The Assault On Tony S

As a riot rages outside a bar, patrons barricaded inside face their own battle in a “brilliant and twisted” novel by the author of Leaving Las Vegas (The Kansas City Star). Completed posthumously, The Assault on Tony’s is an unapologetic, unsentimental, and at times exuberant examination of the joys and sorrows of intoxication, written with the same unflinching eye and grim wit that made John O’Brien’s Leaving Las Vegas an instant classic. Barricaded in a bar called Tony’s while a race riot rages outside, five affluent white men—all strangers—are united by their desire to drink to the end, no matter what. Social alliances are forged and challenged as each member of this macabre party ignores his fears in favor of keeping his tumbler full to the brim. As time goes on and the liquor supply starts to dwindle, the novel reaches a gritty intensity that explores the highs and lows of the human spirit.

In Tony’s youth, he loved to swim with dolphins and fantasized about visiting a magical place called the Water Kingdom in the deep waters of the ocean. The dolphins taught Tony the martial art of waterbending that allowed him to control and bend water. Tony’s passion for dolphins, waterbending and the Water Kingdom continued into his teen years. Even though Tony was a talented waterbender, he felt confused about his identity, specifically as a gay teenager. Tony was targeted by a bully for being gay. Due to his insecurities, the traumas of being bullied and his inability to heal, Tony succumbed to depression and despair. Tony attempted suicide by drowning. He survived his drowning attempt, but lost his ability to waterbend. At his lowest point, Tony sought support from a Magical Healer who helped him heal. Newly empowered, Tony began his superhero quest, using water magic to reignite his passion for dolphins and to find the Water Kingdom. Will Tony be able to use his water magic to swim again with the dolphins and visit the Water Kingdom?

He strode to the door, and all the men jumped to their feet, ready to follow him, dragged into this hot-headed venture by the mere force of one man's towering passion. They followed Pierre like sheep—sheep that have momentarily become intoxicated—sheep that have become fierce—a strange sight truly—and yet one that the man in the tattered coat who had done so much speechifying lately, watched with eager interest and presently related with great wealth of detail to M. de Mirabeau the champion of the people...FROM THE BOOKS.

“Enthralling and sharp-witted...Highly recommended.” —Karin Slaughter, New York Times and #1 international bestselling author “Bold, fearless...Prima Facie is a deeply rewarding, absolute must read.” —Chris Whitaker, New York Times bestselling author of We Begin at the End This is not life, this is law... Tessa Ensler loves her job. She’s worked her way up to being a top criminal defense barrister against all the odds, and fights to defend those pleading not guilty. Tessa believes in the law, believes in the system. Her quick-witted cross-examinations and intelligence in the courtroom see her clocking up win after win - including securing freedom for men accused of rape and sexual assault. Innocence until proven guilty is, after all, the bedrock of a civilized society. But when Tessa is raped by a coworker, she struggles to find the strength to bring him to justice in the face of the barriers and opposition within that same system. Determined to have her day in court, Tessa is forced to confront the stark reality that the law was not written for victims, and that she is the one on trial. She fights on, even as her evidence is manipulated to make her look like a liar, even while she is retraumatized in the stand. Based on the Olivier and Tony Award-winning play, Suzie Miller’s Prima Facie is an unforgettable story of what happens when a victim is asked to navigate a system that is not set up to accommodate the lived experience of sexual assault survivors.

Bada bing! What drama. "The most important work of American popular culture in fifty years" is how the "New York Times" describes "The Sopranos". Critically-acclaimed, award-winning, and the most watched show on HBO, the mobster drama swirls around the middle-aged Mafioso, Tony Soprano (James Gandolfini). Having to negotiate two families, both at home and at work, is it any wonder he is suffering an epic midlife crisis involving Prozac and visits to a therapist? The series quickly became compulsory watching when it first screened back in 1999 and has since gone on to become an international hit and subject of intense discussion. Coinciding with the sixth and penultimate series, "Reading The Sopranos" offers a timely response to one of the most talked about shows on television. This book explores how "The Sopranos" has rewritten the rules of television drama and changed attitudes about television itself. Contributors present fresh perspectives on psychotherapy and dreams; racism and the Italian-American community; Carmela and post-feminism; "The Sopranos" as an HBO brand; racism; the full cast of 'gangsters Italianate' that people Sopranos' New Jersey; and much more. Reading "The Sopranos" also features a timeline, character list and complete episode guide, as well as editor David Lavery's up to date 'Intertextual Moments and Allusions on The Sopranos'.

The first in-depth look at a television phenomenon.

Criminal Litigation: Practice and Procedure provides a thorough and practical guide to all areas of the law and practice with which the aspiring criminal litigator needs to be familiar. Written with the LPC in mind, this book is suitable for both the core module of Criminal Litigation and the Advanced Criminal Practice option.

In 1990, American television experienced a seismic shift when Twin Peaks premiered, eschewing formulaic plots and clear lines between heroes and villains. This game-changing series inspired a generation of show creators to experiment artistically, transforming the small screen in ways that endure to this day. Focusing on six shows (Twin Peaks, with a critical analysis of both the original series and the 2017 return; The Wire; Treme; The Sopranos; Mad Men; and Girls), Television Rewired explores what made these programs so extraordinary. As their writers and producers fought against canned plots and moral simplicity, they participated in the evolution of the exhilarating new auteur television while underscoring the fact that art and entertainment don't have to be mutually exclusive. Nochimson also makes provocative distinctions between true auteur television and shows that were inspired by the freedom of the auteur series but nonetheless remained entrenched within the parameters of formula. Providing opportunities for vigorous discussion, Television Rewired will stimulate debates about which of the new television series since 1990 constitute “art” and which are tweaked “business-driven storytelling.”