The Devil S End

FOR SEVENTY YEARS, HE HAS WAITED...In Sharon Vallery, at teen slumber parties and around campfires, the story is told. Seventy years ago, on Halloween night, Nathaniel and Myrantha Ober made a pact sealed by bloody human sacrifice...a pact with the devil himself.THIS HALLOWEEN, EVIL WILL RETURN...Nancy Snell is the most popular girl in high school. She is beautiful and wealthy, and she has discovered the key to unlimited power. The occult force that was summoned to this sleepy town decades ago. She has already chosen the perfect victim needed to perform the ritual: the new girl in town, Lana Bremmers.THE DEVIL'S ENDOnce again the town of Sharon Valley will be the doorway to the legions of darkness. And the devil will have his payment in blood, on an even more terrifying Halloween night.

At teenage slumber parties and around Boy Scout campfires in Sharon Valley, the same bone-chilling tale is repeated--70 years ago, on a Halloween night of bloody human sacrifice, an unholy pact was made with the devil. Now the horrow is unleashed again, and the devil will have his due on an even more terrifying Halloween night.

Ninety-five years ago the enormous interplanetary space vehicle, the Pacifica, with a numerous crew, suddenly and inexplicably disappeared as it neared the planet Pluto. None of the probes directed towards the planet after the disaster found any evidence that the vessel and its crew had ever existed. Now, a century later, the wreck of the huge ship has been sighted, lying shrouded in the hazy-black starlight on the Plutonian surface. A shuttle has been fitted for the dangerous journey to the seventh planet, and with three crewmembers aboard, has made the first attempt to reach Pluto since the loss of the Pacifica. As the shuttle approaches the planet, it also 'suddenly and inexplicably' disappears and is lost. Although the crew of three is believed to have perished, they have not, and will carry on with their mission: to determine how the Pacifica met its fate. The truth, however, may be found only beyond reason, or even beyond imagination, and the three astronauts may wish that they never sought answer to this great mystery.

Olive Hawthorne is the sole guardian of the sleepy village of Devil's End. She protects the world from the incursion of demons, vampires, aliens and all manner of otherworldly creatures. But she is getting old ... and they keep coming ... This is the story of Olive's life. From her earliest days, through teenage years, middle age, and now old age. Tales of her adventures with monsters and evil ... forever battling against the forces of darkness ... and forever seeking to keep the world safe. Written by Suzanne Barbieri, Debbie Bennett, Raven Dane, Jan Edwards, David J Howe and Sam Stone, and edited by Sam Stone, The Dæmons of Devil's End is the story of one woman's exciting and emotional life. With a Foreword by by actress Damaris Hayman and an Afterword by producer/director Keith Barnfather. Also includes a special 'Dossier' by Andrew-Mark Thompson of artifacts recovered from the UNIT vaults. The Dæmons of Devil's End is based on, and expands upon, the Reeltime Pictures drama production White Witch of Devil's End released on DVD by Koch Media and available from www.timetraveltv.com. It also spins off from the 1971 BBC Doctor Who adventure 'The Dæmons'. All characters are used with permission of the relevant rights owners. This book has not been licensed or approved by the BBC or any of its affiliates.

"A thrilling quest for justice... [A] novel that is as exciting as it is enlightening from its first pages to its satisfying end.” —The New York Times Book Review “A page-turner in the proper sense… Mr. Carr has written a gripping and enjoyable novel.” —The Wall Street Journal The gripping story of the dangerous high-stakes worlds of politics and religion in sixteenth-century Spain as a mysterious Muslim killer retaliates against the Catholic Church. In March 1584, the priest of Belamar de la Sierra, a small town in Aragon near the French border, is murdered in his own church. Most of the town’s inhabitants are Moriscos, former Muslims who converted to Catholicism. Anxious to avert a violent backlash on the eve of a royal visit, an adviser to King Philip II appoints local magistrate Bernardo de Mendoza to investigate. A soldier and humanist, Mendoza doesn’t always live up to the moral standards expected of court officials, but he has a reputation for incorruptibility. From the beginning, Mendoza finds almost universal hatred for the priest. And it isn’t long before he’s drawn into a complex and dangerous world in which greed, fanaticism, and state policy overlap. And as the killings continue, Mendoza's investigation is overshadowed by the real prospect of an ethnic and religious civil war. By turns an involving historical thriller and a novel with parallels to our own time, The Devils of Cardona is an unexpected and compelling read.

