Spanish Folk Songs

These nine Latin American gems will be a stunning addition to your vocal repertoire. Whether performed in Spanish or English, these masterful arrangements feature sophisticated piano accompaniments and stylish vocal lines which emphasize the dramatic nuances of their delightful texts. Nine wonderful and heartfelt songs, which offer a wide variety of styles and tempos.

In 1904, nine-year-old Samantha, an orphan living with her wealthy grandmother, and her servant friend Nellie have a midnight adventure when they try to find out what has happened to the seamstress who suddenly left her job.

This charming book contains twelve favorite Spanish folk melodies, arranged by a prominent piano teacher for young students at the elementary level. The lyrics are provided in both Spanish and English. It's great for lessons and recitals! Titles: * A la Rueda Rueda (A Game Song) * Al Ánimo (A Game Song) * Antón Pirulero (Anton, the Candy Man) * Arroz con Leche (A Game Song) * Duérmete mi Niño (Sleep, My Child) * El Patio de mi Casa (The Patio of My House) * Mambrú Se Fué a la Guerra (Mambru Has Gone to War) * Naranja Dulce (Sweet Orange) * Papeles Son Papeles (Papers Are Papers) * La Pájara Pinta (The Spotted Bird) * "La Señorita" and "Matandile" (Two Game Songs) * Tengo una Muñeca Vestida de Azul (I Have a Doll Dressed in Blue).

Excerpt from Folk Songs From the Spanish The words float through the window with the moonlight and the scent of orange-blossoms, fading gently away as the late passer goes farther on.the fields the young wheat, green be neath the smoky olive trees; above, the radiant sky of Andalusia, and the sun showering gold through the limpid air. In front of an inn which stands beside the dusty road just outside the town a girl with pinks in her hair is dancing segw'dz'llas. Near her an Arab eyed youth twangs a guitar. Her friends sit around in a half-circle, clap ping their hands to mark the measure of the dance. Ole! Ole! They cry, at intervals, in gay applause. Ou a table are half-empty glasses of agita dt'ente; yellow flowers bloom near the door of the little inn, a baby tumbles happily about on the brown earth, and a bird hops in a rough wooden cage. The girl's body, lithe and slender, sways alluringly to and fro, the sun flashes on her white teeth and lights a gleam in her sombre eyes. The guitar-playerwatches her gravely, his hand trembles, then he sings. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

From the introduction by Pru Devon: “There are various ways of assembling a song collection. The most common procedure seems to be that of gathering together the most familiar and therefore the slightly hackneyed ones in the belief that since they are so well-known it follows they must be the best. Another and far more challenging approach is to collect a great many song from a broad assortment of areas, to evaluate carefully each one, finally selecting a group that gives a truly cross-sectional representation. This is obviously how Elena Paz has succeeded in gathering together this excellent collection of songs. . . . They are the sort of songs that people actually sing. Many have proved their strength and merit by having endured in the people’s hearts for many generations while others, equally representative are actually “living folkmusic”. Lullabies and children’s songs are usually immigrants that came with the colonists from the “old country”, such as A la Nanita Nana. These have wide dispersal and are sung in slightly differing ways from the Rio Grande to Tierra del Fuego. Others reflect episodes in the evolution of a republic, such as the various songs that grew out of the Mexican revolution. They run a fine gamut of expression and mood and offer a just and attractive sampling of the wealth of Latin American music.

First published in 1980 and now available only from the University of New Mexico Press, this classic compilation of New Mexico folk music is based on thirty-five years of field research by a giant of modern music. Composer John Donald Robb, a passionate aficionado of the traditions of his adopted state, traveled New Mexico recording and transcribing music from the time he arrived in the Southwest in 1941.