The Destiny Of Michael Myers

“A first-rate work of insider his­tory . . . A monumental accomplishment.” —National Review The election that changed everything: Craig Shirley’s masterful account of the 1980 presidential campaign reveals how a race judged “too close to call” as late as Election Day became a Reagan landslide—and altered the course of history. To write Rendezvous with Destiny, Shirley gained unprecedented access to 1980 campaign files and interviewed more than 150 insiders—from Reagan’s closest advisers and family members to Jimmy Carter himself. His gripping account follows Reagan’s unlikely path from his bitter defeat on the floor of the 1976 Republican convention, through his underreported “wilderness years,” through grueling primary fights in which he knocked out several Republican heavyweights, through an often-nasty general election campaign complicated by the presence of a third-party candidate (not to mention the looming shadow of Ted Kennedy), to Reagan’s astounding victory on Election Night in 1980. Shirley’s years of intensive research have enabled him to relate countless untold stories—including, at long last, the solution to one of the most enduring mysteries in politics: just how Reagan’s campaign got hold of Carter’s debate briefing books.

The Legacy Of Michael Myers Ties up all loose ends.

The 'evil child' has infiltrated the cultural imagination, taking on prominent roles in popular films, television shows and literature. This collection of essays from a global range of scholars examines a fascinating array of evil children and the cultural work that they perform, drawing upon sociohistorical, cinematic, and psychological approaches. The chapters explore a wide range of characters including Tom Riddle in the Harry Potter series, the possessed Regan in William Peter Blatty’s The Exorcist, the monstrous Ben in Doris Lessing’s The Fifth Child, the hostile fetuses of Rosemary’s Baby and Alien, and even the tiny terrors featured in the reality television series Supernanny. Contributors also analyse various themes and issues within film, literature and popular culture including ethics, representations of evil and critiques of society. This book was originally published as two special issues of Literature Interpretation Theory.

The films of John Carpenter cover a tremendous range and yet all bear his clear personal stamp. From the horrifying (Halloween) to the touching (Starman) to the controversial (The Thing) to the comic (Big Trouble in Little China), his films reflect a unique approach to filmmaking and singular views of humanity and American culture. This analysis of Carpenter’s films includes a historical overview of his career, and in-depth entries on each of his films, from 1975’s Dark Star to 1998’s Vampires. Complete cast and production information is provided for each. The book also covers those films written and produced by Carpenter, such as Halloween II and Black Moon Rising, as well as Carpenter’s work for television. Appendices are included on films Carpenter was offered but turned down, the slasher films that followed in the wake of the highly-successful Halloween, the actors and characters who make repeated appearances in Carpenter’s films, and ratings for Carpenter’s work. Notes, bibliography, and index are included.

Derek Anderson is an ambitious go-getter. After several years as a professional student he decides to step out in faith and take a huge promotion that requires him to move his entire family from their comfortable home town in Bradley, Ohio. On his quest for success, he quickly finds out that what he believes is his destiny only ends up as road blocks in his path. He also finds that money can't buy them happiness and no matter where and how he searches for it, family comes first. &nb

Many critics and fans refer to the 1990s as the decade that horror forgot, with few notable entries in the genre. Yet horror went mainstream in the '90s by speaking to the anxieties of American youth during one of the country's most prosperous eras. No longer were films made on low budgets and dependent on devotees for success. Horror found its way onto magazine covers, fashion ads and CD soundtrack covers. "Girl power" feminism and a growing distaste for consumerism defined an audience that both embraced and rejected the commercial appeal of these films. This in-depth study examines the youth subculture and politics of the era, focusing on such films as Buffy the Vampire Slayer (1992), Scream (1996), I Know What You Did Last Summer (1997), Idle Hands (1999) and Cherry Falls (2000).

“The Destiny of Men,” is a true and moving account of the lives of two ordinary Americans at a time in America’s history, when ordinary men were called upon to do extraordinary deeds. Louis Worcester, a Northern born Southerner and William Troup a youth from Pennsylvania were just two of the many who were called to arms by the cataclysmic events of the 1860’s. The lives of these two patriots to their causes, forever changed that summer of 1861, when they began different; yet, parallel paths that would ultimately culminate on the fields of a southeastern Pennsylvania crossroads in the summer of 1863. Troubled by the horrors of war, these two men on different sides of a national crisis were determined to do their duty in spite of the potential cost to themselves and to their families. Their destiny, as is the destiny of all men, lay in the hands of God. This they believed and in this belief they trusted. Troup and Worcester perceived the war from two different military perspectives. One an artilleryman and the other an infantryman, participated in every major battle between the Army of Northern Virginia and the Army of the Potomac, prior to the fall of 1863. Each witnessed the ultimate sacrifice made by so many for the causes they so fervently believed. Each was equally willing to make the same sacrifice if so called upon by their nation or their Almighty. “The Destiny of Men” follows Troup and Worcester from their enlistments in pre-war excitement of 1861 through the arduous first two years of the war, climaxing on the slopes of a hill outside Gettysburg.

(FAQ). Horror Films FAQ explores a century of ghoulish and grand horror cinema, gazing at the different characters, situations, settings, and themes featured in the horror film, from final girls, monstrous bogeymen, giant monsters and vampires to the recent torture porn and found footage formats. The book remembers the J-Horror remake trend of the 2000s, and examines the oft-repeated slasher format popularized by John Carpenter's Halloween (1978) and Friday the 13th (1980). After an introduction positioning the horror film as an important and moral voice in the national dialogue, the book explores the history of horror decade by decade, remembering the women's liberation horrors of the 1970s, the rubber reality films of the late 1980s, the serial killers of the 1990s, and the xenophobic terrors of the 9/11 age. Horror Films FAQ also asks what it means when animals attack in such films as The Birds (1963) or Jaws (1975), and considers the moral underpinnings of rape-and-revenge movies, such as I Spit on Your Grave (1978) and Irreversible (2002). The book features numerous photographs from the author's extensive personal archive, and also catalogs the genre's most prominent directors.