Shelley S Eye

Percy Bysshe Shelley joined the deluge of sightseers that poured onto the Continent after Napoleon's defeat in 1814, and over the next eight years Shelley followed major travelling trends, visiting Switzerland in 1816 and Italy from 1818. Shelley's Eye is the first study to address Shelley's participation in the travel culture of Post-Napoleonic Europe, and the first to consider Shelley as an important travel writer in his own right. This book is informed by original research on a wide range of period travel writings, including Mary Shelley and Shelley's neglected collaboration, History of a Six Weeks' Tour (1817), in which 'Mont Blanc' first appeared. Fully responsive to the culture of travel, Shelley's travel prose and poetry form fascinating conversations with major Romantic travellers like Byron, Wollstonecraft, and Wordsworth, as well as lesser-known but widely read travel writers of the day, including Morris Birkbeck, Charlotte Eaton, and John Chetwode Eustace. In this provocative study, Benjamin Colbert demonstrates how the Grand Tour remains a vital cultural metaphor for Shelley and his contemporaries, under pressure from mass travel and popular culture. Shelley's travel prose and 'visionary' poetry explore motives of perception underlying travel discourse and posit an authentic 'aesthetic vision' that reconfigures social, historical, and political meanings of 'sights' from the perspective of an ideal tourist-observer. Shelley's Eye offers a new perspective on Shelley's intellectual history. It is also a timely and important contribution to recent interdisciplinary scholarship that aims to re-evaluate Romantic idealism in the context of physical, experiential, or material cultural practices.

First published 1984. In a provocative study, this book argues that the problems posed by Shelley’s notoriously difficult style must be understood in relation to his ambivalence towards language itself as an artistic medium — the tension between the potential of language to mirror emotional experience and the recognition of it’s inevitable limitations. Through an exposition of Shelley’s idea of language, as reflected in his theoretical writings and individual poems, this book makes a strong case for his artistic worth. A definitive introduction to Shelley, useful for both scholars and newcomers, this book will be interest to students of literature.

First published in 2009. This book argues that the images of and allusions to music in Shelley’s writing demonstrate his attempt to infuse the traditionally masculine word with the traditionally feminine voice and music. This further extends to his even more fundamental desire to integrate the "object voice" with his own subjectivity. For Shelley, what plagues this integration is the prospect of losing both the poet’s authority and the subjectivity upon which it relies. This book asserts that the resultant deadlock and instability paradoxically becomes Shelley’s ultimate goal — creating a steady state of suspension that finally preserves both his authority and his humanity.

Based on a thorough exploration of the vast family archives, The Godwins and the Shelleys sheds new light not only on an exceptional family but on the history and literature of the revolutionary and romantic age.

This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. "Frankenstein; or, The Modern Prometheus" tells the story of Victor Frankenstein, a young scientist who creates a grotesque, sapient creature in an unorthodox scientific experiment. Frankenstein is infused with elements of the Gothic novel and the Romantic movement. At the same time, it is an early example of science fiction. It has had a considerable influence in literature and popular culture and spawned a complete genre of horror stories, films and plays."St. Irvyne; or, The Rosicrucian" is a Gothic horror novel which retells the destiny of Wolfstein, a solitary wanderer and a disillusioned outcast from society who seeks to kill himself. After he is saved by the monks, he encounters Ginotti, an alchemist of the Rosicrucian, or Rose Cross Order who seeks to impart the secret of immortality.

1. Sing, Muse, the son of Maia and of Jove, The Herald-child, king of Arcadia And all its pastoral hills, whom in sweet love Having been interwoven, modest May Bore Heaven's dread Supreme. An antique grove _5 Shadowed the cavern where the lovers lay In the deep night, unseen by Gods or Men, And white-armed Juno slumbered sweetly then. 2. Now, when the joy of Jove had its fulfilling, And Heaven's tenth moon chronicled her relief, _10 She gave to light a babe all babes excelling, A schemer subtle beyond all belief; A shepherd of thin dreams, a cow-stealing, A night-watching, and door-waylaying thief, Who 'mongst the Gods was soon about to thieve, _15 And other glorious actions to achieve. 3. The babe was born at the first peep of day; He began playing on the lyre at noon, And the same evening did he steal away Apollo's herds;—the fourth day of the moon _20 On which him bore the venerable May, From her immortal limbs he leaped full soon, Nor long could in the sacred cradle keep, But out to seek Apollo's herds would creep.

When his wife is murdered and his daughter abducted, Dmitri is drawn into a life of violence and crime. Alone in the Albanian mountains, Dmitri becomes a skilled criminal but his actions uncover a secret that force him to kidnap another man’s child. Set in Albania and Greece, this Gothic tale of love and revenge is perfect for readers of crime stories like the ‘The Godfather’. ‘The Evil Eye’ (1829) is a classic short story by the English writer Mary Shelley, famous for her best-selling novel ‘Frankenstein’. Mary Shelley (1797–1851) was an English author and travel writer best known for her ground-breaking Gothic novel ‘Frankenstein’ (1818). Considered one of the first true works of science-fiction, the book became an instant bestseller. It has been adapted for TV, stage, and film on many occasions, with Boris Karloff famously playing Frankenstein’s monster on screen in 1933. Other adaptations include ‘Mary Shelley's Frankenstein’ (1994) starring Kenneth Branagh and Robert De Niro and ‘Viktor Frankenstein’ (2015) starring Daniel Radcliffe and James McAvoy. Shelley’s other novels include Valperga (1823), The Last Man (1826), Perkin Warbeck (1830), Lodore (1835), Falkner (1837) and the posthumously published Mathilde (1959). However, she will always be remembered as the creator of Frankenstein. The book continues to influence filmmakers, writers and popular culture to this day, inspiring and terrifying new audiences the world over.

Frankenstein is one of the most popular classroom texts in high school and college, and Shelley's other works are attracting renewed attention. This reference is a comprehensive guide to her life and career. Included are hundreds of alphabetically arranged entries about her works, friends, relatives, residences, fictional characters, allusions, and more. Mary Shelley has only recently emerged from the shadows of her famous parents, Mary Wollstonecraft and William Godwin, and that of her husband, Percy Bysshe Shelley. Today, Frankenstein (1818, 1831) is one of the most popular classroom texts in high school and college, and Mary Shelley's other works are attracting renewed attention. These works reveal much about the Romantic literary period and Shelley's ongoing development as a writer. In addition to her novels, Shelley wrote short stories, poems, and dramas. These texts illustrate the difficulties of a shifting literary marketplace, while her travel writings illuminate her rich personal experiences and keen intellect. This reference is a comprehensive guide to her life and career. Included are hundreds of alphabetically arranged entries about her works, friends, relatives, residences, fictional characters, allusions, and more. Some entries briefly identify and contextualize their topics, while others offer more extensive discussions. Many entries cite sources of further information, and the volume closes with a bibliography. The work is fully cross-referenced and includes a detailed index and an appendix that discusses the sources of Shelley's quotations.