The Neighborhood Manhattan Forgot

“An illuminating treat! . . . it retraces the neighborhood’s fascinating arc from remote woodland estate to the enduring Beaux Arts streetscape.” —Eric K. Washington, award-winning author of Boss of the Grips This fully illustrated history peels back the many layers of a rural society evolving into an urban community, enlivened by the people who propelled it forward: property owners, tenants, laborers, and servants. It tells the intricate tale of how individual choices in the face of family dysfunction, economic crises, technological developments, and the myriad daily occurrences that elicit personal reflection and change of course pushed Audubon Park forward to the cityscape that distinguishes the neighborhood today. A longtime evangelist for Manhattan’s Audubon Park neighborhood, author Matthew Spady delves deep into the lives of the two families most responsible over time for the anomalous arrangement of today’s streetscape: the Audubons and the Grinnells. Beginning with the Audubons’ return to America in 1839 and John James Audubon’s purchase of fourteen acres of farmland, The Neighborhood Manhattan Forgot follows the many twists and turns of the area’s path from forest to city, ending in the twenty-first century with the Audubon name re-purposed in today’s historic district, a multiethnic, multi-racial urban neighborhood far removed from the homogeneous, Eurocentric Audubon Park suburb. “This well-documented saga of demographics chronicles a dazzling cast of characters and a plot fraught with idealism, speculation, and expansion, as well as religious, political, and real estate machinations.” —Roberta J.M. Olson, PhD, Curator of Drawings, New-York Historical Society The story of the area’s evolution from hinterland to suburb to city is comprehensively told in Matthew Spady’s fluidly written new history.” —The New York Times

Audubon Park’s journey from farmland to cityscape The study of Audubon Park’s origins, maturation, and disappearance is at root the study of a rural society evolving into an urban community, an examination of the relationship between people and the land they inhabit. When John James Audubon bought fourteen acres of northern Manhattan farmland in 1841, he set in motion a chain of events that moved forward inexorably to the streetscape that emerged seven decades later. The story of how that happened makes up the pages of The Neighborhood Manhattan Forgot: Audubon Park and the Families Who Shaped It. This fully illustrated history peels back the many layers of a rural society evolving into an urban community, enlivened by the people who propelled it forward: property owners, tenants, laborers, and servants. The Neighborhood Manhattan Forgot tells the intricate tale of how individual choices in the face of family dysfunction, economic crises, technological developments, and the myriad daily occurrences that elicit personal reflection and change of course pushed Audubon Park forward to the cityscape that distinguishes the neighborhood today. A longtime evangelist for Manhattan’s Audubon Park neighborhood, author Matthew Spady delves deep into the lives of the two families most responsible over time for the anomalous arrangement of today’s streetscape: the Audubons and the Grinnells. Buoyed by his extensive research, Spady reveals the darker truth behind John James Audubon (1785–1851), a towering patriarch who consumed the lives of his family members in pursuit of his own goals. He then narrates how fifty years after Audubon’s death, George Bird Grinnell (1849–1938) and his siblings found themselves the owners of extensive property that was not yielding sufficient income to pay taxes, insurance, and maintenance. Like the Audubons, they planned an exit strategy for controlled change that would have an unexpected ending. Beginning with the Audubons’ return to America in 1839, The Neighborhood Manhattan Forgot follows the many twists and turns of the area’s path from forest to city, ending in the twenty-first century with the Audubon name re-purposed in today’s historic district, a multiethnic, multi-racial urban neighborhood far removed from the homogeneous, Eurocentric Audubon Park suburb.

Before the Brooklyn Battery Tunnel, the World Trade Center, and Battery Park City, Manhattan's southern tip was home to a vibrant community of thousands of Slovakian, Irish, Syrian, Greek, and Lebanese immigrants. Living closely in five-story tenement buildings, these early New Yorkers, many of whom filled the low-wage jobs of Wall Street, built a multicultural neighborhood where the weekdays were filled with the hustle of business and the nights and weekends were filled with stickball games, dances, and worship. The Financial District's Lost Neighborhood: 1900-1970 celebrates this little-known neighborhood while highlighting some of New York City's most famous landmarks: Trinity Church, St. Nicholas Greek Orthodox Church, Battery Park and the New York Aquarium, and the Downtown Athletic Club, home of the Heisman Memorial Trophy.

