The Rephaim

It's almost a year since Gaby Winters watched her twin brother die. In the sunshine of a new town her body has healed, but her grief is raw and constant. It doesn't help that every night in her dreams she fights and kills hell-beasts. And then Rafa comes to town. Not only does he look exactly like the guy who's been appearing in Gaby's dreams, he tells her things about her brother and her life that cannot be true, things that are dangerous. Who is Rafa? Who are the Rephaim? And who is Gaby? The truth lies in the shadows of her nightmares.

These are the only writings of KING OG the Rephaim. The Rephaim being a Biblical race of Giants that Moses eventually had to eradicate in Numbers 21 of the Bible. Originally transcribed during a several hundred year swath in and around 1400 BCE, THE LOST BOOK OF KING OG is a controversial, heretical tome that reads like the Bible. In fact, it has been heavily speculated that the original architects of the Bible were on intimate terms with THE LOST BOOK OF KING OG, which explains instances of similarity in metaphor and verbiage. Previously, the only way to look into this particular pre-Biblical flood, Rephaim/Nephilim world of Giants was through THE BOOK OF ENOCH and other DEAD SEA SCROLLS. Author DEMMON has brought forward a previously lost, heretical book that features the only Aramaic to English translation of the remaining mostly-complete copy of THE BOOK OF KING OG the Rephaim. While not entirely complete, THE LOST BOOK OF KING OG offers the greatest comprehension yet of the antediluvian (PRE-FLOOD) and postdiluvian world, from the eyes and ears of the Rephaim. The Catholic suppression of this text has always been due to the fact that THE BOOK OF KING OG is a pagan book. The pagan/blasphemous aspects of the tome (a championing of the uncircumcised for example) make its "burial" by the Catholic Church completely logical. Soaked in Baal worship and child-sacrifice, it is no wonder that the book had been silenced. The Catholic argument that the decision to rid the earth of the text was "God-inspired," is in fact, spiritually sound. With Constantine's systematic destruction of non-Christian texts in and around 326 CE, and the following Gelasian Decree of the 5th century CE, knowledge and/or reproduction of Og's verses was rendered impossible. In fact, the Catholic Church originally posted the following words of anathema in regards to THE BOOK OF KING OG and other forbidden texts: "... and whatever disciples of heresy and of the heretics or schismatics, whose names we have scarcely preserved, have taught or compiled, we declare to be not merely rejected but excluded from the whole Roman catholic and apostolic church, and its authors and their adherents to be damned in the inextricable shackles of anathema for ever [sic]." THE BOOK OF KING OG is referenced by association throughout (relatively) recent history, perhaps most notably in the NEW HISTORY OF ECCLESIASTICAL WRITERS published in 1693. In this reference book, the BOOK OF KING OG is described as, "Forged by Jews and Hereticks both Fabulous and Erroneous." Written closely with Vatican translator FATHER MARTIN, THE LOST BOOK OF KING OG serves as a warning, a prophecy and an explanation as to why the Rephaim and Nephilim Giants no longer walk the face of the earth. The recent uncovering of the CASSIODORUS DONATION of 550 CE to the Catholic Church has revealed the most intact, albeit horribly preserved, copy of The BOOK OF KING OG yet. The CASSIODORUS text was used as the primary source material FATHER MARTIN used for his translation THE LOST BOOK OF KING OG. Providing information on a modern, unspeakable evil, THE LOST BOOK OF KING OG will make all who read it consider their religious beliefs and their conclusions about the giants of antiquity.

Doak explores how the giants of the Hebrew Bible--which represent a connection to primeval chaos--offer insight into central aspects of Israel's symbolic universe. By placing biblical traditions within a broader Mediterranean context regarding giants and the end of the heroic age, Doak sheds new light on monotheism and monarchy in ancient Israel.

A highly original work that deals a shattering blow to all our preconceived notions about our past and human origins. Worldwide legends refer to giant flying lizards and dragons that came to this planet and founded the ancient civilizations of Mesopotamia, Egypt, India and China. Who were these reptilian creatures? What was the real reason for mans creation? Why did Adam lose his chance at immortality in the Garden of Eden? Who were the Nefilim who descended from heaven and mated with human women? Why did the serpent take such a bad rap in history? Why didnt Adam and Eve wear clothes? What were the crystals or stones that the gods fought over? Why did the ancient Sumerians call their major gods USHUMGAL, which means literally great fiery, flying serpent? What were the boats of heaven in ancient Egypt and the sky chariots of the Bible? This book tells it all.

Gaby Winters' life used to be pretty normal. She lived with her best friend. She worked in a library. She was slowly getting over the death of her twin brother, Jude. And then Rafa came looking for her. With him, her blood-soaked nightmares stopped. But now they are reality. She is one of the Rephaim - a wingless half angel, descended from the Fallen. Demons exist and they are hunting her. She knows she's alive when she's meant to be dead. And that means maybe Jude is too. So why isn't she out there looking for him?

Eighteen-year-old Julianne De Marchi is different. As in: she has an electrical undercurrent beneath her skin that stings and surges like a live wire. She can use it—to spark a fire, maybe even end a life—but she doesn’t understand what it is. And she can barely control it, especially when she’s anxious. Ryan Walsh was on track for a stellar football career when his knee blew out. Now he’s a soldier—part of an experimental privatised military unit that has identified Jules De Marchi as a threat. Is it because of the weird undercurrent she’s tried so hard to hide? Or because of her mother Angie’s history as an activist against bio-engineering and big business? It’s no coincidence that Ryan and Jules are in the same place at the same time—he’s under orders to follow her, after all. But then an explosive attack on a city building by an unknown enemy throws them together in the most violent and unexpected way. Paula Weston, author of the much-admired Rephaim series, returns with a standalone work: a futuristic thriller that is only slightly futuristic—but utterly and undeniably thrilling. Great writing, heart-burning characters, probing questions about where technology is taking us—and a plot that zips and zings like an electrical current itself. This is a great young-adult writer at the peak of her powers.