The First Sentimental Education

The protagonist, Frederic Moreau, and his beloved, Mme Arnoux, are based on Flaubert's youthful infatuation with an older married woman. Frederic's puppy love for Mme Arnoux is at first steadfast and idealistic, and she remains faithful to her rather frivolous husband. Frederic's love ends in disillusionment, as do the subsequent passions of his life. His youthful ambitions lead to failure and boredom, and his idealistic views of social progress are disappointed by reality. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.

'Sentimental Education' has been described both as the first modern novel and as a novel to end all novels. Weaving a poignant love story into his account of the 1848 revolution, Flaubert shows a society in the grip of stereotypes, on every level. There is something farcical in his depiction of characters who aspire to act but are dogged by cliche at every turn. To a greater extent even than Madame Bovary, 'Sentimental Education' is an indictment of modern consumerism, contrasting the hollowness of material achievement with the lasting beauty of the ideal. Flaubert's study of success and failure offers us a terrible sadness in a terrible beauty, yet is one of the world's great comic masterpieces. AUTHOR: Gustave Flaubert (1821-1880) achieved instant success and fame, indeed notoriety, with his first novel, 'Madam Bovary', published in 1857. He was prosecuted on the basis that the novel was 'offensive to public morality and religion'. Although found not guilty, Flaubert earned a lecture from the judge on the dangers of 'realism'. The book was a huge success, and Flaubert came to be considered one of the great novelists of Western literature.

"Cohen draws on archival research, resurrecting scores of forgotten nineteenth-century novels, to demonstrate that the codes most closely identified with realism were actually the invention of sentimentality, a powerful aesthetic of emerging liberal-democratic society, although Balzac and Stendhal trivialized sentimental works by associating them with "frivolous" women writers and readers."--BOOK JACKET.

From the summer of 1870 through the spring of 1871, France suffered a humiliating defeat in its war against Prussia and witnessed bloody class warfare that culminated in the crushing of the Paris Commune. In Flaubert in the Ruins of Paris, Peter Brooks examines why Flaubert thought his recently published novel, Sentimental Education, was prophetic of the upheavals in France during this “terrible year,” and how Flaubert's life and that of his compatriots were changed forever. Brooks uses letters between Flaubert and his novelist friend and confidante George Sand to tell the story of Flaubert and his work, exploring his political commitments and his understanding of war, occupation, insurrection, and bloody political repression. Interweaving history, art history, and literary criticism—from Flaubert's magnificent novel of historical despair, to the building of the reactionary monument the Sacré-Coeur on Paris's highest summit, to the emergence of photography as historical witness—Brooks sheds new light on the pivotal moment when France redefined herself for the modern world.

The Becoming of a Man “For some men, the stronger their desire, the more difficult it is for them to act. They are hampered by mistrust of themselves, daunted by the fear of giving offence; besides, deep feelings of affection are like respectable women; they are afraid of being found out and they go through life with downcast eyes.” - Gustave Flaubert, Sentimental Education Armed with a letter of recommendation, young Frederic Moreau leaves for Paris where he becomes obsessed with an older woman, Mme. Arnoux. In order to see her more often and get to know her better, Frederic befriends with her husband, M. Arnoux. In spite of all his troubles, the young man can’t reach to Mme. Arnoux so he tries to seek love elsewhere. Will he find it? Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

Sentimental Education by Gustave Flaubert translated by Robert Baldick (illustrated)The novel describes the life of a young man (Frédéric Moreau) living through the revolution of 1848 and the founding of the Second French Empire, and his love for an older woman (based on the wife of the music publisher Maurice Schlesinger, who is portrayed in the book as Jacques Arnoux).-Illustrated Edition By J.R Wyrhta-Author: Gustave Flaubert-Contributors: Gustave Flaubert-Translator: Robert Baldick-Contributors: Robert Baldick-Remastered Cover-Characters: Madame Marie Arnoux, Frédéric Moreau, Monsieur Jacques Arnoux, Charles Deslauriers, Mademoiselle Rose-Annette Bron (Rosanette), MORE-Sentimental Education is one of the great French novels of the nineteenth century.-Original language: French to English LanguageFrederic Moreau, a law student returning home to Normandy from Paris, notices Mme Arnoux, a slender, dark woman several years older than himself. It is the beginning of an infatuation that will last a lifetime. He befriends her husband, an influential businessman, and as their paths cross and re-cross over the years, Madame Marie Arnoux remains the constant, unattainable love of Moreau's life. Blending love story, historical authenticity, and satire, Sentimental Education is one of the great French novels of the nineteenth century.Categories: Romance, ClassicsGenre: Novel#SentimentalEducation #Flaubert

Translation of: âEducation sentimentale.

How do you tell the story of a feminist education, when the work of feminism can never be perfected or completed? In A Sentimental Education, Hannah McGregor, the podcaster behind Witch, Please and Secret Feminist Agenda, explores what podcasting has taught her about doing feminist scholarship not as a methodology but as a way of life. Moving between memoir and theory, these essays consider the collective practices of feminist meaning-making in activities as varied as reading, critique, podcasting, and even mourning. In part this book is a memoir of one person’s education as a reader and a thinker, and in part it is an analysis of some of the genres and aesthetic modes that have been sites of feminist meaning-making: the sentimental, the personal, the banal, and the relatable. Above all, it is a meditation on what it means to care deeply and to know that caring is both necessary and utterly insufficient. In the tradition of feminist autotheory, this collection works outward from the specificity of McGregor’s embodied experience – as a white settler, a fat femme, and a motherless daughter. In so doing, it invites readers to reconsider the culture, media, political structures, and lived experiences that inform how we move through the world separately and together.