The 2012 Codex

In the arid canyonlands of Mexico the race is on for the ultimate end-of-the-world codex—the final 1000-year-old prophesy of the god-king, Quetzalcoatl, who ruled Mexico 1000 years ago. Rita Critchlow and Cooper Jones hunt for that sacred codex in those scorching desert canyons, while 500 years ago, Pacal, a young slave-scholar, sets out on the same deadly quest. He too must find those apocalyptic writings, knowing that his era—the Age of the Aztecs—may well come to an end if he does not find them. For Pacal, the End-Time is at hand. Montezuma has built a vast empire based in what will one day be Mexico City. Now however he faces war, disastrous drought, death-cult priests, who rip the hearts out of thousands of people atop their pyramids . . . and the arrival of red-bearded horse-borne conquistador, bearing preternaturally powerful weapons and catastrophic plagues, sowing pandemic death wherever he goes. America's leaders are also staring into an apocalyptic abyss. Their own time mirrors that of Quetzacoatl's and the Aztec's in shocking detail. Convinced that Quetzalcoatl's codex holds the key to humanity's survival—that he is warning them of a global, planet-killing threat—the two women battle broiling desert canyons and drug-cartel warlords to track it down and decipher it. Moreover, earlier glimpses of his prophesy foreshadow uncanny similarities to those of John's Book of Revelation. Are Quetzalcoatl's and Revelation's prophesies one and the same? Can they crack the 2012 code and save their world from their deadly fate? The countdown is on. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In ancient Mexico, the "End-Time Codex"--prophesizing the world's end in 2012--is entombed. A young Aztec-Mayan slave tells us its story. Gifted in math and astronomy, Coyotl rises to king's counselor in Tula, a golden city of milk and honey ruled by the brilliant god-king, Quetzalcoatl, the Feathered Serpent of lore. Gathering artists, scientists and craftsmen, this legendary ruler builds a city that will awe humanity for one thousand years. But he also faces war, catastrophic drought, betrayal and the rise of an evil death-cult religion. Instituting the infamous "Blood Covenant," its priests drag thousands of people a year atop temple-pyramids and rip their hearts beating from their chests. To stop them Quetzalcoatl must defy the flames of bloody civil war. A thousand years later scientists discover the End-Time Codex. While struggling to decipher it, they realize their own age mirrors Tula's. Can they crack the 2012 code and save their world from Tula's deadly fate? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

For outstanding heroism in the field (despite himself), computational demonologist Bob Howard is on the fast track for promotion to management within the Laundry, the supersecret British government agency tasked with defending the realm from occult threats. Assigned to External Assets, Bob discovers the company (unofficially) employs freelance agents to deal with sensitive situations that may embarrass Queen and Country. So when Ray Schiller—an American televangelist with the uncanny ability to miraculously heal the ill—becomes uncomfortably close to the Prime Minister, External Assets dispatches the brilliant, beautiful, and entirely unpredictable Persephone Hazard to infiltrate the Golden Promise Ministries and discover why the preacher is so interested in British politics. And it’s Bob’s job to make sure Persephone doesn’t cause an international incident. But it’s a supernatural incident that Bob needs to worry about—a global threat even the Laundry may be unable to clean up…

The first translation of a previously unknown Aztec codex and its initiatory teachings for 2012 • Discloses the potential for great spiritual awakening offered at the end of the Aztec calendar cycle • Presents the only existing English-language transcription of the Aztec codex, with line-by-line commentary • Contains the epic poetry and metaphysical insights of Beat poet Marty Matz (1934–2001 In 1961 an unknown Aztec codex was revealed to Beat poet and explorer Marty Matz by a Mazatec shaman in the mountains of Oaxaca, Mexico. Originally intended for dramatic performance, this codex presents a profound metaphysical teaching describing how the end of time will bring about a visionary ascent. At the behest of his Mazatec teacher, Matz transcribed this pictorial codex into a literary form that would preserve its initiatory teachings and reveal its secret meanings to a wider audience.Pyramid of Fire is an epic poem that provides a vehicle to transport the initiate into the higher realms of consciousness. It represents a barely surviving thread of teachings that have been passed down in secret since the time of the Spanish Conquest. Revealed are the techniques by which man is transported to the stellar realm after death via the solar energy within what the ancients called the “serpent of consciousness.” Line-by-line commentary by Matz and John Major Jenkins provides insights into the perennial philosophy contained in the codex and its relevance to our times.

