The Power Of Buildings 1920 1950

Trained as an architect in the early twentieth century, Hugh Ferriss possessed a vision of form that surpassed the traditional blueprints of his peers—and it showed in his distinctively moody renderings. A master of light and shadow, he managed to capture the spirit of each building with a heightened sense of perspective and design. By the 1920s, he was well on his way to becoming America's greatest architectural draftsman. Ferriss' remarkable style, which influenced generations of builders, is highlighted in this illustrated journey through three decades of American architecture. Accompanied by illuminating text and captions, this collection of sixty of his extraordinary drawings includes: Rockefeller Center, a stunning symbol of modern Art Deco style; California's Shasta Dam, ranked as one of the great civil engineering feats of the world; the Perisphere and Trylon from New York's 1939 World's Fair; Taliesin-in-Arizona, Frank Lloyd Wright's breathtaking winter home; and Denver's Red Rocks Amphitheater, a dramatic structure that incorporates natural elements and rock formations. Plus, there are illustrations of the Empire State Building, the United Nations headquarters, airports, grain elevators, bomb shelters, and more. Architects, draftsmen, and designers of all ages will savor the wonder and imagination in this magnificent volume.

Trained as an architect in the early twentieth century, Hugh Ferriss possessed a vision of form that surpassed the traditional blueprints of his peers—and it showed in his distinctively moody renderings. A master of light and shadow, he managed to capture the spirit of each building with a heightened sense of perspective and design. By the 1920s, he was well on his way to becoming America's greatest architectural draftsman. Ferriss' remarkable style, which influenced generations of builders, is highlighted in this illustrated journey through three decades of American architecture. Accompanied by illuminating text and captions, this collection of sixty of his extraordinary drawings includes: Rockefeller Center, a stunning symbol of modern Art Deco style; California's Shasta Dam, ranked as one of the great civil engineering feats of the world; the Perisphere and Trylon from New York's 1939 World's Fair; Taliesin-in-Arizona, Frank Lloyd Wright's breathtaking winter home; and Denver's Red Rocks Amphitheater, a dramatic structure that incorporates natural elements and rock formations. Plus, there are illustrations of the Empire State Building, the United Nations headquarters, airports, grain elevators, bomb shelters, and more. Architects, draftsmen, and designers of all ages will savor the wonder and imagination in this magnificent volume.

One of the most celebrated books in architectural history, this volume consists of 106 illustrated plates that influenced generations of British and American architectural and furniture designs.

Introduction -- Discipline -- Efficiency -- Hierarchy -- Fellowship -- Conclusion.

Dance and the Arts in Mexico, 1920–1950 tells the story of the arts explosion that launched at the end of the Mexican revolution, when composers, choreographers, and muralists had produced state-sponsored works in wide public spaces. The book assesses how the “cosmic generation” in Mexico connected the nation-body and the dancer’s body in artistic movements between 1920 and 1950. It first discusses the role of dance in particular, the convergences of composers and visual artists in dance productions, and the allegorical relationship between the dancer's body and the nation-body in state-sponsored performances. The arts were of critical import in times of political and social transition, and the dynamic between the dancer’s body and the national body shifted as the government stance had also shifted. Second, this book examines more deeply the involvement of US artists and patrons in this Mexican arts movement during the period. Given the power imbalance between north and south, these exchanges were vexed. Still, the results for both parties were invaluable. Ultimately, this book argues in favor of the benefits that artists on both sides of the border received from these exchanges.

Primary authority on what was proper, beautiful, efficient in all aspects of mid-19th-century interior design. Originally published in 1868. Over 100 illustrations.

Rare large-format prints offer detailed views of City Hall, State Street, the Loop, Hull House, Union Station, many other landmarks, circa 1904-1913. Introduction. Captions. Maps.

On the agricultural frontier and through technological progress, Europeans and others and their descendants have sought to fulfill their dreams of improvement. Through businesses, governments, and other bodies, city dwellers expedited these desires by organizing settlements, communications, trade, finance, and manufacturing. In turn, cities grew mightily. To assess the present condition of cities, Liberal Dreams and Nature's Limits focuses on five large North American cities at various times in the past --Philadelphia (about 1760), New York (1860), Chicago (1910), Los Angeles (1950), and Toronto (1975). Life inside these cities--specifically the economy, society and politics, public services, land development, and the geographies of circulation, workplaces, and residential districts--is the central concern of this book. Another concern is drawing contrasts and similarities between the American and Canadian urban experiences. North Americans, most now living in cities, face the challenge of a social frontier--how to maintain civility in a near-stagnant economy. Despite recent advances in cyberspace, nature has imposed limits on technical progress defined by speed, convenience, and comfort; Promethean gains through creative destruction are no longer possible. Increased preoccupation with money, status, and safety suggests that the striving inspired by liberalism is still appealing. Yet without growth, liberal dreams cannot be fulfilled. To ensure work, income equity, and a degree of freedom in thought and action, citizens and leaders in both countries will have to commit themselves as never before to managing fairness through social democracy. Sustainable cities are not possible otherwise.