Stoic Romanticism And The Ethics Of Emotion

An exploration of Stoicism’s central role in British and American writing of the Romantic period Stoic philosophers and Romantic writers might seem to have nothing in common: the ancient Stoics championed the elimination of emotion, and Romantic writers made a bold new case for expression, adopting “powerful feeling” as the bedrock of poetry. Stoic Romanticism and the Ethics of Emotion refutes this notion by demonstrating that Romantic-era writers devoted a surprising amount of attention to Stoicism and its dispassionate mandate. Jacob Risinger explores the subterranean but vital life of Stoic philosophy in British and American Romanticism, from William Wordsworth to Ralph Waldo Emerson. He shows that the Romantic era—the period most polemically invested in emotion as art’s mainspring—was also captivated by the Stoic idea that aesthetic and ethical judgment demanded the transcendence of emotion. Risinger argues that Stoicism was a central preoccupation in a world destabilized by the French Revolution. Creating a space for the skeptical evaluation of feeling and affect, Stoicism became the subject of poetic reflection, ethical inquiry, and political debate. Risinger examines Wordsworth’s affinity with William Godwin’s evolving philosophy, Samuel Taylor Coleridge’s attempt to embed Stoic reflection within the lyric itself, Lord Byron’s depiction of Stoicism at the level of character, visions of a Stoic future in novels by Mary Shelley and Sarah Scott, and the Stoic foundations of Emerson’s arguments for self-reliance and social reform. Stoic Romanticism and the Ethics of Emotion illustrates how the austerity of ancient philosophy was not inimical to Romantic creativity, but vital to its realization.

An exploration of Stoicism’s central role in British and American writing of the Romantic period Stoic philosophers and Romantic writers might seem to have nothing in common: the ancient Stoics championed the elimination of emotion, and Romantic writers made a bold new case for expression, adopting “powerful feeling” as the bedrock of poetry. Stoic Romanticism and the Ethics of Emotion refutes this notion by demonstrating that Romantic-era writers devoted a surprising amount of attention to Stoicism and its dispassionate mandate. Jacob Risinger explores the subterranean but vital life of Stoic philosophy in British and American Romanticism, from William Wordsworth to Ralph Waldo Emerson. He shows that the Romantic era—the period most polemically invested in emotion as art’s mainspring—was also captivated by the Stoic idea that aesthetic and ethical judgment demanded the transcendence of emotion. Risinger argues that Stoicism was a central preoccupation in a world destabilized by the French Revolution. Creating a space for the skeptical evaluation of feeling and affect, Stoicism became the subject of poetic reflection, ethical inquiry, and political debate. Risinger examines Wordsworth’s affinity with William Godwin’s evolving philosophy, Samuel Taylor Coleridge’s attempt to embed Stoic reflection within the lyric itself, Lord Byron’s depiction of Stoicism at the level of character, visions of a Stoic future in novels by Mary Shelley and Sarah Scott, and the Stoic foundations of Emerson’s arguments for self-reliance and social reform. Stoic Romanticism and the Ethics of Emotion illustrates how the austerity of ancient philosophy was not inimical to Romantic creativity, but vital to its realization.

On the surface, stoicism and emotion seem like contradictory terms. Yet the Stoic philosophers of ancient Greece and Rome were deeply interested in the emotions, which they understood as complex judgments about what we regard as valuable in our surroundings. Stoicism and Emotion shows that they did not simply advocate an across-the-board suppression of feeling, as stoicism implies in today's English, but instead conducted a searching examination of these powerful psychological responses, seeking to understand what attitude toward them expresses the deepest respect for human potential.

Despite our preconceptions, Romantic writers, artists, and philosophers did not think of honor as an archaic or regressive concept, but as a contemporary, even progressive value that operated as a counterpoint to freedom, a well-known preoccupation of the period's literature. Focusing on texts by William Godwin, William Wordsworth, Jane Austen, Walter Scott, Mary Prince, and Mary Seacole, this book argues that the revitalization of honor in the first half of the nineteenth century signalled a crisis in the emerging liberal order, one with which we still wrestle today: how can political subjects demand real, materialist forms of dignity in a system dedicated to an abstract, and often impoverished, idea of 'liberty'? Honor, Romanticism, and the Hidden Value of Modernity presents both a theory and a history of this question in the media of the Black Atlantic, the Jacobin novel, the landscape poem, and the “financial” romance.

