The Seamstress Or The White Slave Of England With Fifteen Illustrations Drawn By Henry Anelay

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The Seamstress, or the White Slave of England Virginia awakes with a subdued cry upon her lip - and she starts up in a species of consternation. The effect of the dream is still upon her;-and she' cannot immediately comprehend where she is. But in a very few moments her ideas settle down into their proper departments; - and she becomes pain fully and poignantly alive to the fact that in pro portion as the garden of her dream was warm, glowing, and delicious, so is the garret of her reality chill, wretched, and cheerless. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.