The Specter From The Magician S Museum

Based on John Bellairs' mystery-adventure series, this thrilling story will keep you on the edge of your seat! John Bellairs, the name in Gothic mysteries for middle graders, wrote terrifying tales full of adventure, attitude, and alarm. For years, young readers have crept, crawled, and gone bump in the night with the unlikely heroes of these Gothic novels: Lewis Barnavelt, Johnny Dixon, and Anthony Monday. And this installment by Brad Strickland is no exception! After Rose Rita Pottinger cuts her finger on an enchanted Egyptian scroll, Lewis must work together with his neighbor Florence and sorcerous uncle Jonathan to rescue Rose Rita from the tomb in which she's imprisoned.

Lewis and Rose Rita have to participate in their school's talent contest, whether they like it or not. When they come up with the idea of doing a fake magic show, they decide to borrow some books on stage magic from a friend who works at a museum. After Rose Rita cuts her finger on an enchanted Egyptian scroll, she awakens the corpse of Belle Frisson, the scroll's previous owner, who captures Rose Rita and wants to use her body to live forever. Lewis must work together with his Uncle Jonathan and neighbour Mrs Zimmermann to rescue Rose Rita from the tomb in which she's imprisoned. For fans of Goosebumps.

When the evil sorceress Belle Frisson ensnares Rose Rita Pottinger in a magic web in order to steal her life force, Lewis Barnavelt must risk his own life to save his friend.

When the evil sorceress Belle Frisson ensnares Rose Rita Pottinger in a magic web in order to steal her life force, Lewis Barnavelt must risk his own life to save his friend.

A haunting gothic tale by master mysery writer John Bellairs--soon to be a major motion picture starring Cate Blanchett and Jack Black! "The House With a Clock in Its Walls will cast its spell for a long time."--The New York Times Book Review When Lewis Barnavelt, an orphan. comes to stay with his uncle Jonathan, he expects to meet an ordinary person. But he is wrong. Uncle Jonathan and his next-door neighbor, Mrs. Zimmermann, are both magicians! Lewis is thrilled. At first, watchng magic is enough. Then Lewis experiments with magic himself and unknowingly resurrects the former owner of the house: a woman named Selenna Izard. It seems that Selenna and her husband built a timepiece into the walls--a clock that could obliterate humankind. And only the Barnavelts can stop it!

What does it mean to describe cinematic effects as “movie magic,” to compare filmmakers to magicians, or to say that the cinema is all a “trick”? The heyday of stage illusionism was over a century ago, so why do such performances still serve as a key reference point for understanding filmmaking, especially now that so much of the cinema rests on the use of computers? To answer these questions, Colin Williamson situates film within a long tradition of magical practices that combine art and science, involve deception and discovery, and evoke two forms of wonder—both awe at the illusion displayed and curiosity about how it was performed. He thus considers how, even as they mystify audiences, cinematic illusions also inspire them to learn more about the technologies and techniques behind moving images. Tracing the overlaps between the worlds of magic and filmmaking, Hidden in Plain Sight examines how professional illusionists and their tricks have been represented onscreen, while also considering stage magicians who have stepped behind the camera, from Georges Méliès to Ricky Jay. Williamson offers an insightful, wide-ranging investigation of how the cinema has functioned as a “device of wonder” for more than a century, while also exploring how several key filmmakers, from Orson Welles to Christopher Nolan and Martin Scorsese, employ the rhetoric of magic. Examining pre-cinematic visual culture, animation, nonfiction film, and the digital trickery of today’s CGI spectacles, Hidden in Plain Sight provides an eye-opening look at the powerful ways that magic has shaped our modes of perception and our experiences of the cinema.