Nearly 600 captivating stories of notable former residents of Manhattan’s Upper West Side, some famous, some forgotten What do Humphrey Bogart and Patty Hill (co-author of “Happy Birthday,” the most popular song of all time) have in common? Both of them once lived in the neighborhood of Morningside Heights and Bloomingdale, a strip of land that runs from the 90s to 125th Street, between the Hudson River and Central Park. Spanning hundreds of years, Notable New Yorkers of Manhattan’s Upper West Side is a compilation of stories of nearly 600 former residents who once called Manhattan’s Upper West Side home. Profiling a rare selection of wildly diverse people who shaped the character of the area, author Jim Mackin introduces readers to its fascinating residents—some famous, such as George and Ira Gershwin and Thurgood Marshall, and some forgotten, such as Harriet Brooks, Augustus Meyers, and Elinor Smith. Brief biographies reveal intriguing facts about this group, which include scientists, explorers, historians, journalists, artists, entertainers, aviators, public officials, lawyers, judges, and some in a category too unique to label. This collection also promotes accomplished women who have been forgotten and spotlights The Old Community, a tight-knit African American enclave that included such talented and accomplished residents as Marcus Garvey, Billie Holiday, and Butterfly McQueen. The book is divided into five geographical sections: the West 90s, the West 100s, the West 110s, the West 120s, and Riverside Drive. Addresses are arranged in ascending order within each section, first by street number and then by street address number. While the focus is on people, the book includes an eclectic collection of interesting facts and colorful stories about the neighborhood itself, including the 9th Avenue El, Little Coney Island, and, notoriously, one of the most dangerous streets in the city, as well as songs and movies that were written and filmed in the neighborhood. Notable New Yorkers of Manhattan’s Upper West Side provides a unique overview of the people who shaped the neighborhood through their presence and serves as a guide to those who deserve to be recognized and remembered.

Explores four centuries of colonization, land divisions, and urban development around this historic landmark neighborhood in West Harlem It was the neighborhood where Alexander Hamilton built his country home, George Gershwin wrote his first hit, a young Norman Rockwell discovered he liked to draw, and Ralph Ellison wrote Invisible Man. Through words and pictures, Hamilton Heights and Sugar Hill traces the transition of this picturesque section of Harlem from lush farmland in the early 1600s to its modern-day growth as a unique Manhattan neighborhood highlighted by stunning architecture, Harlem Renaissance gatherings, and the famous residents who called it home. Stretching from approximately 135th Street and Edgecombe Avenue to around 165th, all the way to the Hudson River, this small section in the Heights of West Harlem is home to so many signifi cant events, so many extraordinary people, and so much of New York’s most stunning architecture, it’s hard to believe one place could contain all that majesty. Author Davida Siwisa James brings to compelling literary life the unique residents and dwelling places of this Harlem neighborhood that stands at the heart of the country’s founding. Here she uncovers the long-lost history of the transitions to Hamilton Grange in the aftermath of Alexander Hamilton’s death and the building boom from about 1885 to 1930 that made it one of Manhattan’s most historic and architecturally desirable neighborhoods, now and a century ago. The book also shares the story of the LaGuardia High School of Music & Art, one of the fi rst in the nation to focus on arts and music. The author chronicles the history of the James A. Bailey House, as well as the Morris-Jumel Mansion, Manhattan’s oldest surviving residence and famously known as George Washington’s headquarters at the start of the American Revolution. By telling the history of its vibrant people and the beautiful architecture of this lovely, well-maintained historic landmark neighborhood, James also dispels the misconception that Harlem was primarily a ghetto wasteland. The book also touches upon the Great Migration of Blacks leaving the South who landed in Harlem, helping it become the mecca for African Americans, including such Harlem Renaissance artists and luminaries as Thurgood Marshall, Count Basie, Duke Ellington, Mary Lou Williams, Paul Robeson, Regina Anderson Andrews, and W. E. B. Du Bois.