Undoubtedly the most notorious title in director Ken Russell’s controversial filmography, The Devils (1973) caused a real furor on its initial theatrical release, only to largely disappear for many years. This Devil’s Advocate considers the film’s historical context, as the timing of the first appearance of The Devils is of particular importance, its authorship and adaptation (Russell’s auteur reputation aside, the screenplay is based on John Whiting’s 1961 play of the same name, which was in turn based on Aldous Huxley’s 1952 book The Devils of Loudun), and its generic hybridity. Darren Arnold goes on to examine the themes prevalent in the film—this is the only film of Russell’s which the director considered to be political—and considers the representation of gender and sexuality, gender fluidity, and how sex and religion clash to interesting and controversial effect. He concludes by revisiting the film’s censorship travails and the various versions of The Devils that have appeared on both big and small screens, and the film’s legacy and influence.

The first hours and days following the Allied invasion of Normandy on 6 June 1944 have a strong claim to be amongst the most crucial in world history. Spearheading this vast undertaking were crack British and American airborne forces. The Day The Devils Dropped In examines in fascinating detail the pivotal role of the 9th Battalion of the Parachute Regiment over the first week of the landings. Tasked with neutralizing the mighty Merville Battery, capturing Le Plein and the Château St Côme on the Breville Ridge, failure by the Paras to achieve any of these key objectives could well have unraveled the whole OVERLORD operation with catastrophic consequences. In his quest to uncover the true story of the early days of the landings, Neil Barber has successfully tracked down surviving participants in the operation. As a result he is able to tell the full story of the fierce fighting that characterized the early days of the landings largely in the very words of those who lived through the experience. This adds much to the credibility and immediacy of this enthralling book, which paints a superb picture of what soldiers care to call 'the fog of war'. The result is an inspiring and revealing read and a fine tribute to those whose contribution must never be forgotten.

Stories of witchcraft and demonic possession from early modern England through the last official trials in colonial New England Those possessed by the devil in early modern England usually exhibited a common set of symptoms: fits, vomiting, visions, contortions, speaking in tongues, and an antipathy to prayer. However, it was a matter of interpretation, and sometimes public opinion, if these symptoms were visited upon the victim, or if they came from within. Both early modern England and colonial New England had cases that blurred the line between witchcraft and demonic possession, most famously, the Salem witch trials. While historians acknowledge some similarities in witch trials between the two regions, such as the fact that an overwhelming majority of witches were women, the histories of these cases primarily focus on local contexts and specifics. In so doing, they overlook the ways in which manhood factored into possession and witchcraft cases. Vexed with Devils is a cultural history of witchcraft-possession phenomena that centers on the role of men and patriarchal power. Erika Gasser reveals that witchcraft trials had as much to do with who had power in the community, to impose judgement or to subvert order, as they did with religious belief. She argues that the gendered dynamics of possession and witchcraft demonstrated that contested meanings of manhood played a critical role in the struggle to maintain authority. While all men were not capable of accessing power in the same ways, many of the people involved—those who acted as if they were possessed, men accused of being witches, and men who wrote possession propaganda—invoked manhood as they struggled to advocate for themselves during these perilous times. Gasser ultimately concludes that the decline of possession and witchcraft cases was not merely a product of change over time, but rather an indication of the ways in which patriarchal power endured throughout and beyond the colonial period. Vexed with Devils reexamines an unnerving time and offers a surprising new perspective on our own, using stories and voices which emerge from the records in ways that continue to fascinate and unsettle us.