The New Niagara Tourism Technology And The Landscape Of Niagara Falls 1776 1917

In the summer of 1978, residents of Love Canal, a suburban development in Niagara Falls, NY, began protesting against the leaking toxic waste dump in their midst-a sixteen-acre site containing 100,000 barrels of chemical waste that anchored their neighborhood. Initially seeking evacuation, area activists soon found that they were engaged in a far larger battle over the meaning of America's industrial past and its environmental future. The Love Canal protest movement inaugurated the era of grassroots environmentalism, spawning new anti-toxics laws and new models of ecological protest. Historian Richard S. Newman examines the Love Canal crisis through the area's broader landscape, detailing the way this ever-contentious region has been used, altered, and understood from the colonial era to the present day. Newman journeys into colonial land use battles between Native Americans and European settlers, 19th-century utopian city planning, the rise of the American chemical industry in the 20th century, the transformation of environmental activism in the 1970s, and the memory of environmental disasters in our own time. In an era of hydrofracking and renewed concern about nuclear waste disposal, Love Canal remains relevant. It is only by starting at the very beginning of the site's environmental history that we can understand the road to a hazardous waste crisis in the 1970s-and to the global environmental justice movement it sparked.

What is it about Niagara Falls that fascinates people? What draws them to it? Is it love, obsession, or fear? In The Niagara Companion, Linda Revie searches for an answer to these questions by examining the paintings and writings about the Falls from the late seventeenth century, when the first Europeans discovered Niagara, to the early twentieth century. Linda Revie’s study considers how three centuries of representations are shaped by the earliest encounters with the waterfall and notes shifts in the construction of landscape features and in human figures, both Native and European, in the long history of fine art depictions. Travel narratives, both literary and scientific, also come under her scrutiny, and reveal how these chronicles were influenced by previous pictures coming out of Niagara, particularly some of the first from the seventeenth century. In all of these portraits and texts, she notes a common pattern of response from the observers — moving from anticipation, to disappointment, to a kind of recovery. But in the end, there is fear. Even long after Niagara had become a tourist mecca, it was often drawn as a primordial wilderness — a place where civilization vies with wildness, artifice with nature, fear with control, the natural with the mastered. Throughout this history of images and narratives, as humans struggle to control nature, the notion of wildness prevails. Those who want a deeper understanding of why Niagara Falls continues to fascinate us, even today, will find Linda Revie’s book an excellent companion.

Exploring Travel and Tourism: Essays on Journeys and Destinations offers a broad treatment of topics in global travel/tourism studies through articles first presented at Travel and Tourism panels at Mid-Atlantic Popular/American Culture Association conferences between 2007 and 2010. Through archival research, close readings and case studies, the authors assembled here examine the significance of travel and the tourist experience over the last two hundred years, from Borneo to Cuba to Niagara Falls, and places in between. The contributions seek to unpack the meanings of nationality, postcolonialism, place, gender, class and the Self/Other dyad as they bump up against the framework of travel studies. Taken together, the articles speak to central issues in current scholarly debates about travel, tourism and culture from various historical, geographical and disciplinary perspectives. The contributions are grouped thematically into three sections. Part I, “The Personal Travel Narrative: Constructing the Self Through Encounters with the Other,” offers close readings of travelogues, both published and unpublished. Part II, “Constructing a National Identity Through Tourism,” details the ways that nations and states market themselves to tourists. Part III, “The Meaning of Journey; The Meaning of Destination,” investigates places, both real and created, and the ways people travel to get to them.

Water in North American Environmental History offers 25 cases studies that explore the range of uses and perceptions of water throughout Canadian, Mexican, and United States history. Water has served a myriad of purposes historically as human sustenance, agricultural irrigation, sanitation, fire protection, military defense, power generation, transportation, and much more. Water and its uses provide an excellent entrée into the study of humans and the environment, not only because water is a vital resource for life, but also because water as a medium is so intimately woven into the everyday experiences of humans and into society’s economic, political, and social fabric. A North American perspective is not representative of the world’s water use, but it is an area with a linked history and many overlapping human and environmental features and concerns. With a continental perspective, the book explores many disparate topics without being confined to the history and experiences of just one country. The chapters are short, but descriptive, and departure points for what they tell us about the human experience in dealing with water and the environmental implications of water use. The text leads students to consider water in relation to society, and to the past. The book will be of interest to students of environmental history, geography, and the environmental sciences.

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In See America First, Marguerite Shaffer chronicles the birth of modern American tourism between 1880 and 1940, linking tourism to the simultaneous growth of national transportation systems, print media, a national market, and a middle class with money and time to spend on leisure. Focusing on the See America First slogan and idea employed at different times by railroads, guidebook publishers, Western boosters, and Good Roads advocates, she describes both the modern marketing strategies used to promote tourism and the messages of patriotism and loyalty embedded in the tourist experience. She shows how tourists as consumers participated in the search for a national identity that could assuage their anxieties about American society and culture. Generously illustrated with images from advertisements, guidebooks, and travelogues, See America First demonstrates that the promotion of tourist landscapes and the consumption of tourist experiences were central to the development of an American identity.

“[A] scrupulously researched and beautifully crafted account of how nineteenth-century Americans went in search of health, rest, and diversion.” —Lena Lencek and Gideon Bosker, coauthors of The Beach. The History of Paradise on Earth In First Resorts: Pursuing Pleasure at Saratoga Springs, Newport, and Coney Island, Jon Sterngass follows three of the best-known northeastern American resorts across a century of change. Saratoga Springs, Newport, and Coney Island began, he finds, as similar pleasure destinations, each of them featuring “grand” hotels where visitors swarmed public spaces such as verandas, dining rooms, and parlors. As the century progressed, however, Saratoga remained much the same, while Newport turned to private (and lavish) “cottages” and Coney Island shifted its focus to amusements for the masses. Fifty-nine illustrations enliven Sterngass’s unique study of the commodification of pleasure that occurred as capitalist values flourished, travel grew more accessible, and leisure time became democratized. These three resorts, he argues, served as forerunners of twentieth-century pleasure cities such as Aspen, Las Vegas, and Orlando. “An engaging, creative book replete with evocative illustrations and witty quotes . . . a pleasant read.” —Thomas A. Chambers, New York Academy of History “Sterngass’s discussions about privacy, community, commercialization, consumption, leisure, and the desire to be conspicuous are important and new. With its well-chosen illustrations, this is a handsome book as well as an important one.” —Kathryn Allamong Jacob, Radcliffe Institute for Advanced Study, Harvard University “Having mined every conceivable source about his three sites, Sterngass has presented a wealth of interesting material not only about the resort experience but also about the residents, politicians, and entrepreneurs who built them.” —Journal of American History