Starship To Miranda

The Starship Spotter was created more than two centuries ago in the early years of deep space travel to serve as a reference guide to assorted space-going vessels. Captains of the spaceships of the United Earth Space Probe Agency used this invaluable tool to help their crews to distinguish friend from foe in the unexplored reaches of the cosmos. When the services were merged to form Starfleet, the Spotter as a paper book disappeared from use. Only recently rediscovered, the newest editions of this historic volume have until now been the sole purview of the students of Starfleet Academy. Each year a new class of Starfleet cadets carefully reviews and revises the contents. The ships displayed in the Starship Spotter are chosen as a tribute to the crews who have served on them and the valour shown, regardless of the ship's affiliation. Although only thirty ships could be selected, the cadets feel that these ships reflect the noble history of space exploration and travel. We proudly present to you the Class of 2383 edition of Starship Spotter.

The second volume in a chronological history of the Starfleet starships in Star Trek TV and films, from the 24th century to the far future! This in-depth reference book covers Starfleet vessels including the U.S.S. Enterprise, NCC- 1701-D, U.S.S. Voyager and Starfleet's first true warship - the U.S.S. Defiant. The final chapter features time traveling ships from the distant future. All the featured ships are illustrated with CG artwork, including original VFX models made for the TV show. The second volume presenting the first chronological history of all of the Starfleet ships featured in the Star Trek television programs and films. This volume presents the technical information, service history, and artwork of the iconic ships featured in Star Trek: The Next Generation, Star Trek: Voyager, Star Trek: Deep Space Nine, Star Trek: First Contact, and Star Trek: Nemesis.

Starships from Picard and Discovery beam into this eagerly awaited UPDATED 2nd edition. In fact, there are 70 pages of all-new, never-seen images and information! The future of Star Trek is now… your hands, as Hero Collector presents the latest chapter in the ever-evolving chronological history of the franchise’s Starfleet starships, spanning from the 24th Century to the far future. Fans of Star Trek – celebrating its 55th anniversary – can us this reference book to take deep dives into the U.S.S. Enterprise NCC-1701-D, U.S.S. Voyager, U.S.S. Defiant, and time-traveling ships from the distant future, as well as the La Sirena and Book’s scout ship. All the featured ships are illustrated with CG artwork, including VFX models produced for the shows.

The book talks about how Fleet Admiral Chlebowski continues his voyage in the 3rd book of the Project Delta series. At first he finds himself in trouble for certain trivial things. The book talks about what goes on fictionally from January 2380 to July 2381 in a journal format within the story line. The question is: Will he have to face responsibility for what he did, or will he become innocent onboard his starship and his starbase?

Jonathan Kepler wants to climb Spoon Mountain with his grown son and daughter on his sixty-fifth birthday in three weeks. The kids, Ben and Miranda, think he’s crazy. For starters, Spoon Mountain is almost the tallest alpine peak in New Mexico. Jonathan’s health is terrible. Still reeling from his third, nearly fatal, divorce, he has a rotten heart, serious asthma, and a fed-up girlfriend who is about to drop him like a bad habit. Once a celebrated novelist, Hollywood screenwriter, and environmental activist, Jonathan is now tottering at the ragged end of his career and yearning to make amends to his children for his past sins before it’s too late. Years ago, Spoon Mountain was very special to the Kepler family. They once shared halcyon days in the wilderness. Can they go home again? Does Spoon Mountain offer redemption . . . or annihilation? And why is getting there so laden with pratfalls? John Nichols is at his hilarious and poignant best in this rollicking tale of love, anarchy, and the awesome Rocky Mountains. It is drop-dead comedy with an inspiring and beautiful message.

From 'audet IX to Zytchin III, this book covers it all. This is the ultimate reference book for all Star Trek fans! Added to this edition are 128 new pages. This addendum highlights the latest episodes of Star Trek: Deep Space Nine®, Star Trek: Voyager® and the newest feature film, Star Trek: Insurrection™. The thousands of photos and hundreds of illustrations place the Star Trek universe at your fingertips. Planets and stars, weapons and ships, people and places are just part of the meticulous research and countless cross-reference that fill this book.

London's West End is a global success story, staging phenomenal hit shows that have delighted millions of spectators and generated billions of pounds in revenue. In Good Nights Out, Aleks Sierz provides a thematic survey of such popular theatre shows that were enormous commercial successes over the past 75 years. He argues that these outstanding hits have a lot to say about the collective cultural, social and political attitudes and aspirations of the country, and about how our national identity - and theatre's role in creating it - has evolved over the decades. The book spans a range of work from almost forgotten plays, such as R. F. Delderfield's Worm's Eye View and Hugh Hastings's Seagulls Over Sorrento, to well-known mega-hits, such as The Mousetrap and The Phantom of the Opera. Such popular work has tended to be undervalued by some critics and commentators mainly because it has not been thought to be a suitable subject for inclusion in the canon of English Literature. By contrast, Sierz demonstrates that genres such as the British musical, light comedy, sex farce or murder mystery are worth appreciating not only for their intrinsic theatrical qualities, but also as examples of the dream life of the British people. The book challenges the idea that mega-hits are merely escapist entertainments and instead shows how they contribute to the creation of powerful myths about our national life. The analysis of such shows also points towards the possibility of creating an alternative history of postwar British theatre.