The Four Lost Men

"The Four Lost Men is the first publication of the long version of Thomas Wolfe's story of familial and national reflection set during World War I. Here Wolfe supplies a moving portrait of his dying father, as well as a rich meditation on American history and ambitions. Discussion of the title characters - Presidents James A. Garfield, Chester A. Arthur, Benjamin Harrison, and Rutherford B. Hayes - provides Wolfe an opportunity to assess the mood and promise of the nation as well as to reflect on the obstacles that had blocked paths toward untapped American potential." "Originally published as a short story of seven thousand words in Scribner's Magazine in 1934 - and later abridged by one thousand words for republication in the 1935 anthology From Death to Morning - Wolfe's expanded tale is published here for the first time in its full length of some twenty-one thousand words."--BOOK JACKET.

Named a Best Book of the Year by NPR and Science Friday A quest to explore some of the most spectacular ancient cities in human history—and figure out why people abandoned them. In Four Lost Cities, acclaimed science journalist Annalee Newitz takes readers on an entertaining and mind-bending adventure into the deep history of urban life. Investigating across the centuries and around the world, Newitz explores the rise and fall of four ancient cities, each the center of a sophisticated civilization: the Neolithic site of Çatalhöyük in Central Turkey, the Roman vacation town of Pompeii on Italy’s southern coast, the medieval megacity of Angkor in Cambodia, and the indigenous metropolis Cahokia, which stood beside the Mississippi River where East St. Louis is today. Newitz travels to all four sites and investigates the cutting-edge research in archaeology, revealing the mix of environmental changes and political turmoil that doomed these ancient settlements. Tracing the early development of urban planning, Newitz also introduces us to the often anonymous workers—slaves, women, immigrants, and manual laborers—who built these cities and created monuments that lasted millennia. Four Lost Cities is a journey into the forgotten past, but, foreseeing a future in which the majority of people on Earth will be living in cities, it may also reveal something of our own fate.

The crew of the Rose-Noelle consisted of four men, barely acquainted before the start of their voyage. By the time the wrecked yacht ran aground on Great Barrier Island they had overcome fears and suspicions, developed unsuspected strengths and resources and learnt that co-operation was essential for survival.

The American President is an enthralling account of American presidential actions from the assassination of William McKinley in 1901 to Bill Clinton's last night in office in January 2001. William Leuchtenburg, one of the great presidential historians of the century, portrays each of the presidents in a chronicle sparkling with anecdote and wit. Leuchtenburg offers a nuanced assessment of their conduct in office, preoccupations, and temperament. His book presents countless moments of high drama: FDR hurling defiance at the "economic royalists" who exploited the poor; ratcheting tension for JFK as Soviet vessels approach an American naval blockade; a grievously wounded Reagan joking with nurses while fighting for his life. This book charts the enormous growth of presidential power from its lowly state in the late nineteenth century to the imperial presidency of the twentieth. That striking change was manifested both at home in periods of progressive reform and abroad, notably in two world wars, Vietnam, and the war on terror. Leuchtenburg sheds light on presidents battling with contradictory forces. Caught between maintaining their reputation and executing their goals, many practiced deceits that shape their image today. But he also reveals how the country's leaders pulled off magnificent achievements worthy of the nation's pride.

A librarian who just came into money dies in a New York hotel room, and justice is overdue: “Full of fun and delightful people. A really terrific plot” (Chicago Daily News). With a seven-hundred-dollar inheritance in her pocket, small town librarian Harriet Bascom went to the track. By the time she left she had thousands—enough to live life the way she had always wanted: with champagne, music, and love. The champagne and music flow freely once she arrives in New York City, but it’s love that brings trouble. When she discovers her beloved has a terrible secret, she makes the mistake of being alone when she confronts him about it—and doesn’t even scream when she dies. Harriet is one of the three thousand women who disappear in New York each year—the women Hildegarde Withers wants to know more about. Unhappily retired, this former elementary school teacher is hungry for action. Investigating Harriet’s case—and the three other ladies who follow her into death—will provide all the action Miss Withers could ever want. Four Lost Ladies is part of the Hildegarde Withers Mysteries series, which also includes The Penguin Pool Murder and Murder on the Blackboard.

Reprint of the original, first published in 1882.

A provocative re-reading of Stanley Kubrick’s work and its focus on masculine desire The work of Stanley Kubrick amounts to a sustained reflection on the male condition: past, present, and future. The persistent theme of his filmmaking is less violence or sex than it is the pressurized exertion of masculinity in unusual or extreme circumstances, where it may be taxed or exaggerated to various effects, tragic and comic—or metamorphosed, distorted, and even undone. The stories that Kubrick’s movies tell range from global nuclear politics to the unpredictable sexual dynamics of a marriage; from a day in the life of a New York City prizefighter preparing for a nighttime bout to the evolution of humankind. These male melodramas center on sociality and asociality. They feature male doubles, pairs, and rivals. They explore the romance of men and their machines, and men as machines. They figure intensely conflicted forms of male sexual desire. And they are also very much about male manners, style, taste, and art. Examining the formal, thematic, and theoretical affiliations between Kubrick’s three bodies of work—his photographs, his documentaries, and his feature films—Kubrick’s Men offers new vantages on to the question of gender and sexuality, including the first extended treatment of homosexuality in Kubrick’s male-oriented work.