The Birth Of The Elizabethan Age

This is the first of a new series of books that will tell the history of early modern England from the perspective of those living at the time. Norman Jones' fascinating account details both the individual preoccupations (such as illness and famine) and the larger historical changes (such as fears over the succession and the establishment of Protestantism) which dominated life during the 1560s.

This book combines a concern with life cycle events and the long rhythms of culture with unique episodes. The author creates a vivid picture of the 1560s.

In the first half of the twentieth century, many writers and artists turnedto the art and received example of the Elizabethans as a means ofarticulating an emphatic (and anti-Victorian) modernity. By the middleof that century, this cultural neo-Elizabethanism had become absorbedwithin a broader mainstream discourse of national identity, heritage andcultural performance. Taking strength from the Coronation of a new, youngQueen named Elizabeth, the New Elizabethanism of the 1950s heralded anation that would now see its 'modern', televised monarch preside over animminently glorious and artistic age.This book provides the first in-depth investigation of New Elizabethanismand its legacy. With contributions from leading cultural practitioners andscholars, its essays explore New Elizabethanism as variously manifestin ballet and opera, the Coronation broadcast and festivities, nationalhistoriography and myth, the idea of the 'Young Elizabethan', celebrations ofair travel and new technologies, and the New Shakespeareanism of theatreand television. As these essays expose, New Elizabethanism was muchmore than a brief moment of optimistic hyperbole. Indeed, from moderndrama and film to the reinternment of Richard III, from the London Olympicsto the funeral of Margaret Thatcher, it continues to pervade contemporaryartistic expression, politics, and key moments of national pageantry.

Uses the rare depictions of musical instruments and musical sources found on the Eglantine Table to understand the musical life of the Elizabethan age and its connection to aspects of culture now treated as separate disciplines ofhistorical study.

Elizabethan News Pamphlets is the first book to explore comprehensively the production and dissemination of the Elizabethan news pamphlets published between 1589-1593. This book collects, defines, and investigates the nearly 60 extant news quartos, and also examines their relationship to the birth of journalism, the writings of Marlowe, Shakespeare, and Spenser, the rise of national identity, and the complexities of national identity. This archival work begins with the actions of the charismatic Henry of Navarre. After Navarre became King of France in 1589, scores of printed documents presented his struggles with the Catholic League. The considerable involvement of English soldiers in the wars created a captive market for the news pamphlets. Elizabethans readily purchased the news quartos and soon Navarre became the most widely known non-English personality of the day. The pamphlets play an important role in the history of journalism and publications. The roots of journalism took hold during this period as a sophisticated notion of objectivity and soon serial publications resulted from this consistent, regular publication. The sudden end to the wars in 1593 ended both the flood of news reports and serial publications. The documents also provide a significant contribution to our understanding of English national identity. While scholars have studied the writings of numerous "discursive communities" and how these communities viewed England, the writings about war have received far less scrutiny. This book examines scores of archival documents in constructing a social, literary, religious, and political history of the 1590s.