Laurence Lockridge argues that a focus on the ethical dimension of literature is the single most powerful strategy for structuring a writer's work as a whole, and that it can even prove congenial. He gives original, interrelated readings of eight major British Romantic writers.

This Routledge Revival reissues Oliver Letwin’s philosophical treatise: Ethics, Emotion and the Unity of the Self, first published in 1987, which concerns the applicability of the artistic classifications of romanticism and classicism to philosophical doctrine. Dr Letwin examines three particular theses associated with philosophical romanticism: that there is within us a high self and a low self; that there is a moral self in inevitable conflict with an amoral self; and that there is a rational self disjoined from and in tension with a passionate self. He argues that these notions of philosophical romanticism are, in fact, radically false, and instead takes the view that man can be a unified being of the sort described by philosophical classicists. But man has to work to achieve this status. The intrinsic unity of the human personality is not a guarantee of a coherent life, but a challenge to be met.

Discussions about the nature of the emotions in Hellenistic philosophy have aroused intense scholarly interest over the last few years. The topics covered by the essays in this volume range from the classical background of Hellenistic theories, through debates on emotion in the major Hellenistic schools, to discussions in later antiquity. Special emphasis is placed on the development of the Stoic views on the nature and value of the emotions. The essays are written with a high level of philosophical and classical scholarship, but contain no exclusive technicalities. Audience: This first comprehensive treatment of the emotions in Hellenistic philosophy can be read with pleasure and profit not only by professionals in ancient philosophy but also all those who are interested in the philosophy of mind and its history.

"Rick Anthony Furtak's Wisdom in Love is a subtle and fascinating study of emotional rightness. Focusing on Kierkegaard's debt to and critique of ancient Stoic ideas of falsity in emotion, Furtak brings to the topic a flexible philosophical mind and a set of fresh and surprising insights. His scholarship will satisfy specialists, but his impressive literary style makes the book open to any reader who wants to reflect about the topic." --Martha Nussbaum, University of Chicago "In Wisdom in Love, Rick Anthony Furtak gives us a persuasive defense of love and deep concern, and shows how these lead toward a religious conception of emotion and value. Love and its companion emotions are placed within a picture of what is worthy, a view that makes sense of our perceptions of significance despite the pull of slants that see the world as devoid of anything that matters. It is a timely, important, and original contribution to moral philosophy." --Edward Mooney, Syracuse University "Furtak's voice in this book is extraordinary, for it combines the authentic presence of a human being searching for understanding, the rigorous enquiry of a philosopher investigating emotion and knowledge, and the lyrical sensitivity of a poet engaged in bringing experiences to light. It is a book brimming with wisdom and love." --John Hanwell Riker, author of Ethics and the Discovery of the Unconscious "This book will find an important place both in Kierkegaard scholarship and in a wider philosophical context. Furtak has read Kierkegaard extensively and well." --Alastair Hannay, University of Oslo In this historically informed work in moral psychology, Rick Anthony Furtak develops a conceptual account of the emotions that addresses the conventional idea that reason and emotion stand in sharp opposition. Furtak begins with a critical examination of the ancient Stoic position that emotions ought to be avoided by rational human beings. He argues that, on the contrary, emotions ought to be understood as embodying a kind of authentic insight, which enables us to attain a meaningful and truthful way of seeing the world. Furtak's positive alternative to Stoicism draws heavily on the writings of S�ren Kierkegaard, particularly Either/Or and Works of Love, while also engaging with a wide range of other relevant philosophical, literary, and religious sources. He argues that a morality of virtue and narrative awareness is necessary for accurate emotional perception, and then attempts to define a qualified value realism based upon a reverential trust in love as the ground of human life. The outcome of this inquiry into the possibility of reliable emotion is an account of the ideal state in which we could trust ourselves to be rational in being passionate. Rick Anthony Furtak is associate professor of philosophy at Colorado College.