The Magnificent Max Baer

Boxing might not have survived the 1930s if not for Max Baer. A contender for every heavyweight championship 1932-1941, California's "Glamour Boy" brought back the "million-dollar gate" not seen since the 1920s. His radio voice sold millions of Gillette razor blades; his leading-man appeal made him a heartthrob in The Prizefighter and the Lady (1933). The film was banned in Nazi Germany--Baer had worn a Star of David on his trunks when he TKOed German former champ Max Schmeling. Baer defeated 275-pound Primo Carnera in 1934 for the championship, losing it to Jim Braddock the next year. Contrary to Cinderella Man, (2005), Baer--favored 10 to 1--was not a villain and the fight was more controversial than the film suggested. His battle with Joe Louis three months later drew the highest gate of the decade. This first comprehensive biography covers Baer's complete ring record, his early life, his career on radio, film, stage and television, and his World War II army service.

New York Times Bestseller: This true Depression-era story of a down-and-out fighter’s dramatic comeback is “a delight” (David Halberstam). James J. Braddock was a once promising light heavyweight. But a string of losses in the ring and a broken right hand happened to coincide with the Great Crash of 1929—and Braddock was forced to labor on the docks of Hoboken. Only his manager, Joe Gould, still believed in him. Gould looked out for the burly, quiet Irishman, finding matches for Braddock to help him feed his wife and children. Together, they were about to stage the greatest comeback in fighting history. Within twelve months, Braddock went from being on the relief rolls to facing heavyweight champion Max Baer, renowned for having allegedly killed two men in the ring. A brash Jewish boxer from the West Coast, Baer was heavily favored—but Braddock carried the hopes and dreams of the working class on his shoulders, and when he emerged victorious against all odds, the shock was palpable—and the cheers were deafening. In the wake of his surprise win, Damon Runyon dubbed him “Cinderella Man.” Against the gritty backdrop of the 1930s, Cinderella Man brings this dramatic all-American story to life, telling a classic David and Goliath tale that transcends the sport. “A punchy read with touches of humor.” —The New York Times “A wonderful, thrilling boxing story, and simultaneously a meticulous look at Depression life.” —Jimmy Breslin

At over six and a half feet tall and nearly 300 pounds, heavyweight champion Primo Carnera was a giant for his times, but today “the Ambling Alp” is too often written off as an unskilled oaf and a product of the mob dealings that plagued boxing during the 1930s. He may not have been a natural in the ring, but he worked as hard as any boxer to learn his craft, to be in top condition, and he repeatedly showed that he was tougher than nails. This biography details Carnera’s early life and boxing career, his success as a fighter as well as accusations of fight fixing, his strengths and limitations in the ring, and his later career as a wrestler.

This book follows the lives and careers of two Jewish boxers, Max Baer and Barney Ross. Fighting in the 1920s and 1930s when anti-Semitism was rampant, American Jews found symbols of strength and courage in these two world champions. This book provides a vivid picture of Baer and Ross as they fought opponents in the ring and prejudice outside it.

Mixing fictional and historical characters this haunting story is about Max Baer's life in and out of the boxing ring.

In 1934, Jim Braddock was down and out. His boxing career blighted by broken hands, the New Yorker of English parentage had lost most of his previous twenty-one bouts and been forced to quit. Then came a visit from his old manager, asking if he wanted one more fight. Desperate for money, Braddock had no choice. Four wins later, he was the heavyweight champion of the world. His story captivated the nation in the way the racehorse Seabiscuit's would a few years later. Braddock's rags-to-riches success led Damon Runyon to call him 'the Cinderella Man'.

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