Stolen Seasons Deadly Choices

Autumn Walker is a recent college graduate who has just accepted a job with the State Department when she meets Justice Daniels on an airplane. Justice, a handsome predator who uses charm, sex, and violence to take advantage of women, has already decided Autumn will be his next conquest. Justice soon realizes that Autumn is not easily charmed, which only intensifies his need to conquer her. For the first time in his life, he has met a woman he does not want to destroy. As Justice struggles with the enigmatic feelings he has for Autumn, he preys on the unsuspecting, prompting deadly consequences that leave two detectives to investigate a complex string of suspicious deaths and disappearances, and Autumn to contemplate the price of love. In this romantic thriller, a psychopath nurturing a hatred for women unleashes his fury in Washington, D.C. as he struggles to escape his self-made prison of darkness.

Greek and Roman myth is a popular subject and signs of this mythology still exist in modern products and in advertisements. This volume explores some of these early myths, including the rise and fall of the Titans, and how beliefs changed with the influence of Christianity. Readers also learn how these myths continue to influence our lives today.

In this tale of survival, two women are exiled from their post-apocalyptic village because they have passed their child-bearing years.

Honorable Mention for the 2022 Elli Köngäs-Maranda Prize awarded by the Women's Section of the American Folklore Society Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (included essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, this feminist, folkloristic approach deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly. However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity.