The Long Walk Home

This is the story of how, over a period of one hundred and ninety-two days, I was torn away from the life I knew and loved, and dragged down to the depths of despair; of how I endured enforced isolation and near-starvation at the hands of Somali pirates; and of how I made a choice to survive by any and all means that I could muster.In September 2011 Judith Tebbutt and her husband David set out on an adventurous holiday to Kenya. A couple for thirty-three years, they had first met in Zambia: Africa had played a major part in their life together. After a joyous week on safari in the Masai Mara, they flew on to a beach resort forty kilometres south of Somalia. And there, in the early hours of 11 September, tragedy struck them.Judith was torn away from David by a band of armed pirates, dragged over sea and land to a village in the arid heart of lawless Somalia, and there held hostage in a squalid room, a ransom on her head. There, too, she learned the terrible truth that the responsibility of securing her release now rested with her son Ollie. But though she was isolated, intimidated and near-starved, Judith resolved to survive - walking endless circuits of her nine-foot prison, trying to make her captors see her as a human being, keeping her faith at all times in Ollie. Powerful, moving and at times quite devastating, this is Judith Tebbutt's story in her own words. It is a memoir of the life she shared with her beloved husband, an unflinching account of the ordeal that overturned her world, and a testament to the inner resilience and familial love that sustained her through captivity.There is nothing so bad in life as to have no hope - to believe you have been defeated, to give in to that. Now that I found myself in confinement, four thousand miles from home under a hostile sky, I would not accept that fate for myself.

After walking for three weeks from London's Heathrow Airport, Alec Hudson arrives at Fiona Edwards's farmhouse B & B in the mountains of North Wales to scatter his late wife's ashes on a remote peak and finds the promise of new love at midlife with Fiona.

When the Sudanese civil war reaches his village in 1985, 11-year-old Salva becomes separated from his family and must walk with other Dinka tribe members through southern Sudan, Ethiopia and Kenya in search of safe haven. Based on the life of Salva Dut, who, after emigrating to America in 1996, began a project to dig water wells in Sudan. By a Newbery Medal-winning author.

When forty-three-year-old Fiona Edwards first sees the lanky backpacker striding up the lane toward her award-winning farmhouse bed-and-breakfast in the remote mountains of North Wales, she’s puzzled. She’s used to unexpected strangers, but few arrive on foot. The man to whom she opens her door is middle-aged, unshaven, sweat-soaked . . . and arrestingly handsome. What neither of them knows at that moment is that their lives are about to change forever. American Alec Hudson has carried the ashes—and the memory—of his late ex-wife, Gwynne, all the way from London’s Heathrow Airport, honoring her request that he scatter them atop a mountain they had climbed together years before—the same brooding peak whose jagged cliffs rise to the sky from the back pastures of Fiona’s farm. But the weather doesn’t cooperate, and as Fiona and Alec wait for it to clear, they are drawn together by mutual loss, longing, and the miracle of love at midlife. On the day he finally reaches the summit, Alec is caught in a vicious hailstorm. As he struggles to descend, he stumbles upon the body of a man he recognizes from a photograph at the farm: it is Fiona’s ailing and reclusive husband, David, and he is close to death. Will North’s debut novel, The Long Walk Home, is a story about grief and hope, about love and loss, and about two people struggling with the agonizing complexities of fidelity—to a spouse, to a moral code, to each other, and to a passion neither thought would ever appear again. By turns lyrical and gripping, set amid a landscape of breathtaking beauty and unpredictable danger, this is a story you will not soon forget. For news, reviews, and a visual walking tour, visit WillNorthOnline.com. From the Hardcover edition.

The Long Walk Home – will most likely be the last book I write – I am eighty-three years old – this book is important to me – it goes over to a degree what has been said in my previous books – The End Was A Beginning – the first – the second The Silent Voice – in much more detail – it is threaded with the never- ending presence of loneliness – but more significantly it brings forth the Four Absolutes – Honesty – Purity – Unselfishness – Love – which were given to me in 1986 – I have talked about these principles in my previous books – I made clear that if these principles were incorporated in society at hand – the world would change in an instant – this I believe is the power of these four words – the society that exists at present – the persistence of – selfishness – self-centeredness – permeated with dishonesty – beyond reproach – the distortion of purity – the use of the word – love – as a panacea – to cover the vile of discontent that exists in the world as is lived in – every crime – every murder – every twisted thought – every lie – every selfish act – every thought of hate - would be reduced to the pleasantries of memory – I cannot – predict where society will rest seventy years from now – 2016 – I do know that in 1927 the world population was two billion – 1960 three billion – 2011 seven billion – projection 2083 ten billion – will make up our society – if the culture is not changed – the present will be a reality for the future – this may be a morbid statement – it is a true statement – for sure – society is doing nothing to change the silhouette as is known – the simple life is but a dream of realities – taken from the books well-read – by masters – of the past – what is our destiny –

Contemporary Black American Cinema offers a fresh collection of essays on African American film, media, and visual culture in the era of global multiculturalism. Integrating theory, history, and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies, and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis. From Paul Robeson’s and Sidney Poitier’s star vehicles to Lee Daniels’s directorial forays, these essays address the career legacies of film stars, examine various iterations of Blaxploitation and animation, question the comedic politics of "fat suit" films, and celebrate the innovation of avant-garde and experimental cinema.

At only thirteen, Mikey Quinn is arrested for stealing a rabbit to feed his family. Despite his age, he’s shown no mercy by the wealthy lawyer who sends him to prison. He returns home to find that his mother has died and his younger siblings taken into the workhouse. With only his determination, Mikey makes his way to London to seek a better life for his family. Whilst there, he meets Eleanor who he recognises as the daughter of the lawyer who ruined his life. Desperate, they band together forging a new life for themselves on the streets of London. Overlooking their initial differences, the two come to rely on each other and, when the time comes to return to Hull, they face the long walk home together.