modern world, rounding out a surprising, fascinating tour through the history of a durable idea.

This book analyses the significance of the special correspondent as a new journalistic role in Victorian print culture, within the context of developments in the periodical press, throughout the second half of the nineteenth century. Examining the graphic reportage produced by the first generation of these pioneering journalists, through a series of thematic case studies, it considers individual correspondents and their stories, and the ways in which they contributed to, and were shaped by, the broader media landscape. While commonly associated with the reportage of war, special correspondents were in fact tasked with routinely chronicling all manner of topical events at home and abroad. What distinguished the work of these journalists was their effort to ‘picture’ the news, to transport readers imaginatively to the events described. While criticised by some for its sensationalism, special correspondence brought the world closer, shrinking space and time, and helping to create our modern news culture.