Singing And Dancing To The Book Of Mormon

Singing and Dancing to The Book of Mormon examines a cultural phenomenon, asking: What made The Book of Mormon such a success? In what ways does the work utilize established artistic traditions (musical theatre, comic tropes), but revise them to create something new? What cultural buttons does the work push in religion and world affairs? What artistic and social boundaries—and the transgression of those boundaries—give the work its edge? What is the effect of the work on particular audiences: in the theatre, in academia, in religious/Mormon studies, and beyond?

Broadway musicals are one of America’s most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation? Now in a new second edition, The Great White Way is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to Hamilton (2015). This revised edition includes a new introduction and conclusion, updated chapters, as well as a brand-new chapter that looks at the blockbuster musicals The Book of Mormon and Hamilton. Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States. Presented chronologically, The Great White Way shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927–1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon—Show Boat (1927), Oklahoma! (1943), Annie Get Your Gun (1946), The Music Man (1957), West Side Story (1957), A Chorus Line (1975), and 42nd Street (1980), among others. In addition to a new chapter on Hamilton and The Book of Mormon, this revised edition brings The Great White Way fully into the twenty-first century with an examination of jukebox musicals and the role of off-Broadway and regional theaters in the development of the American musical. New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment.

Stop looking for the Book of Mormon in Mesoamerica and start looking for Mesoamerica in the Book of Mormon! Second Witness, a new six-volume series from Greg Kofford Books, takes a detailed, verse-by-verse look at the Book of Mormon. It marshals the best of modern scholarship and new insights into a consistent picture of the Book of Mormon as a historical document. Taking a faithful but scholarly approach to the text and reading it through the insights of linguistics, anthropology, and ethnohistory, the commentary approaches the text from a variety of perspectives: how it was created, how it relates to history and culture, and what religious insights it provides. The commentary accepts the best modern scholarship, which focuses on a particular region of Mesoamerica as the most plausible location for the Book of Mormon’s setting. For the first time, that location—its peoples, cultures, and historical trends—are used as the backdrop for reading the text. The historical background is not presented as proof, but rather as an explanatory context. The commentary does not forget Mormon’s purpose in writing. It discusses the doctrinal and theological aspects of the text and highlights the way in which Mormon created it to meet his goal of “convincing . . . the Jew and Gentile that Jesus is the Christ, the Eternal God.”

In our busy world, we sometimes find our scripture study isn't always productive. The solution is here with The Book of Mormon Made Easier Series - Parts 1, 2 and 3! Along with the complete text of the Book of Mormon, this valuable study guide includes in-the-verse notes and additional insights and commentary. A perfect study companion!

Every few weeks a politician, pundit or soap star causes a media storm by making a gaffe or tweeting a joke that some people do not find funny. Comedy is very hard to get right and yet we think it’s important to have a sense of humour and not take yourself too seriously. On the other hand, a sense of humour failure can lead to losing your friends, your twitter account, your job, your career and, in some cases, your life. James Cary knows about this. He is a sitcom writer who’s written jokes about bomb disposal in Afghanistan (Bluestone 42), defended comments about Islam by Ben Elton on Newsnight, been on a panel with radical Muslim cleric Anjem Choudary, sits on the General Synod of the Church of England and somehow managed to co-write episodes of Miranda. An odd mix, but one that makes him very readable. This entertaining, breezy book, explains how comedy works (with jokes and quotes) and gives much-needed insights into the controversy surrounding humour.

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