Devil’s Mile tells the rip-roaring story of New York’s oldest and most unique street The Bowery was a synonym for despair throughout most of the 20th century. The very name evoked visuals of drunken bums passed out on the sidewalk, and New Yorkers nicknamed it “Satan’s Highway,” “The Mile of Hell,” and “The Street of Forgotten Men.” For years the little businesses along the Bowery—stationers, dry goods sellers, jewelers, hatters—periodically asked the city to change the street’s name. To have a Bowery address, they claimed, was hurting them; people did not want to venture there. But when New York exploded into real estate frenzy in the 1990s, developers discovered the Bowery. They rushed in and began tearing down. Today, Whole Foods, hipster night spots, and expensive lofts have replaced the old flophouses and dive bars, and the bad old Bowery no longer exists. In Devil’s Mile, Alice Sparberg Alexiou tells the story of the Bowery, starting with its origins, when forests covered the surrounding area, and through the pre–Civil War years, when country estates of wealthy New Yorkers lined this thoroughfare. She then describes the Bowery’s deterioration in stunning detail, starting in the post-bellum years. She ends her historical exploration of this famed street in the present, bearing witness as the old Bowery buildings, and the memories associated with them, are disappearing.

"Inwood, the northern most neighborhood of Manhattan, has a rich yet little-known history. For centuries, the region remained practically unchanged--a quaint, country village known to early Dutch settlers as Tubby Hook. The subway's arrival in the early 1900s transformed the area, once scorned as "ten miles from a beefsteak," from farm to city virtually overnight. The same construction boom sparked an age of neighborhood self-discovery, when vestiges of the past--in the form of mastodon bones, arrowheads, colonial pottery, Revolutionary War cannonballs, and forgotten cemeteries--emerged from the earth. Waves of German, Irish, and Dominican immigrants subsequently produced a vibrant urban oasis with a big-city/small-town feel. Inwood has also been home to wealthy country estates, pre-integration sports arenas, and a lively waterfront culture. Famous residents have included NBA legend Kareem Abdul-Jabbar, Basketball Diaries author Jim Carroll, and Hamilton creator/star Lin-Manuel Miranda."--Publisher's description

Photographer Barbara Mensch's rediscovered photo archives and interview tapes capture symbolic transformations of Lower Manhattan. Many of the images are published here for the first time. The photographs evoke the passage of time by dividing the images into three parts: the 1980s, 1990s, and the new millennium (2000 and beyond). The photographer shares with the viewer: "I would shoot ruins of buildings, the demolition of famous waterfront saloons, ancient alleyways, and in some cases, 19th-century buildings destroyed by mysterious fires. There were images of floods and other calamities/ catastrophes in lower Manhattan, culminating with 9/11. These photos captured what had been, what no longer exists. They served as my visual timeline. What did the passage of the many decades reveal to me? What dynamics were in my images of the same streets I repeatedly walked for years?" Her images from the Fulton Fish Market in the 1980s document the generations of immigrants and their children pursuing a gritty American Dream next to the Brooklyn Bridge. Photos from the 1990s present images of floods and fires that paralyzed the area juxtaposed with continued bulldozing to clear the way for luxury housing. Politics reshaped Manhattan's skyline by encouraging new commercial shopping, food, and restaurant destinations. This restructuring marked the beginning of the end of Downtown's blue-collar origins and white-collar replacement, challenging us to ask, "What was lost?" In the 2000s, the seminal event: September 11th, reinforced Downtown's rebirth as the global economic engine with no room for the past. Also included in this section is an interview with an insider privy to the mafia leadership of the Fulton Fish Market during Giuliani's opportunistic crusade against them in the 1980s. Dan Barry, Pulitzer Prize-winning journalist, offers a poetic and insightful tribute to the artist and photographer. *Definitions: falling off suggests a decline in quality or quantity, falling off suggests the passage of time or changes over time, falling off suggests a detachment, an alternative path to a questionable destination, falling off suggests a separation, falling off suggests something that comes to pass.