The Forensic Facial Reconstruction Of Shep En Isis

Shep-en-Isis, a mummy from Ancient Egypt, has been in St. Gallen since 1820. It has the reputation of being the most famous mummy in Switzerland and is kept in the monastery library. For the first time, her face has been reconstructed using modern forensic methods. 3rd edition.

The Complete Royal Mummies of Ancient Egypt: Identifications of Ancient Egyptian Royal Mummies and burials from the Old Kingdom to Modern Age re-assessed. Part 3: E-Book edition (shortened and adapted for E-reader) Bioarchaeological investigations of Ancient Egyptian Mummies: Immerse yourself in the fascinating world of the royal mummies of ancient Egypt. This two-volume work presents the current state of knowledge on the identification of the royal mummies and offers an in-depth look at the complex scientific methodology used to unravel their secrets. Volume one guides you through the historical information, such as ancient restoration inscriptions applied by the priests of the Third Intermediate Period when repairing the mummies, as well as the changing techniques of mummification, which provide important clues to the dating and positioning of individuals within the various royal families. Numerous royal mummies are presented as individual case studies to give you a detailed insight into their identification. In the second volume you will find craniometric data, some rulers of the medieval period whose tombs have survived, as well as the khedives, sultans and kings of the modern period and their wives. In addition, you will find forensic facial reconstructions and other illustrations to help you gain an even more accurate picture of these fascinating personalities. The books are an indispensable reference work for anyone interested in the history of ancient Egypt and the fascinating world of royal mummies. Immerse yourself in the world of the pharaohs and discover the secrets of their mummies! The e-book is intended as a supplement for travelling and is therefore defined as volume 3

As the number of stranger-on-stranger crimes increases, solving these crimes becomes more challenging. Forensic illustration has become increasingly important as a tool in identifying both perpetrators and victims. Now a leading forensic artist, who has taught this subject at law enforcement academies, schools, and universities internationally, off

Everything about Yourself is Written on the Face This book takes you through a guided journey in the ancient art of Chinese Face Reading or Mian Xiang. With superbly realistic 3D-like graphics and entertaining commentaries, this book is the perfect introduction to the powerful and immensely useful art of Face Reading. This handy reference is your go-to guide to read the faces of friends, family or strangers - with astounding accuracy.

This monograph explores the unity of the modern concepts of magic and science in Egyptian medicine.

Afrocentrism has been a controversial but popular movement in schools and universities across America, as well as in black communities. But in We Can't Go Home Again, historian Clarence E. Walker puts Afrocentrism to the acid test, in a thoughtful, passionate, and often blisteringly funny analysis that melts away the pretensions of this "therapeutic mythology." As expounded by Molefi Kete Asante, Yosef Ben-Jochannan, and others, Afrocentrism encourages black Americans to discard their recent history, with its inescapable white presence, and to embrace instead an empowering vision of their African (specifically Egyptian) ancestors as the source of western civilization. Walker marshals a phalanx of serious scholarship to rout these ideas. He shows, for instance, that ancient Egyptian society was not black but a melange of ethnic groups, and questions whether, in any case, the pharaonic regime offers a model for blacks today, asking "if everybody was a King, who built the pyramids?" But for Walker, Afrocentrism is more than simply bad history--it substitutes a feel-good myth of the past for an attempt to grapple with the problems that still confront blacks in a racist society. The modern American black identity is the product of centuries of real history, as Africans and their descendants created new, hybrid cultures--mixing many African ethnic influences with native and European elements. Afrocentrism replaces this complex history with a dubious claim to distant glory. "Afrocentrism offers not an empowering understanding of black Americans' past," Walker concludes, "but a pastiche of 'alien traditions' held together by simplistic fantasies." More to the point, this specious history denies to black Americans the dignity, and power, that springs from an honest understanding of their real history.