The Bark Of The Bog Owl

In this fantasy/allegory, Rogers retells the life of biblical character King David.

Aidan returns after three years away in Feechiefen Swamp to find--much to his dismay--that the only way to protect his country from the invading Pyrthens is to overthrow the tyrant King Darrow.

King Darrow sends Aidan Errolson on an impossible quest, hoping he will never return, and although Aidan has enough friends to succeed on the journey, even he might not be able to defeat the powerful enemy that awaits him at its end.

“I only know one man who might be able to tell me where I come from, and that man is a liar and a fraud.” As far back as he can remember, the orphan Grady has tramped from village to village in the company of a huckster named Floyd. With his adolescent accomplice, Floyd perpetrates a variety of hoaxes and flimflams on the good citizens of the Corenwald frontier, such as the Ugliest Boy in the World act. It’s a hard way to make a living, made harder by the memory of fatter times when audiences thronged to see young Grady perform as “The Wild Man of the Feechiefen Swamp.” But what can they do? Nobody believes in feechies anymore. When Floyd stages an elaborate plot to revive Corenwalders’ belief in the mythical swamp-dwellers known as the feechiefolk, he overshoots the mark. Floyd’s Great Feechie Scare becomes widespread panic. Eager audiences become angry mobs, and in the ensuing chaos, the Charlatan’s Boy discovers the truth that has evaded him all his life—and will change his path forever.

“Many of my ardent admirers would be roundly shocked and disturbed if they realized that everything I believe is thoroughly moral, thoroughly Catholic, and that it is these beliefs that give my work its chief characteristics.” —Flannery O’Connor Flannery O’Connor’s work has been described as “profane, blasphemous, and outrageous.” Her stories are peopled by a sordid caravan of murderers and thieves, prostitutes and bigots whose lives are punctuated by horror and sudden violence. But perhaps the most shocking thing about Flannery O’Connor’s fiction is the fact that it is shaped by a thoroughly Christian vision. If the world she depicts is dark and terrifying, it is also the place where grace makes itself known. Her world—our world—is the stage whereon the divine comedy plays out; the freakishness and violence in O’Connor’s stories, so often mistaken for a kind of misanthropy or even nihilism, turn out to be a call to mercy. In this biography, Jonathan Rogers gets at the heart of O’Connor’s work. He follows the roots of her fervent Catholicism and traces the outlines of a life marked by illness and suffering, but ultimately defined by an irrepressible joy and even hilarity. In her stories, and in her life story, Flannery O’Connor extends a hand in the dark, warning and reassuring us of the terrible speed of mercy.

Emmy was a good girl. At least she tried very hard to be good. She did her homework without being told. She ate all her vegetables, even the slimy ones. And she never talked back to her nanny, Miss Barmy, although it was almost impossible to keep quiet, some days. She really was a little too good. Which is why she liked to sit by the Rat. The Rat was not good at all . . . Hilarious, inventive, and irresistably rodent-friendly, Emmy and the Incredible Shrinking Rat is a fantastic first novel from acclaimed picture book author Lynne Jonell.

Ten-year-old Persimmony Smudge lives a boring life on the Island in the Middle of Everything, but she longs for adventure. And she soon gets it when she overhears a life-altering secret and suddenly finds herself in the middle of an amazing journey. It turns out that Mount Majestic, the rising and falling mountain in the center of the island, is not really a mountain - it's the belly of a sleeping giant! It's up to Persimmony and her friend Worvil to convince the island's quarreling inhabitants that a giant is sleeping in their midst and must not be awakened. The question is, will she be able to do it?

“The Men of the Last Frontier” is a 1922 work by Grey Owl. Part memoir, part chronicle of the vanishing Canadian wilderness, and part collection First Nations lore and stories. His first book, “The Men of the Last Frontier” is an impassioned cry for the conservation of the natural world that is as poignent now as when first published. Archibald Stansfeld Belaney (1888–1938), also known as Grey Owl, was a British-born Canadian fur trapper, conservationist, and writer. In life, he pretended to be a First Nations person, but it was later discovered that he was in fact not Indigenous—revelations that greatly tarnished his reputation. Other notable works by this author include: “The Men of the Last Frontier”, “Pilgrims of the Wild”, and “Tales of an Empty Cabin”. This classic work is being republished now in a new edition with specially curated introductory material.