The Devil Gets His Due

What happens in Vegas stays in Vegas . . . right? The Devils series is a sexy blend of spice, romance and grumpy men. Prepare to laugh, swoon and cry . . . perfect for fans of Christina Lauren and Emma Chase. ___ Some people marry the enemy in Vegas . . . Keeley managed to get knocked up by him too. Keeley: Last January, I drunk-married my nemesis-hot, oversized geek Graham Tate. With no memory of how it came about, there was only one solution: run off before he woke up and pretend it didn't happen. It would have worked perfectly if I hadn't wound up pregnant. Graham is the opposite of everything I want in a man-practical, disciplined, frugal-but living with him until the baby arrives has me wondering if, perhaps, I've been wanting the wrong things all along. And if that drunk version of me last January might have been onto something. Graham: I never planned to have kids, and I certainly wouldn't have planned on one with Keeley Connolly-a woman who does not believe in savings accounts or personal safety and thinks Lucky Charms is a health food because of the non-marshmallow bits. A woman who also didn't think twice about marrying me in Vegas and ditching me hours later. I can't wait to put this behind me and return to my careful, chaos-free life in New York. But the more time I spend with Keeley, the more I'm remembering the things that led me to marry her in the first place...and wondering if I can live without them when this ends.

Despite his often-unacknowledged influence, academics, intellectuals, and the general audience in America and abroad still read Leslie Fiedler’s work and draw on its concepts. He inspired both reverence (Leonard Cohen penned: "leaning over the American moonlight / like the shyest gargoyle / who will not become angry or old") and rage (Saul Bellow called him "the worst fucking thing that ever happened to American literature"). The essays in The Devil Gets His Due will reacquaint readers with the depth and breadth of Fiedler’s achievements. Tackling subjects ranging wildly from Dante, Ezra Pound, and Mary McCarthy to Rambo, Iwo Jima, and Jerry Lewis, these writings showcase Fiedler’s pioneering of an egalitarian canon that encompassed both "high" and popular literature, cinema, and history. As such, they show a powerful mind critiquing whole aspects of a culture and uncovering lessons therein that remain timely today. A lengthy introduction by Professor Samuele F. S. Pardini offers both context and history, with an in-depth profile of Fiedler and his career as both a literary critic and a public intellectual.

When Rowland Sinclair is invited to take his yellow Mercedes onto the Maroubra Speedway, popularly known as the Killer Track, he agrees without caution or reserve. But then people start to die... The body of a journalist covering the race is found in a House of Horrors, an English blueblood with Blackshirt affiliations is killed on the race track... and it seems that someone has Rowland in their sights. A strange young reporter preoccupied with black magic, a mysterious vagabond, an up-and-coming actor by the name of Flynn, and ruthless bookmakers all add mayhem to the mix. With danger presenting at every turn, and the brakes long since disengaged, Rowland Sinclair hurtles towards disaster with an artist, a poet and brazen sculptress along for the ride.

Flannery O'Connor and Fyodor Dostoevsky shared a deep faith in Christ, which compelled them to tell stories that force readers to choose between eternal life and demonic possession. Their either-or extremism has not become more popular in the last fifty to a hundred years since these stories were first published, but it has become more relevant to a twenty-firstt-century culture in which the lukewarm middle ground seems the most comfortable place to dwell. Giving the Devil His Due walks through all of O'Connor's stories and looks closely at Dostoevsky's magnum opus The Brothers Karamazov to show that when the devil rules, all hell breaks loose. Instead of this kingdom of violence, O'Connor and Dostoevsky propose a kingdom of love, one that is only possible when the Lord again is king.

Americans have a gift for coining proverbs. "A picture is worth a thousand words" was not, as you might imagine, the product of ancient Chinese wisdom -- it was actually minted by advertising executive Fred Barnard in a 1921 advertisement for Printer's Ink magazine. After all, Americans are first and foremost a practical people and proverbs can be loosely defined as pithy statements that are generally accepted as true and useful. The next logical step would be to gather all of this wisdom together for a truly American celebration of shrewd advice.A Dictionary of American Proverbs is the first major collection of proverbs in the English language based on oral sources rather than written ones. Listed alphabetically according to their most significant key word, it features over 15,000 entries including uniquely American proverbs that have never before been recorded, as well as thousands of traditional proverbs that have found their way into American speech from classical, biblical, British, continental European, and American literature. Based on the fieldwork conducted over thirty years by the American Dialect Society, this volume is complete with historical references to the earliest written sources, and supplies variants and recorded geographical distribution after each proverb.Many surprised await the reader in this vast treasure trove of wit and wisdom. Collected here are nuggets of popular wisdom on all aspects of American life: weather, agriculture, travel, money, business, food, neighbors, friends, manners, government, politics, law, health, education, religion, music, song, and dance. And, to further enhance browsing pleasure, the editors have provided a detailed guide to the use of the work. While it's true that many of our best known proverbs have been supplied by the ever-present "Anonymous," many more can be attributed to some very famous Americans, like Ernest Hemingway, Abraham Lincoln, Benjamin Franklin, Mark Twain, J. Pierpont Morgan, Thomas Alva Edison, Abigail Adams, and Ralph Waldo Emerson, to name but a few offered in this fascinating collection.Who wouldn't want to know the origin of "the opera ain't over till the fat lady sings?" This uniquely American proverb and many more are gathered together in A Dictionary of American Proverbs. A great resource for students and scholars of literature, psychology, folklore, linguistics, anthropology, and cultural history, this endlessly intriguing volume is also a delightful companion for anyone with an interest in American culture.

SUMMARY: The devil works his servant mercilessly until the servant's brother cleverly outwits him.

Lou Prophet's life as a bounty hunter has taught him one rule: You don't stop riding till the job is finished. Louisa Bonaventure gives that rule a whole new meaning. After seeing her family slaughtered by Dave Duvall and his Red River Gang, she and Prophet have tracked down and wiped out every last murderer - except for Duvall. Now Prophet is caught in a bloody crossfire of hatred between the outlaw, who would shoot a man dead for the fun of it, and Louisa, who has sworn to kill Duvall or die trying.