The Road I Know

Following an experience with a Ouija board at a party during March 1918, Betty White, wife of the famous America novelist, Stewart Edward White, discovered she had mediumistic gifts and subsequently began receiving messages from a group of discarnate beings who called themselves the Invisibles. Initially the messages came via automatic writing and later while Betty was in an entranced state. The messages amounted to hundreds of thousands of words which dealt with life's big questions such as our purpose here, the nature of life after physical death, and a philosophy of life as seen from the perspective of the invisibles who claimed to be a little further along the cosmic highway than we are. Communication continued after Betty passed away in 1939 via another medium and continued with Betty's help until Stewart passed away in 1946. Stewart penned a number of books compiled from the messages including, The Betty Book (1937), Across the Unknown (1939), The Unobstructed Universe (1940), The Road I Know (1942), The Stars Are Still There (1946), and With Folded Wings, which was delivered to the publisher shortly before White's death and published in 1947. These so-called Betty Books have become classics in 20th century Metaphysical literature. "Walk through your days as a creature with folded wings, conscious of the possession of another element and your ability to enter it." INVISIBLE

This book is about eight women that are in a strenuous relationship, the crying, the heart aches, and the long nights that people do not see or expect to go through when entering a relationship, some surviving their obstacles and others did not. How eight different women wanting the same thing from their man end up on different roads by their choices in life. Also, it has a straight forward view of conducted interviews with men and my personal opinion on being that desired wife. Including my testimonies how God or whatever deity you believe in can be your strength and pull you through.

In 1937 Victoria is the youngest daughter of a well to do Irish Protestant parents. A chance meeting with a handsome stranger sets Victoria on a heartbreaking path of conflict involving family, tradition and religion. Caught between the Catholic and Protestant hostilities in Ireland, will Victoria and Donny ever find happiness?

The first comprehensive history of African Americans in the Palmetto State, spanning five centuries. From the first North American slave rebellion near the mouth of the Pee Dee River in the early sixteenth century to the 2008 state Democratic primary victory of Barack Obama, award-winning historian J. Brent Morris examines the unique struggles and triumphs of African Americans in South Carolina. Following an engaging introduction, Morris brings together a wide variety of annotated primary-source documents—personal narratives, government reports, statutes, newspaper articles, and speeches—to highlight the significant people, events, social and political movements, and ideas that have shaped black life in South Carolina and beyond. In their own words, anonymous and notable African Americans, such as Charlotte Forten, David Walker, and Jesse Jackson, describe the social and economic subjugation caused by more than three hundred years of slavery, the revolution wrought by the American Civil War and Reconstruction, and the post-Reconstruction civil rights struggle that runs to the present. Many of these source documents are previously unpublished; others have been long out of print. Morris proposes that reading the narrative-sources black Carolinians left behind brings life and relevancy to the past that will spark new public conversations, inspire fresh questions, and encourage historians to pursue innovative scholarly work. “For everyone interested in South Carolina history Yes, Lord, I Know the Road is a book that has long been needed. Thanks to the judicious selection of documents and thoughtful introductory material, Brent Morris has produced a very readable book on a complex and often contentious topic. It is an invaluable addition to South Carolina historiography—and to my bookshelf.” —Walter Edgar, author of South Carolina: A History “At last, we have a concise document book tracing one of the most troubled and inspiring paths in American history. Exploring this long, rutted road, we meet brave souls who stood tall—Boston King, Robert Smalls, Septima Clark. Morris’s varied collection will spark readers to dig deeper and learn more.” —Peter H. Wood, Duke University, author of Black Majority and Strange New Land “This thoughtfully curated documentary history of Afro-Carolinians spans five centuries with important, vivid, and compelling accounts of South Carolina’s twisted, stony road of anguish and achievement, oppression and hope. An informative introduction and concise headnotes provide historical context and make the book accessible to all students of South Carolina history.” —Michael Johnson, Academy Professor of History Emeritus, Johns Hopkins University

The content of the book could be useful for people who are interested in learning about personal finance and investments, both for those who have little knowledge on the subject and for those who want to deepen and improve their financial skills. In addition, it may be of interest to young professionals, entrepreneurs and students looking for practical and useful information on how to manage their finances and make effective investment decisions

WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

This book completely changes our understanding of time, by showing how the future influences our present. It demonstrates that our thoughts, especially our intentions, necessarily influence the creation of our reality long before our actions. This concerns our future and not our present, contrary to the naïve idea that the observer could create their own reality, derived from quantum physics. The result is a true revelation of our creative role in the universe, which implies that our primary nature is spiritual in essence, meaning that pure love exists, not as a product of brain chemistry but as an energy more fundamental than gravitation or light, related to our free will through extra dimensions of space-time. Dr Philippe Guillemant also conducted a real experiment regarding strange coincidences and particularly synchronicities, after having discovered why and how it is possible to provoke them. Equipped with this "practical manual," the reader can also try it out. Written by a physicist, The Road of Time nevertheless reads like a novel. "This is now starting to be mainstream physics." Jacques Vallée

A cultural “biography” of Robert Frost’s beloved poem, arguably the most popular piece of literature written by an American “Two roads diverged in a yellow wood . . .” One hundred years after its first publication in August 1915, Robert Frost’s poem “The Road Not Taken” is so ubiquitous that it’s easy to forget that it is, in fact, a poem. Yet poetry it is, and Frost’s immortal lines remain unbelievably popular. And yet in spite of this devotion, almost everyone gets the poem hopelessly wrong. David Orr’s The Road Not Taken dives directly into the controversy, illuminating the poem’s enduring greatness while revealing its mystifying contradictions. Widely admired as the poetry columnist for The New York Times Book Review, Orr is the perfect guide for lay readers and experts alike. Orr offers a lively look at the poem’s cultural influence, its artistic complexity, and its historical journey from the margins of the First World War all the way to its canonical place today as a true masterpiece of American literature. “The Road Not Taken” seems straightforward: a nameless traveler is faced with a choice: two paths forward, with only one to walk. And everyone remembers the traveler taking “the one less traveled by, / And that has made all the difference.” But for a century readers and critics have fought bitterly over what the poem really says. Is it a paean to triumphant self-assertion, where an individual boldly chooses to live outside conformity? Or a biting commentary on human self-deception, where a person chooses between identical roads and yet later romanticizes the decision as life altering? What Orr artfully reveals is that the poem speaks to both of these impulses, and all the possibilities that lie between them. The poem gives us a portrait of choice without making a decision itself. And in this, “The Road Not Taken” is distinctively American, for the United States is the country of choice in all its ambiguous splendor. Published for the poem’s centennial—along with a new Penguin Classics Deluxe Edition of Frost’s poems, edited and introduced by Orr himself—The Road Not Taken is a treasure for all readers, a triumph of artistic exploration and cultural investigation that sings with its own unforgettably poetic voice.