The Amadeus Anthems

(Classical Pop Piano Solos). These pop-infused piano solos inspired by the music of Mozart will energize the next generation of piano players. Early intermediate students will immediately fall in love with pop renditions of: *Sonata No. 16 In C Major *Eine Kleine Nachtmusik *Minuet In F Major *Rondo Alla Turca *The Magic Flute *Symphony No. 40 In G Minor and *Sonata No. 11 In A Major.

(Classical Pop Piano Solos). These pop-infused piano solos inspired by the music of Beethoven will energize the next generation of piano players. Early intermediate students will immediately fall in love with pop renditions of: *Sonatina in G Major *Für Elise *Moonlight Sonata *Rondo A Capriccio *Symphony No. 5, Op. 67 *Piano Sonata No. 8, Op. 13 and *Symphony No. 9, Op. 125.

Love once inspired sonnets, plays, novels, and countless romantic songs. But romance can become obsession, and nowadays, love songs are creepier than ever. Even the Police's stalker anthem "Every Breath You Take" is a popular choice at weddings and funerals. In Touch Me, I'm Sick, Tom Reynolds offers hilarious riffs on 52 love songs that have gone off the rails into the realm of the tawdry, the overwhelming, the obsessive, the self-absorbed, and the completely weird. Including songs by artists as diverse as Melissa Etheridge, Michael Jackson, Paul Anka, Sinéad O'Connor, and Slipknot, he also pillories a handful of the 1,700 different songs called "Butterfly." Praise for Tom Reynolds' I Hate Myself and Want to Die: "A tremendous idea . . . Reynolds ameliorates the pain of having put his ear up close to some of the most inconsiderate despair anthems of our time by having enormous fun deconstructing them." --The Sunday Times "Full of premium trivia and pinpoint pomposity-pricking, Reynolds has made comedy gold from the full base metal of misery." --NME "An entertaining and well-researched set of cautionary tales music fans will enjoy. Consider the list a batch of enthralling liner notes for a box set that comes with razor blades." --Playboy "Bridget Jones would love it." --The Scotsman

Calixa Lavallée, the composer of “O Canada,” was the first Canadian-born musician to achieve an international reputation. While primarily remembered for the national anthem, Lavallée and his work extended well beyond Canada, and he played a multitude of roles in North American music as a composer, conductor, administrator, instrumentalist, educator, and critic. In Anthems and Minstrel Shows, Brian Thompson analyzes Lavallée’s music, letters, and published writings, as well as newspapers and music magazines of the time, to provide a detailed account of musical life in nineteenth-century North America and the relationship between music and nation. Leaving Quebec at age sixteen, Lavallée travelled widely for a decade as musical director of a minstrel troupe, and spent a year as a bandsman in the Union Army. Later, as a performer and conductor, he built a repertoire that prepared audiences for the intellectually challenging music of European composers and new music by his US contemporaries. His own music extended from national songs to comic operas, and instrumental music, as he shifted between the worlds of classical and popular music. Previously portrayed as a humble French Canadian forced into exile by ignorance and injustice, Lavallée emerges here as ambitious, radical, bohemian, and fully engaged with the musical, social, and political currents of his time. While nationalism and nation-building are central to this story, Anthems and Minstrel Shows asks to which nation – or nations – Lavallée and “O Canada” really belong.

From Afghanistan to Zimbabwe, this book presents an up-to-date collection of national anthems from the 200 sovereign countries in the world, providing music sheets arranged for piano, lyrics in the original language, and an English translation.

From Montreal to New Orleans - the music and complex patriotism of the composer of "O Canada."

How does music reflect the key moments in our lives? How do we choose the works that inspire, delight, comfort or console? Fiona Maddocks selects 100 classical works from across nine centuries, arguing passionately, persuasively and at times obstinately for their inclusion, putting each work in its cultural and musical context, discussing omissions, suggesting alternatives and always putting the music first.

Wolfgang Amadeus Mozart is a genius, the most brilliant musician the world will ever see. But the court of eighteenth-century Vienna doesn t recognize his talents - only Antonio Salieri, the Court Composer, does, and he is tortured by what he hears. Seething with rage at the genius of this flippant buffoon and suddenly aware of his own mediocrity, Salieri declares war and sets out to destroy the man he sees as God s instrument on earth. Peter Shaffer s award-winning play is a rich, exuberant portrayal of a God-like man among mortals, and lives destroyed by envy."