Part art, part science, part anthropology, this ambitious project presents an early Canadian perspective on natural history that is as much artistic and fantastical as it is encyclopedic. Edited and introduced by François-Marc Gagnon, The Codex Canadensis and the Writings of Louis Nicolas showcases an intriguing attempt to document the life of the new world - flora, fauna, and aboriginal. The book brings together for the first time the illustrated Codex Canadensis and The Natural History of the New World, following Gagnon's argument that both can be attributed to Louis Nicolas, a French Jesuit priest who travelled throughout Canada between 1664 and 1675. Histoire Naturelle des Indes Occidentales, originally written in classical French, has been put in modern French by Réal Ouellet and translated into English by Nancy Senior. The Natural History presents a pre-Linnaean botany and pre-Darwinian account of living things, including hundreds of species of plants and vivid descriptions of wildlife. It is thoroughly annotated, focusing on the contemporary identification of species, as the result of a pan-Canadian collaboration of experts in fields from linguistics to biology and botany. The Codex Canadensis, currently in the collection of the Gilcrease Museum in Tulsa, Oklahoma, is reproduced in full and provides both a fascinating visual account of wildlife as Nicolas saw it and a rare example of early Canadian art. Gagnon's introduction profiles Louis Nicolas and analyses connections between his work and European examples of natural illustration from the period. The Codex Canadensis and the Writings of Louis Nicolas shows how the wildlife and native inhabitants of the new world were understood and documented by a seventeenth-century European and makes available fundamental documents in the history and visual culture of early North America.

In the acclaimed Codex Alera novels, #1 New York Times bestselling author Jim Butcher has created a fascinating world in which the people of Alera use their unique bond with the elemental forces of nature for protection. But even nature may not be enough to stave off the coming storm… Tavi of Calderon, now recognized as Princeps Gaius Octavian and heir to the crown, has achieved a fragile alliance with Alera’s oldest foes, the savage Canim. But when Tavi and his legions guide the Canim to their lands, his worst fears are realized. The dreaded Vord—the enemy of Aleran and Canim alike—have laid waste to the Canim homeland. And the Alerans find themselves trapped alongside their former enemies. Meanwhile, war-torn Alera rebuilds while politicians and nobles vie for power. But from the south comes the news: the Vord have come to Alera. For a thousand years, Alera and her furies have withstood every enemy, and survived every foe. But the thousand years are over...

The start of the twenty-first century has brought with it a rich variety of ways in which readers can connect with one another, access texts, and make sense of what they are reading. At the same time, new technologies have also opened up exciting possibilities for scholars of reading and reception in offering them unprecedented amounts of data on reading practices, book buying patterns, and book collecting habits. In From Codex to Hypertext, scholars from multiple disciplines engage with both of these strands. This volume includes essays that consider how changes such as the mounting ubiquity of digital technology and the globalization of structures of publication and book distribution are shaping the way readers participate in the encoding and decoding of textual meaning. Contributors also examine how and why reading communities cohere in a range of contexts, including prisons, book clubs, networks of zinesters, state-funded programs designed to promote active citizenship, and online spaces devoted to sharing one's tastes in books. As concerns circulate in the media about the ways that reading -- for so long anchored in print culture and the codex -- is at risk of being irrevocably altered by technological shifts, this book insists on the importance of tracing the historical continuities that emerge between these reading practices and those of previous eras. In addition to the volume editor, contributors include Daniel Allington, Bethan Benwell, Jin Feng, Ed Finn, Danielle Fuller, David S. Miall, Julian Pinder, Janice Radway, Julie Rak, DeNel Rehberg Sedo, Megan Sweeney, Joan Bessman Taylor, Molly Abel Travis, and David Wright.