The Dance Of Death La Danza De Muerta

Brutal axe murders of Dr. Teena Mazon, transplant surgeon, and Cathy Reyes, ICU supervisor, both ballroom champions, and the tragic plunge of lawyer Eugene Cash to his death gives lawyer-sleuth Sandra Lerner nightmares, panic attacks, and insomnia. Psychiatrist prescribes pills, vacation, and recreational ballroom dancing. Mystery, horror, sex, violence in ethnic urban setting.

Lawyer Sandra Lerner defends Dr. Raul Capistrana charged with murder, trafficking, and laundering. Detective Dirk Strong flies to Guadalajara, rescues scientist Austin Hale and apprehends the resurrected Ghost of Archbishop Jésus Llano Juarez. Dirk becomes incapacitated by Montezuma's revenge. Comet strikes Jupiter. Earth tilts on axis, and new ice age begins. Houston freezes, has narcotics withdrawal, riots, and Bubonic Plague. The courthouse and jails close, and social Darwinism is thwarted by martial law. WARNING: Not for Dummies.

Publisher Description

Latin America has a rich literary tradition that is receiving growing amounts of attention. The body of Latin American mystery writing is especially vast and diverse. Because it is part of Latin American popular culture, it also reflects many of the social and cultural concerns of that region. This reference provides an overview of mystery fiction of Latin America. While many of the authors profiled have received critical attention, others have been relatively neglected. Included are alphabetically arranged entries on 54 writers, most of whom are from Argentina, Mexico, and Cuba. Every effort has been made to include balanced coverage of the few female mystery writers. Each entry is written by an expert contributor and includes a brief biography, a critical discussion of the writer's works, and primary and secondary bibliographies. The volume closes with a general bibliography of anthologies and criticism.

Winner, Oscar G. Brockett Book Prize in Dance Research, 2014 Honorable Mention, Sally Banes Publication Prize, American Society for Theatre Research, 2014 de la Torre Bueno® Special Citation, Society of Dance History Scholars, 2013 From Christopher Columbus to “first anthropologist” Friar Bernardino de Sahagún, fifteenth- and sixteenth-century explorers, conquistadors, clerics, scientists, and travelers wrote about the “Indian” dances they encountered throughout the New World. This was especially true of Spanish missionaries who intensively studied and documented native dances in an attempt to identify and eradicate the “idolatrous” behaviors of the Aztec, the largest indigenous empire in Mesoamerica at the time of its European discovery. Dancing the New World traces the transformation of the Aztec empire into a Spanish colony through written and visual representations of dance in colonial discourse—the vast constellation of chronicles, histories, letters, and travel books by Europeans in and about the New World. Scolieri analyzes how the chroniclers used the Indian dancing body to represent their own experiences of wonder and terror in the New World, as well as to justify, lament, and/or deny their role in its political, spiritual, and physical conquest. He also reveals that Spaniards and Aztecs shared an understanding that dance played an important role in the formation, maintenance, and representation of imperial power, and describes how Spaniards compelled Indians to perform dances that dramatized their own conquest, thereby transforming them into colonial subjects. Scolieri’s pathfinding analysis of the vast colonial “dance archive” conclusively demonstrates that dance played a crucial role in one of the defining moments in modern history—the European colonization of the Americas.