Splinters

Cindy Winters loves to play hockey. When her family's basement apartment is flooded and the floor freezes, she's even happy to skate on the concrete. Her parents are too poor to enroll her in a league, but she's resourceful and does odd jobs until she has earned enough money to play. Armed with her mother's old equipment, she is thrilled to join a team. But her happiness doesn't last long. Among her teammates are the horrible Blister Sisters. They make her life miserable. And worse, Cindy's sidelined by the coach, who just happens to be Mrs. Blister. It looks like she'll be spending the season cleaning equipment, instead of playing on the ice. Cindy's luck changes when her Fairy Goaltender appears and saves the day. With its great good humor and hilarious illustrations, Kevin Sylvester's Splinters is bound to become a favorite.

An adult, fantasy thriller, whose concept tells of how memories of the dead affect the lives of the living. It's about the faith of one man, Michael Jobson, and follows the life of Esther (the most beautiful girl in the world, inside and out) as she grows up in a world of conflicting values.

When 18-year-old Tuuli Jakobsson awakens into her true race, she discovers that her people, the Elven, face a second extinction. The Realm Gate, once designed to protect her race from human destruction, has been choking their magic while the Viking Warlord, their race's ancient enemy, savagely herds them to reap their dwindling powers. With her race's history fractioned between seven Lordship stones, can Tuuli solve the mysteries that surround the artifacts, bring the pieces together, and convince her mate to embrace his destiny before they're destroyed? --Back cover.

"Sami's mother disappeared ten years ago, and the police have always suspected that Sami's father killed her. But they've never had any convincing evidence...until now. Sami's sure her father's innocent. Or is she?"--

Although successive generations of the Frankfurt School have attempted to adapt Critical Theory to new circumstances, the work done by its founding members continues in the 21st century to unsettle conventional wisdom about culture, society and politics. Exploring unexamined episodes in the School's history and reading its work in unexpected ways, these essays provide ample evidence of the abiding relevance of Horkheimer, Adorno, Benjamin, Marcuse, Lwenthal, and Kracauer in our troubled times. Without forcing a unified argument, they range over a wide variety of topics, from the uncertain founding of the School to its mixed reception of psychoanalysis, from Benjamin's ruminations on stamp collecting to the ironies in the reception of Marcuse's One-Dimensional Man, from Lwenthal's role in Weimar's Jewish Renaissance to Horkheimer's involvement in the writing of the first history of the Frankfurt School. Of special note are their responses to visual issues such as the emancipation of color in modern art, the Jewish prohibition on images, the relationship between cinema and the public sphere, and the implications of a celebrated Family of Man photographic exhibition. The collection ends with two essays tracing the still metastasizing demonization of the Frankfurt School by the so-called Alt Right as the source of "cultural Marxism" and "political correctness," which has gained alarming international resonance and led to violence by radical right-wing fanatics.

"In nineteenth-century Copenhagen, an orphaned seamstress goes to work for a retired ballerina and uses her magic to investigate her father's mysterious death while working for the same family years ago"--

A collection of short poems about love, animals, the seasons, nature, and other subjects, by poets ranging from Ezra Pound and Walt Whitman to Lewis Carroll and Ogden Nash.

Assessing the legacy of the Frankfurt School in the twenty-first century Although successive generations of the Frankfurt School have attempted to adapt Critical Theory to new circumstances, the work done by its founding members continues in the 21st century to unsettle conventional wisdom about culture, society and politics. Exploring unexamined episodes in the School's history and reading its work in unexpected ways, these essays provide ample evidence of the abiding relevance of Horkheimer, Adorno, Benjamin, Marcuse, Löwenthal, and Kracauer in our troubled times. Without forcing a unified argument, they range over a wide variety of topics, from the uncertain founding of the School to its mixed reception of psychoanalysis, from Benjamin's ruminations on stamp collecting to the ironies in the reception of Marcuse's One-Dimensional Man, from Löwenthal's role in Weimar's Jewish Renaissance to Horkheimer's involvement in the writing of the first history of the Frankfurt School. Of special note are their responses to visual issues such as the emancipation of color in modern art, the Jewish prohibition on images, the relationship between cinema and the public sphere, and the implications of a celebrated Family of Man photographic exhibition. The collection ends with two essays tracing the still metastasizing demonization of the Frankfurt School by the so-called Alt Right as the source of "cultural Marxism" and "political correctness," which has gained alarming international resonance and led to violence by radical right-wing fanatics.